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| A is for Arsenic by David Pemberton |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 78 minutes. [Estimated!] |
| Music | None. |
| Style | A funny comedy which uses popular themes (crime and amateur writers) in an original and surprising plot. Easy to stage, on a single set. |
| Synopsis | A small group of aspiring crime writers meet every week under the critical eye of their course tutor - a successful author who is always daring them to better him. When one writer decides to take up his challenge, it provokes a chain of consequences straight from the pages of a crime novel. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Artists Anonymous by John Passadino |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Ralph's mother is an offstage voice and could, conceivably, be a recording. The pizza deliverer is silent and compatible with whatever gender range is open to the producer! |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single set. A sharp script with some interesting characters and real emotion in it. |
| Synopsis | Three long-serving writers meet up for their weekly writing meeting. Will this be the one where they finally crack the winning formula, or just the one where Ralph, living in his parent's basement again after his latest marriage break up, cracks? That was a lousy sentence, but this time they think they've come up with a winner... they'll fake the death of one of the writing team and use the publicity to sell a story at last! But who will get the chop for the sake of success? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| As They Like It by Nicholas Richards |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 23 minutes. [Estimated!] |
| Music | None. |
| Style | A light one act drama with a 17th Century Inn setting. |
| Synopsis | William Shakespeare is struggling to get the approval of his company, who are adamant that the first draft of the 'Scottish Play' is lacking in a number of key characters. His friends are quite persuasive and he is encouraged by barmaid Meg. So the bard relents and the play - as we now know it - is born. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Back in the Bookshop by Damian Trasler |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy sketch. Simple props - books! |
| Synopsis | People go into a bookshop and.. um.. buy books. Or not. (This is not a sequel to the TLC Creative sketch 'In the Bookshop', but it could very easily be the same store, whence the title.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Big Idea by Nigel Holloway |
| Roles | Minimum Male roles = 6. Minimum Female roles = 5. Minimum total with doubling = 11. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy satirising an amateur dramatic company. Minimal set but a variety of 'sound effects' props which are used live are essential. Notes include how to make a Wind Machine! |
| Synopsis | Big Idea is a comedy about the members of the local amateur dramatic society, the Off-the-Wall Theatre Company (none of whom bears any resemblance to anyone you might have met). The 'Big Idea' in question is a new television series, where a lucky person gets the chance to fulfil a great ambition. In this case, the Off-the-Wall company's director, the egotistical Jonathan, has harboured a dream of writing a masterpiece for the stage. The TV series gives him the chance to have his play broadcast on national television - with the help of the other members of the Off-the-Wall Theatre Company, who do not necessarily share Jonathan's view of his abilities. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Book Club Of Little Witterington - After The Fete by Joan Greening |
| Roles | Minimum Male roles = 0. Minimum Female roles = 5. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a simple setting. |
| Synopsis | The ladies of the village book club have gathered to discuss Neville Shute’s ‘On The Beach’. Some of the members have not read the book and the others seem more interested in discussing - or rather gossiping - about people and events in the village which spill over into the meeting. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Can Malone Die? by David Pollard |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on a study set. Part of the 'Illusion/Delusion' trio of plays, which can be bought separately or as a collection. |
| Synopsis | Max Feeney is a best-selling author on the point of killing off his character the ‘Ethical Assassin’ when the fictional character appears to argue to be spared. In the ensuing debate, hidden and unacknowledged truths are surfaced and the question of the debt owed by creator to creature is examined. Ultimately, Max succumbs to a heart attack while grappling with his creation. Has this all been the result of Feeney’s descent into madness or is illusion more real than we think? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Country Fried Murder by Judy Klass |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 96 minutes. [Estimated!] |
| Music | Lead sheets for 8 country song fragments (the input to the songwriting workshop at the heart of the script) are included with the Producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A murder mystery play in two acts with a single set. The play incorporates unfinished songs written by the characters. |
| Synopsis | The Colorado Rockies, 2006. Martha is the organiser of a songwriting seminar, and has hired well-known country musician Kyle Samperson to be the mentor. Kyle's treatment of his students turns out to be as controversial as his patriotic anthem about the Iraq war. The steak's not the only thing that ends up fried. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Crackerjoke Writer by Paul Richards |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play with plenty of acting challenges. A black comedy about comedians who are just not funny. Single set (with no specific set requirements) and simple props. Contains swearing. |
| Synopsis | There is a comedy pit, where unfunny comedians are held captive. That's where Ade finds himself, despite thinking that he's the next big thing in comedy. He has one chance to break out with a new act and it depends on deadbeat failure, Bunny. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Deadline by Damian Woods |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on a single set. |
| Synopsis | A writer of scathing theatre reviews is held to account by a playwright who feels one such review has ruined his life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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