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Pilate's Wife by Julia Lee Dean |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. No formal chorus, but there is an off-stage crowd shouting - either live or recorded. |
Run Time | Around 60 minutes. [Estimated!] |
Music | None. |
Style | Easter play (from an unusual perspective), of one-act length but structured in three acts. Three locations, which could be formed as one simple composite set. |
Synopsis | The story of Easter week told from the point of view of Pontius Pilate's household. (Mary Magdalene is presented as Pilate's mistress, allowing three very different interpretations of the events as they unfold.) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Pilgrim's Progress by Christopher Morgan Best Seller |
Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 54. No chorus. Whilst there are fifty-four named roles, with a minimum of around ten, the author believes the optimal cast to be around twenty-two. |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | Allegorical play, with minimal set requirements and reasonably simple props. |
Synopsis | A stage adaptation of John Bunyan's allegorical story ('The Pilgrim's Progress from This World to That Which Is to Come', written in 1678) - the journey of Christian, a pilgrim, through the trials of Earth to the destination of Heaven. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Prisoners' Dilemma by Matthew Lynch |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. Six main characters and four cameo roles. |
Run Time | Around 71 minutes. [Estimated!] |
Music | None. |
Style | A drama in two scenes, which could be played as two acts - making it a full length piece, with a single (prison cell) set. |
Synopsis | A disparate group of strangers are locked in a prison cell, not knowing the reason for their incarceration. They are all put to the test through a series of challenges, some of which could be lethal, and finally seem able to benefit - from finding their inner selves. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Reasonable Doubt by A.D. Peters |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 8. No chorus. |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | Play in two short acts - courtroom drama and crime - the way the jury sees is, and the way it happened. |
Synopsis | A tense courtroom drama with the prosecutor battling a slick defence lawyer at the murder trial of social misfit Josephine Mason. The second act takes the form of a flashback portraying the murder of which she is accused. We are left with the dilemma of knowing jury's decision before we learn the identity of the murderer. We are then able to evaluate the justice of the verdict, wherein lies the final twist. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Relationships in Progress by Carl Zeitler |
Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 17. No chorus. |
Run Time | Around 64 minutes. [Estimated!] |
Music | None. |
Style | A collection of six short plays linked by a theme, intended to be performed together, with various simple settings. US English. |
Synopsis | Relationships in Progress is made up of six short plays portraying various people in relationships we all can relate to: first dates, co-workers, spouses, siblings, and friendship. Whether fun and light, serious and deep, or some combination of those, the characters deal with their relationships with one another as well as the world around them. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Romeo and Juliet [75-minute abridgement] by Shakespeare, abridged Jack Shaw |
Roles | Minimum Male roles = 8. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 23. No chorus. |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | A 75-minute abridgement of Shakespeare's tragedy. (The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
Synopsis | Two households in Verona are sworn foes A pair of star-crossed lovers take their life. Whose misadventured piteous overthrows, do with their death bury their parents' strife. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Room for Another by Gill Medway |
Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | A well-written 65-minute ensemble drama on a single set, with stories developing naturally for all the characters. Suited to groups with a range of playing ages, with good roles for all. |
Synopsis | It's November 1940 and Hitler's bombs are raining down on London. Elsie and her daughter Carrie have their favourite night-time spot on a platform in the Underground - and on two successive nights they welcome a motley group of strangers to join them. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Room With A Clue by Matthew Lynch |
Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | One-act play. Single set (clinical reception area). Contains mild swearing. |
Synopsis | This waiting room is a busy place. Eddie has arrived with a damaged arm and is impatient to get the receptionist to get him processed. But then there are the other arrivals, with a range of experiences... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Scarlett by Robert Scott |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
Run Time | Around 73 minutes. [Estimated!] |
Music | None. |
Style | A one act, ghost story drama, with a single set. |
Synopsis | The passengers from a crashed bus take shelter from a dreadful storm, in an old barn. Unable to find rescue, they huddle together, but one of them is beginning to see visions of her dead sister. Has Scarlett come to haunt Grace, or someone else? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** Sound Effects CD specifically for this show
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Click here to read the script or Click here for more details. |
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The Secret Testament of John Shakespeare by Martin Lytton |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 70 minutes. [Estimated!] |
Music | None. |
Style | Historical drama (on the boundary between a one-act and a full-length play). Single set. Lots of historical detail amidst a passionate story. |
Synopsis | William Shakespeare's wife drops in on her in-laws to mind her Father-in-Law while his wife visits a friend. The Informer James Langrake, who was responsible for the fall in Shakespeare senior's fortunes, calls in unannounced and nearly finds evidence to bring death to the household. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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