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| The Fire Pit by John Harper |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. One adult male, three teenagers with playing ages of around 14. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Hard-hitting, thought- (and discussion-) provoking short play. |
| Synopsis | Church elder Nigel takes his 14 year old daughter Jessica and two of her male friends on a weekend camping trip. Jessica doesn't want to share a tent with Nigel, and only one of her friends can spot the telltale signs of child abuse. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The First Born by Jamesine Cundell Walker |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Short monologue set on and around a bench. (An individual short play from the Chance Encounters collection.) |
| Synopsis | A woman reflects on her life and that of her child. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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For The Greater Good by Aviva Philipp-Muller
Finalist in the Sky Blue Theatre International play-writing competition, 2013 |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act play. |
| Synopsis | Charles and Jonah share their memories of a single day, a day they experienced in very different ways, though at the end they connected. A powerful piece about the Holocaust. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Generation Gap by Sheena Weitzel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | A short play. |
| Synopsis | Rachael's mum and dad are going out, leaving her to look after Grandad. She's not happy about that, or much else, but Grandad knows more than she thinks and they end up sorting a good deal out between them. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Gerri And The Atrics by Charles Alverson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. One offstage voice, M or F |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act comedy. |
| Synopsis | A group of entertainers nearing the end of their career prepare for yet another show, with friendly but sometimes barbed banter. This is interrupted not only by the call to go on stage, but the sudden death of one of their number. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Gloves Are Off by Cheryl Barrett |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama with a single (kitchen) setting. |
| Synopsis | What looks like marital bliss to the outside world is a facade to a hidden world of domestic violence, one that Jack and Natalie live with every day. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Going Digital by E. C. Chapman |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | A monologue set in an armchair surrounded by remote controls. |
| Synopsis | Patricia, in her eighties, struggles to adapt to the increasingly complex technology which threatens to leave her generation behind. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Guilt by Robbie Flowers |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. One of the characters is nominally a child, but the role is unlikely to be within the range of many children of the appropriate age. The author suggests that it should be played with 'an obvious air of innocence'. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short emotional, possibly edgy, play. Minimal set, but a significant prop (a chest). Contains mild swearing. |
| Synopsis | Angela is suffering for something she did. Until she agrees to talk about it, Sally won't let her out of the box. As Angela opens up, we find that Sally has more than a passing involvement in Angela's suffering. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hamlet auf Deutsch by Nicholas Richards |
| Roles | Minimum Male roles = 8. Minimum Female roles = 2. Minimum total with doubling = 13. Minimum total without doubling = 14. No chorus. As usual with Shakespeare, the characters are predominantly male. Of course, casting against gender is open to the production. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Short adaptation of Shakespeare's Hamlet aimed at students learning German. To enable such a short version, a narrator sets the scenes. All speeches, including narration, in German (but directions in English). |
| Synopsis | Einige verkürzte Szenen auf Deutsch von Shakespeares Hamlet.
A ghost walks the ramparts of Elsinore castle demanding revenge. Hamlet's uncle has siezed the throne. Will Hamlet take arms against a sea of troubles?
Sein oder Nichtsein - Das ist hier die Frage. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hearts and Minds by E. C. Chapman |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | Monologue, set in a Northern Irish kitchen. |
| Synopsis | Ulsterman Michael grew up in the Troubles and fears his beloved Belfast has failed to learn the lessons of the past. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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