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| Sorry You're Leaving by Wally Smith |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. One of the characters is on the point of retirement, the rest are younger. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute comedy sketch. Single simple set, simple props (mostly edible). |
| Synopsis | Mr Templeman's leaving party is very sparsely attended, but Edith puts that down to it being a Friday and Mr Templeman coming from Accounts. Sadly, the truth is told to Edith and her boss far too late for them to do anything about it... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Soul Bargain by David Lovesy |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 2 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedy sketch |
| Synopsis | About to end it all, a Human is offered a chance to turn it all around by a Demon, but at what price? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Source Of Denial by Damian Trasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play with a minimal set. A combination of comedy, serious argument and an exploration of the writing process. (Is that metadrama? Who knows?) |
| Synopsis | Struggling to write a 'proper' play after years of comedies, a writer uses his favourite character to explore faith, proof and truth, only to end up learning more about himself than he expected. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Spa by Damian Trasler |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy sketch with minimal set. |
| Synopsis | Brian is not keen about the spa but soon discovers that the treatments might not be too bad... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Spartan Conspiracy by Vithal Rajan |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act satire. |
| Synopsis | Menelaus, Ulysses and Agamemnon meet with Achilles to discuss the disastrous rise in the price of Olive Oil, instigated by the Trojans. How can they prompt a war with Troy to combat the oil price? Then they send for Helen... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Speakeasy by Jane Quill |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama in a single (minimal set). |
| Synopsis | Spend a few evenings with the Speakeasy group, an informal talking session where people can deal with their issues, helped by Gary, the founder. Michael is struggling with depression, Rachel is alcoholic and Bettina is really Johnathan, but they all have the group in common. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Spelled by Adrian Cale |
| Roles | Minimum Male roles = 0. Minimum Female roles = 9. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | A 75-minute comic murder mystery play in a single set. Structurally in two acts, but could be paired with a much shorter play to create a longer entertainment. |
| Synopsis | Zelda is the head witch of a modern-day coven, but is despised by its members - she's plagiarised Florence's Big Book of Spells, turned Ethel's owl into vol-au-vents, and made Dora quack like a duck. When Zelda is found dead, the Council of Witches send an investigator to solve the case. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Spiked by S. J. Bailey |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 11. Minimum total without doubling = 14. No chorus. Eleven on-stage characters plus three voices which might be recordings. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play set in a shared house.
Contains swearing and the sort of adult themes (or as near adult as students get) that you'd expect from the summary. |
| Synopsis | Housemates Rosie and Joe have the usual student problems - a looming essay deadline, a useless property manager, and Joe's spoiled girlfriend spending too long in their shower. Oh, and there's also a notorious drug baron holding them hostage, and the police besieging the building. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Split Infinitives by JJ Crossley |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. All three characers are written as male, but need not be! |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | Simple-to-stage one-act comedy play (packed with sci-fi silliness.) |
| Synopsis | An unscrupulous pair of business executives hatch a plan to establish once and for all the exact age of the universe, and reap the fame and rewards, by recruiting a test pilot for their recently acquired, but rather unreliable time machine. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Spot of Murder by Geoff Bamber
Best Seller |
| Roles | Minimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | None. |
| Style | Richly comic murder mystery play. Full-length play, single domestic set. Contains mild swearing and mild adult themes. |
| Synopsis | When faded theatrical diva, Corrina Marcham, senses that she is in great danger, she calls in Detective Inspector Trench to investigate a murder that hasn't been committed yet - her own. With the suspects, marooned at the Marchams' isolated house because of a storm, Corrina ensures that Trench's journey has not been wasted by conveniently dying. Has Corrina simply died of fright after an alarming Tarot card reading? Has she committed suicide in a bout of thespian depression, or has she really been murdered? And by whom? Somebody with something to gain? Somebody with something to hide? Or simply somebody she had upset? Can Trench and the eager PC Pendlebury uncover the truth before they have to call in somebody else to do it properly? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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