|
Hologram by Jonathan Edgington
Selected for and performed at DK Delight Production's DELIGHT NIGHT 2 playwriting festival in London in 2019. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 9 minutes. [Estimated!] |
| Music | The producer's copy of the script suggests one piece of incidental music. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A very short play set at a bar in a restaurant. |
| Synopsis | Pensioners William and Barbara are on a blind date. Things are a little frosty until William demonstrates a new app on his phone which gives them a glimpse of their past - or is it their future? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Home, Sweet Home by Adam Croft |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. Three on-stage characters and an off-stage voice. |
| Run Time | Around 78 minutes. [Estimated!] |
| Music | None. |
| Style | Drama in two acts in a single living-room setting. Contains (appropriately) strong language. |
| Synopsis | Richard and wife Claire act as Samaritans as they give homeless Boz a bed for the night in their garage. Their act of kindness rebounds as Boz gradually makes himself at home and Claire is left with a life changing dilemma. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Hope - A Monologue by Frank Flynn |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act monologue. Single outdoor set (which can be implied rather than fully built). Written in Canadian English. |
| Synopsis | Young mother Hope waits in the park for a meeting that will change her life. She tries to comfort her tiny baby, though she has no new clothes, nor food for her. A very emotive piece. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
Horseplay by Graham Jones
The precursor full-length version of this play won the Drama Association of Wales playwriting competition in 1980. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Compelling one-act drama. Single set - just a committee room table and chairs. Contains adult themes. |
| Synopsis | After a post-match celebration, three rugby players are accused of raping a girl. Through the old boys' network, the matter is dropped, but the club barmaid won't let it rest. Thanks to her persistence, one of the other members starts to see things in a different light too. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Hot and Sweet by Liz Dobson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Single domestic set. |
| Synopsis | Janet is trying to persuade her mother Ivy, who is suffering from the first stages of Alzheimer's, to come and live with her. Janet's concerns are increased when she hears about a con man operating in the area. Ivy refuses to consider her daughter's request, stating that her late husband Harry will protect her. Janet responds by saying to her mother, 'He can’t look after you if he's not here'... but can he? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| How Did That Get In My Locker? by Andrew M. Frodahl |
| Roles | Minimum Male roles = 7. Minimum Female roles = 8. Minimum total with doubling = 14. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 63 minutes. [Estimated!] |
| Music | None. |
| Style | A one act school play - chiefly American in theme and content, though could be adapted for other audiences. |
| Synopsis | When prom queen Emily goes missing and her bra turns up in Dullon Bland’s locker, only teen PI Ithaca Shue can help him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| How Things Turn Out by Bob Hammond |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Three principal female roles and two small roles (1M, 1F). |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | An engaging single set one-act drama with good dialogue, this digs deep into the apparent relationships between three women before a couple of well-placed reveals make us reassess them. |
| Synopsis | Judith and Sarah have been invited to a meeting with the solicitor of their sister Pauline, and don’t know why. Pauline’s neighbour and best friend Lisa is also invited. As the three wait to be called in to the conference room, tensions simmer. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
A Human Write by Amelia Armande
Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
| Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus.
Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
|
|
| The Hunter And The Hunted by JPS Yates |
| Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. Two non-speaking roles. |
| Run Time | Around 95 minutes. [Estimated!] |
| Music | None. |
| Style | A full length, emotive drama, set during the First World War. |
| Synopsis | A hunting party on General Franklin-Davies' Scottish estate in the early years of World War One, poignantly and dramatically presages events that the party are to experience in the trenches. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Hunting Death by Nicholas Richards |
| Roles | Minimum Male roles = 5. Minimum Female roles = 0. Minimum total with doubling = 5. Minimum total without doubling = 8. Chorus. The narrator's role could be split amongst several actors. There are opening and closing choruses which could be performed by the ensemble or by additional actors/singers. |
| Run Time | Around 25 minutes. [Estimated!] (The estimated run time assumes the music; without music it could be performed in 12 minutes.) |
| Music | The music is designed to run continuously, so there is one 25-minute score. (It is divided into sections for rehearsal purposes.) |
| Style | A short musical play, retelling the Pardoner's Tale from the Canterbury Tales. (Could also be performed as a verse play without the music.) |
| Synopsis | This drama recounts the story of three young men who bestir themselves from their wine-sodden lives to hunt and kill Death, but instead fall victim to him through greed and treachery. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** CD with full backing track (25 minutes) and full sung demo for Hunting Death by Nicholas Richards.
|
| Click here to read the script or Click here for more details. |
|