|
Sassenach by Ronnie Dykstra |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 11. No chorus. Eleven roles (plus two actors who play themselves before taking on characters), designed to be playable by a cast of three plus a cameo from the director. |
Run Time | Around 34 minutes. [Estimated!] |
Music | None. |
Style | A spoof 'English' Macbeth based shamelessly on Shakespeare's tragedy, stealing many of his famous words and taking disgraceful liberties. One-act, single set (largely a living room). |
Synopsis | When a witch prophesises that Arthur Robinson could become chairman of the bath plug manufacturer he works for, his wife Samantha coerces him into speeding the process along by having his boss clobbered with a saucepan. His subsequent rise to power is hindered by the blood on their hands and rival employee Andrew Duff. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Second Thoughts by Colin Calvert |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 6. No chorus. (The max. and min. numbers depend on whether the production follows the author's intention and uses a quartet of four female singers to punctuate the action. There are also a few lines addressed to passers-by who might or might not appear on stage.) |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | One-act play, single minimalist set - a bus stop. Few props. A study of an attempted mid-life affair. |
Synopsis | Harold is waiting at the appointed spot, a bus shelter, for a meeting with his old school friend Patti, and wondering if he's up to having an affair, if that's even what's on offer. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
A Sobering Fete by Rosemary Grace |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. No formal chrous, but there is the option for additional actors to play other customers at the fete. |
Run Time | Around 26 minutes. [Estimated!] |
Music | None. |
Style | A fun comedy for female-leaning groups. Three strong characters with good comic interplay. Easily staged on a single set of three tables. |
Synopsis | Three mums run stalls at a PTA fair. Julie is determined to make money for the school, whatever it takes, Cam is devoutly health-conscious and Lily is flogging a pyramid scheme. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
A Spy With A View by Robert Scott Best Seller The Maidenhead Drama Guild (UK) won Best Comedy and came 2nd in the Open Class at the Maidenhead Drama Festival. (2019) |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Paulo is written male but could be reassigned. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy thriller with a single hotel room set.. Contains mild swearing. |
Synopsis | David and Vicky are on holiday, but the weather has trapped them in their hotel room. The monotony is broken by the delivery of a mysterious briefcase, with a recording that self-destructs! Where's the real spy? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
|
|
A Stitch In Time by Mark Green |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | A one act play with a split (lounge and garden) set. |
Synopsis | Young Alastair's dad has died, and his mum and granddad are bringing him up, and sister Holly too. Much to the family's disdain, Alastair, inspired by his late father, is convinced that he has invented a time machine. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Switching Off by Ashley Harris |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The characters are all 'middle-aged'. You'll have to make your own mind up as to what that means. |
Run Time | Around 26 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy in a single living-room set. A great comedy set-up, with a fun dynamic between the three characters, and good twists and escalations that keep the plot moving quickly. |
Synopsis | Yoga teacher Ruth is holding a lesson in her living room with client Emily. But Ruth's husband, Alistair, believes he has reserved the room so he can watch an important programme. It's a territorial battle, and Emily is caught in the crossfire. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
There's No Place Like Home by Peter Harrison |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Four on-stage characters and an off-stage female voice (which could be recorded, but, in our view, would be better performed live). |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy in a single domestic setting. |
Synopsis | When elderly Howard claims his dead wife Nancy has been talking to him, his daughter and her partner think he is suffering dementia and plan to move him into a home. But there's a surprise in store when he demonstrates how he contacts Nancy. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
The Three Little Pigs... I Mean The Three Little Hogs by Larry Brumer |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | Small-cast comedy play intended for performance by an adult or high school company to an elementary school audience. Simple sets, costumes and props. |
Synopsis | The tale of the Three Little Pigs (building houses, wolves huffing and blowing - that sort of thing) retold for elementary pupils with audience interaction and a surprise ending. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
The Tide is Coming In by Michael C. Appleby Production by The Edinburgh Makars won First Prize (and the Edith Forbes Trophy) in the Scottish Community Drama Association's One Act Play Festival, Edinburgh, 2020 |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Characters written as 2m, 2F, but can be played by any combination with permissible tweaks to names and pronouns. |
Run Time | Around 28 minutes. [Estimated!] |
Music | None. |
Style | A witty one-act comedy with funny characters and plenty of action. Set on a beach, furnished with rocks and (not necessarily visibly) sand! |
Synopsis | Angela gets stuck in quicksand while walking along the beach. Her friend Brian helpfully explains the physics of thixotropy, but can’t think of a way to get her out. Deirdre and Colin pass by and are recruited into the rescue, but are more interested in a nearby black-throated diver. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
|
|
Trapped In The Web by Cheryl Barrett |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy play comprising four monologues. Minimal set - mainly chairs and computers! |
Synopsis | Four characters whose common denominator is their addiction to their computers and the Internet - though they have very different reasons for their habit. Ultimately it is a play about individuals caught up in their own world - at times a world far removed from reality. With touching and at the same time comic stories to tell, ex rugby player Tom, reality TV forum fan Pam, E-Bay addict Susie, and dating site enthusiast Brenda keep us engrossed in their individual experiences on the web. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|