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| The Pardner's Tale by Gerald P. Murphy |
| Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single (saloon) set. (US English) |
| Synopsis | A short stage adaptation of Chaucer's 'Pardoner's Tale', brought into the dying days of the Wild West. Three outlaws try to make a mint, but they cannot cheat Death! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Click here to read the script or Click here for more details. |
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| Parish Politics by Anne Graham |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act historical drama with various simple settings. |
| Synopsis | It is 1663. The Civil War may be over but personal battles are still being fought in this English village, whilst ever-harsher laws and severe punishments breed fear, greed and superstition. An illegitimate child born to a single mother is a potential burden on the parish, so apart from the loss of her good name, the mother faces a public thrashing, particularly when the new petty constable is driven by personal revenge. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Parking Lot by Peter Anthony Fields |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | An easily staged and efficient drama that explores a few different themes. Likeable characters with believable dialogue. |
| Synopsis | Three couples - a young woman and a young man, a mother and daughter, and a husband and wife - each experience a major moment of crisis in their lives while sitting in their cars at a (US) shopping mall parking lot. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Passion by Mike Sparks |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 22. Chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Modern version of a medieval mystery play. Single set (a cart!), basic props. |
| Synopsis | The betrayal, trial and crucifixion of Jesus. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Peter's Tale by Mike Sparks |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act mystery play (in the sense of the medieval religious mystery plays) in modern English. No set requirements, no props. |
| Synopsis | Peter's perspective of the ministry of Jesus, as he reflects on their time together after Jesus' arrest. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Peterloo Principle by William Campbell |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama with minimal set requirements. |
| Synopsis | A manager is having trouble seeing past the firm’s regulations when it comes to a friend’s problems, so she takes him back to the Peterloo massacre in 1819 to give him some perspective. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Pilate's Wife by Julia Lee Dean |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. No formal chorus, but there is an off-stage crowd shouting - either live or recorded. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Easter play (from an unusual perspective), of one-act length but structured in three acts. Three locations, which could be formed as one simple composite set. |
| Synopsis | The story of Easter week told from the point of view of Pontius Pilate's household. (Mary Magdalene is presented as Pilate's mistress, allowing three very different interpretations of the events as they unfold.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Pilgrim's Progress [Version 2] by Hilary Mackelden |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 19. Minimum total without doubling = 56. No chorus. Oodles of allegorical characters, plenty of scope for doubling. |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length adaptation - in very modern English - of John Bunyan's Christian allegory. |
| Synopsis | A pilgrim sets out in search of the City of Gold. On his journey he has to negotiate traps and deal with other pilgrims, many of whom may be misguided. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Pilgrim's Progress by Christopher Morgan
Best Seller |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 54. No chorus. Whilst there are fifty-four named roles, with a minimum of around ten, the author believes the optimal cast to be around twenty-two. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Allegorical play, with minimal set requirements and reasonably simple props. |
| Synopsis | A stage adaptation of John Bunyan's allegorical story ('The Pilgrim's Progress from This World to That Which Is to Come', written in 1678) - the journey of Christian, a pilgrim, through the trials of Earth to the destination of Heaven. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Pilot's Thoughts at the End of the War by Philippa Roberts |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. Whilst this is a monologue, there is an option for a group of mournful dancers. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Five minute serious monologue with no set or prop requirements. |
| Synopsis | The war in question is the Second World War, and the pilot is regretting participating in the bombing of Dresden. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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