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Spoofing For Gordon by Duncan Battman |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 47 minutes. [Estimated!] |
Music | None. |
Style | A one act drama, with two simple settings and some strong language. |
Synopsis | Ten years ago, a group of friends entered an agreement binding them all to assisted suicide in the event that any of them became terminally ill. Gordon is now in that position, and the friends gather at his house and agonise over their pact. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Stan and Tony by Clive David Lloyd Williams |
Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 54 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy drama on a single (living room) set. |
Synopsis | One afternoon in the 1960s, two giants of British comedy met briefly, when Tony Hancock visited Stan Laurel at his home in Santa Monica. Hancock was a very successful radio and TV star of the 1950s and 60s whilst Laurel’s slapstick movies with Oliver Hardy were top box office in the 1920s-40s. This is a play suggesting events which may have taken place during their unpublicised encounter. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Still Life by Karen Ankers |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Two adults and two teenage lads. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act play. Simple (street) setting. Contains swearing (and poignancy.) |
Synopsis | A moving, thought provoking one act play with a modern tale of two social misfits coming together and each, in their own way supporting the other. Jenny is lonely and frightened having had no social contact since her childhood, not having left the house she shares with her abusive father for over twenty years. She has suffered a final trauma at home and in her despair wanders the streets where she encounters Keith, a bitter unemployed alcoholic trying to eke a living as a street entertainer. As an uplifting, at first reluctant, relationship develops between them an optimistic chink throws light on their despondency. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Straight to the Top by Martin Sims |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The female role is voice only, |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | Short one-act comedy/drama in a single set which could be minimal. (The author makes staging suggestions in the Producer's Copy of the script.) |
Synopsis | Joseph is on his way to the top of the building to end his unlucky life. Fortunately, Michael takes the same elevator, slowing the journey in time for Joseph to achieve a different perspective on life. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Swan Queen by Frank Canino |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 3. No chorus. There is one speaking voice, Lenore. She addresses the audience as a friend, but also addresses two other people (1M, 1F) who might appear on stage. There is also an option for a group of male dancers. |
Run Time | Around 30 minutes. [Estimated!] |
Music | Two pieces (associated with classical ballet) are suggested as accompaniment. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | Powerful, brilliantly-written one act play. Single set with simple furniture representing multiple locations. |
Synopsis | A former Prima Ballerina navigates the final months of her life, balancing her health concerns with those of her stepson, an artist with AIDS. Despite some stark differences at first, the pair find common ground and become allies as they each cope with their diagnoses. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Thick and Thin by Johnny Grim |
Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | One-act play - the philosophy of the relationship between sport and life. The characters are in stadium seats, so could be a very simple set. Contains very strong language. |
Synopsis | Three football (soccer!) fans are watching the fourth rematch in a cup game and discussing the benefits of tactics, the importance of buying season tickets over paying rent, the influence of women and what to eat during the match. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Time for Farewells by Damian Trasler Winner of the Author's Award, RAFTA One-Act Play Festival, 2003 & (amongst other things) the Buckhaven Trophy [Best Moment of Theatre] SCDA festival 2008. |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | Serious, touching play. One act, one simple set. [Includes mild swearing] |
Synopsis | As they dress for a social event that will mark the end of their married life together, Sarah and Alex review their relationship to find out what brought them to this point. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Tiny House by John Passadino |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Bernice is (male to female) transgender. How you cast this depends on your company. |
Run Time | Around 48 minutes. [Estimated!] |
Music | None. |
Style | One-act in a single split-level set.. A comedy drama with a surreal edge. US English. |
Synopsis | Three old friends are trying to get their lives back on track by returning to their days of sharing a house - in this case, a tiny house in the wilds of New York State. But lots of things have changed and the house is very tiny. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Tomboy by Stuart Smithers |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 36 minutes. [Estimated!] |
Music | None. |
Style | An efficient one-act drama with some well-placed twists. Deals sympathetically with the issues of bullying and gender transition. |
Synopsis | Andy is attending his first school reunion since leaving 50 years ago, and meets reunion regulars Gerry and Val. Gerry has very fond memories of school, but doesn't remember Andy. Andy's memories aren't so fond, but he seems to know a lot about Gerry, and is determined to coax a secret out of him. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Traitors, Cads & Cowards by Martin McNamara |
Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 66 minutes. [Estimated!] |
Music | None. |
Style | A one act drama, though performing groups may wish to add an interval. Single prison cell setting, and some strong language. |
Synopsis | During the Great War, an army deserter, a conscientious objector and an IRA soldier share a cell. They play out their respective journeys to prison and relate the horrors of the period. Liam, an Irish rebel arrested after the Easter Rising in Dublin, has been transported to the military wing of London's Wandsworth Prison for questioning. He is bunked in with Alfred, a shell-shocked veteran of the trenches up on desertion charges. Their other cell mate is Henry, conscientious objector, court martialed for refusing his call up papers. Can three very different 'Traitors to the King' find common ground? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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