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Horseplay by Graham Jones
The precursor full-length version of this play won the Drama Association of Wales playwriting competition in 1980. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Compelling one-act drama. Single set - just a committee room table and chairs. Contains adult themes. |
| Synopsis | After a post-match celebration, three rugby players are accused of raping a girl. Through the old boys' network, the matter is dropped, but the club barmaid won't let it rest. Thanks to her persistence, one of the other members starts to see things in a different light too. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Hot and Sweet by Liz Dobson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Single domestic set. |
| Synopsis | Janet is trying to persuade her mother Ivy, who is suffering from the first stages of Alzheimer's, to come and live with her. Janet's concerns are increased when she hears about a con man operating in the area. Ivy refuses to consider her daughter's request, stating that her late husband Harry will protect her. Janet responds by saying to her mother, 'He can’t look after you if he's not here'... but can he? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hotel Casablanca by S. J. Edwards |
| Roles | Minimum Male roles = 4. Minimum Female roles = 9. Minimum total with doubling = 18. Minimum total without doubling = 20. No chorus. |
| Run Time | Around 29 minutes. [Estimated!] |
| Music | One song Is suggested in the Producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act comedy on 4 minimal sets, suitable for youth theatre. |
| Synopsis | The Hotel Casablanca is unfortunately short on staff, just as Lady Chalfont arrives, trying to protect her necklace from a jewel thief. But will the thief be spotted in amongst the James Bond conventioneers and detective Sam Shovel? |
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| Click here to read the script or Click here for more details. |
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| Hound Dog by Ginny Davis |
| Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | 10 tracks suggested to be played as background music at certain points in the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A comedy presented as three acts (though could be performed as one) with a single living room set. |
| Synopsis | Linda is determined to adopt a mistreated dog she encounters on holiday in Greece, much to the consternation of not only of her husband and two teenage children, but also family dog Jack, who has a lot to say. |
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| Click here to read the script or Click here for more details. |
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| The Hound Of The Baskervilles by Richard Coleman |
| Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 11. No chorus. The hound might be live or a special effect. (One other essential role takes no part in the action, but definitely needs to be there!) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act rhyming humorous play, freely interpreting the original story. |
| Synopsis | A 'Pantocrime' in rhyming couplets, re-telling the story by Sir Arthur Conan Doyle, with comedy. |
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| How Did That Get In My Locker? by Andrew M. Frodahl |
| Roles | Minimum Male roles = 7. Minimum Female roles = 8. Minimum total with doubling = 14. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 63 minutes. [Estimated!] |
| Music | None. |
| Style | A one act school play - chiefly American in theme and content, though could be adapted for other audiences. |
| Synopsis | When prom queen Emily goes missing and her bra turns up in Dullon Bland’s locker, only teen PI Ithaca Shue can help him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| How Things Turn Out by Bob Hammond |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Three principal female roles and two small roles (1M, 1F). |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | An engaging single set one-act drama with good dialogue, this digs deep into the apparent relationships between three women before a couple of well-placed reveals make us reassess them. |
| Synopsis | Judith and Sarah have been invited to a meeting with the solicitor of their sister Pauline, and don’t know why. Pauline’s neighbour and best friend Lisa is also invited. As the three wait to be called in to the conference room, tensions simmer. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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A Human Write by Amelia Armande
Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
| Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus.
Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
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| Feedback | Click here to find out what other customers said about this script. |
| Awards | Click here to see the awards won by (productions of) this script. |
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I Am Hamlet by Richard James
Performance by Portree ADS won the Wakefield Quaich Award for Presentation, Scottish One Act Festival, 2011, Performance by Thurso Players won Best Play award at the SCDA One Act Play Festival, 2012, |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy thriller, single bare-stage set. |
| Synopsis | An amateur actor auditions for the lead role in a local production of Hamlet. There is some fun to be had as the director puts him through his acting paces, but slowly we learn that the actor has more in common with the Prince of Denmark than meets the eye... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Exclusions | Due to professional performances, this script is not available for performance in the following places at the following times:-
Spain, ES from the first day of January, 2022 to the last day of January, 2026
50 mile radius of Mexico City, MX from the first day of April, 2024 to the last day of October, 2024 |
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| I Don’t Think I’ll Be Here Next Christmas by Dawn Cairns |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. One character (Laura) appears as an off-stage voice only. |
| Run Time | Around 41 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single setting. |
| Synopsis | Cantankerous pensioner Jean always spends Christmas with her son John and his wife Sheila. The mutual dislike between Sheila and Jean constantly bubbles under the surface and is reflected in the presents they give each other. Everything threatens to boil over after an incident involving sixpences in the Christmas pudding (and a toenail in the Bombay mix). Fortunately for Sheila, their daughter Laura comes to the rescue. The play features the same characters as You Won't Know I'm Here - though works perfectly well as a standalone piece. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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