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The Emperor's New Nose by George Douglas Lee |
Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 12. Chorus. |
Run Time | Around 58 minutes. [Estimated!] |
Music | None. |
Style | Family show in one act, very loosely based on the work of Hans Christian Andersen. |
Synopsis | A lively adaptation of 'The Emperor's New Clothes' introducing many new characters who, through a series of mishaps, ensure that the rightful Emperor is restored to his throne and is able to marry his one true love. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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End Of The Pier by Karen Doling |
Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
Run Time | Around 50 minutes. [Estimated!] |
Music | None. |
Style | One act play, single set - a fortune teller's tent at the end of a pier! |
Synopsis | A gypsy called Lea (as all soothsayers are) reads people's fortunes on the end of the pier - at least, that's what the sign says, but she usually tells people the same old thing. Today, things aren't going to go as she planned, but the results will be strangely familiar... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Finding Goddard by Deborah Hugill Performance by Ury Players won the Gallery Trophy in the Aberdeen District of the SCDA one-act play festival 2023. |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 16. No chorus. 11 minor roles can be easily shared by two actors. |
Run Time | Around 29 minutes. [Estimated!] |
Music | None. |
Style | A one-act comedy with a variety of locations but minimal set requirements. |
Synopsis | When it turns out a modest, unassuming man in Helions Bumpstead is really God, everyone has an angle and everyone wants in. But soon enough, people affected by 'Acts of God' want their day in court. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
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Flapjacks by Karen Doling |
Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy play. Single cafe set. Contains mild swearing. |
Synopsis | Maddie and Claire are on the verge of opening their new cafe but the builders are still working, they're not sure about making savoury food, and they only have a couple of days before the Mayor comes to cut the ribbon. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Fleas Can Bite by George Freek |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | Dry comedy, on the boundary between a long one-act play, and a short full-length one. (It's in two acts.) |
Synopsis | A saga of unrequited love, insanity and blackmail, populated by a strange collection of patients, professionals and friends. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Gate Thirteen by Tony Frier |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 10. No chorus. |
Run Time | Around 48 minutes. [Estimated!] |
Music | None. |
Style | A one act comedy, with a dark twist. |
Synopsis | A disparate group of travellers with various levels of flying experience await the departure of their flight home from Marrakech. Gary and Julie are ingeniously attempting to avoid excess baggage charges, Derek and Pauline are collecting as many freebies as they can and the mysterious Carrie is handcuffed to her seat. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Get Staffed by Frank Gibbons Cyril V Hines Trophy (Outstanding Actress) awarded to Stella Hutchinson playing Gaynor in the Droylsden Little Theatre's production, GMDF one-act festival, 2012. |
Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 9. No chorus. Eight on-stage characters (with playing ages of 18 to 25) and an offstage Australian female voice. |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | One-act comical farce. Single (hotel reception) set. |
Synopsis | It's opening day for the newest Buzz Hotel, but things are not going well. Their first diners have come down with suspected food poisoning, and their only room booking is probably a hoax - surely it's not the real Kylie Minogue? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Growing Up With Martin by Paul Richards |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. |
Run Time | Around 60 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy play (three sets) |
Synopsis | Martin is twenty four, living in a rented flat with his girlfriend, and working at the bottom of the corporate ladder in an accounting firm run by his Mum and Dad. He's frustrated by his lowly position, but equally annoyed by the idea that he should have to exert himself to get on in life. In the course of one day we see him downtrodden, turn a corner and find a new goal, just to have one of the dearest things snatched from him. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Honorable Knight by Stewart Boston |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 8. No chorus. Nothing remarkable in the characters (apart from the dragon, obviously). |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A light comedy, playing on the traditions of the knightly stories. Split-stage set, with one permanent location and the other half of the stage doubling for two other locations. |
Synopsis | Before leaving his castle for the last time, Sir Gawain of the renowned Round Table reluctantly reveals a tale of his exploits that shows him in a less than favourable light. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Hound Of The Baskervilles by Richard Coleman |
Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 11. No chorus. The hound might be live or a special effect. (One other essential role takes no part in the action, but definitely needs to be there!) |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A one act rhyming humorous play, freely interpreting the original story. |
Synopsis | A 'Pantocrime' in rhyming couplets, re-telling the story by Sir Arthur Conan Doyle, with comedy. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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