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Strictly Fairytale Come Dancing by Sarah Cowan
Best Seller |
| Roles | Minimum Male roles = 6. Minimum Female roles = 5. Minimum total with doubling = 26. Minimum total without doubling = 30. No chorus. Wide range of roles, including speaking, non-speaking, dancing and a pantomime donkey. Ugly Sisters and Jack's Mother could be played by boys dressed as pantomime dames for comic effect. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | A list of suggested music is provided in the producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Large cast play for kids, with lots of opportunities for dancing. A comic collision between fairytales and TV Game Shows. |
| Synopsis | Hansel and Gretel need to escape from the clutches of their wicked stepmother. They need a wish from the good fairy - which just happens to be the prize for the competition 'Strictly Fairytale Come Dancing'. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Click here to read the script or Click here for more details. |
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The Super Secret Surprise Casserole by Christine Harvey & Jennifer Waugh
Production by Elanor McNamara won 'Best Moment of Theatre' at Arran Drama Festival 2018. |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Three of the characters are adults but can be played by children. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Modern version of the story of Hansel and Gretel. Simple sets. |
| Synopsis | Hansel and Gretel are thrown out of their house for arguing. Wandering through the forest (and arguing) they encounter a gingerbread house and a witch with an unusual recipe - the Super Secret Surprise Casserole... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Switching Off by Ashley Harris |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The characters are all 'middle-aged'. You'll have to make your own mind up as to what that means. |
| Run Time | Around 26 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy in a single living-room set. A great comedy set-up, with a fun dynamic between the three characters, and good twists and escalations that keep the plot moving quickly. |
| Synopsis | Yoga teacher Ruth is holding a lesson in her living room with client Emily. But Ruth's husband, Alistair, believes he has reserved the room so he can watch an important programme. It's a territorial battle, and Emily is caught in the crossfire. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tabbed by Bob Tucker |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 12. Chorus. The script is about a group performing a British Pantomime, therefore Widow Twankey is intended to be played by a man, and Aladdin by a young woman. The chorus is optional (the chorus part could probably be doubled by a couple of the principals.) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy, set in the middle of a (disastrous) pantomime performance. |
| Synopsis | It's Panto time again for the Witherington Over Mired Brook Amateur Theatrical Society (WOMBATS), but things aren't going well... Aladdin's had a nasty accident and had to be replaced at short notice, the script is illegible, the stage crew are in revolt and the lights and curtain aren't behaving themselves either. Can Widow Twankey hold things together? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Taking Minutes, Wasting Hours! by Damian Trasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. All characters are adults. A range of ages! |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Single set, simple props. |
| Synopsis | It's committee night and the Chairman has been asked to introduce a surprise speaker. Little does he know what a surprise she'll be! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Talky Bits by TLC Creative |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 37. No chorus. Many of the characters are written with a specific gender, but most can be changed! |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of ten comedy sketches requiring little in the way of set or props (the most complex sketch requires a table, chairs and a few pieces of paper.) Most could be run front-of curtain. |
| Synopsis | Ten comedy sketches with a theatrical theme, designed to be interspersed between other material in a drama and dance showcase. The sketches cover the theatrical process from pitching a show concept through to first night nerves.
Most of the sketches are available individually. This collection is available at a discount to the sum of the individual prices. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Team Building by Liz Dobson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 5. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 33 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play with an all-female cast. |
| Synopsis | When new boss Carter insists on a team building day comprising a run through a wood, one group of employees is less than impressed. The reluctant women soon find ways to avoid joining in, but eventually find that unity can be achieved. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Ted by Steven Stack
Runner-up, 2018 Maine Principals' Association Drama Festival (Production by Central High School) |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A quirky one act play, retelling the tale of Rumplestiltskin. A companion (same style, different tale) to Hansel and Gretel... and Sadie (Of Edible Houses, Risky Bargains, and Other Grimm Happenings) |
| Synopsis | This re-telling of the story has all the traditional aspects at first, but departs from the usual by dispensing with the royal marriage and the first-born part. A very off-beat comedy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Teething Troubles by Phil Birkett |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | Single set one-act comedy. |
| Synopsis | Jane is reluctantly acting as daycare for her granddaughter, Dakota, but she's less than maternal. Then she gets a visit from her ex-husband, on the prowl for funds for his latest venture, and she decides to rearrange her priorities. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| There's No Place Like Home by Peter Harrison |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Four on-stage characters and an off-stage female voice (which could be recorded, but, in our view, would be better performed live). |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy in a single domestic setting. |
| Synopsis | When elderly Howard claims his dead wife Nancy has been talking to him, his daughter and her partner think he is suffering dementia and plan to move him into a home. But there's a surprise in store when he demonstrates how he contacts Nancy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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