|
| Time To Move by Iris Winston |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. The characters are written as ninth graders (14- to 15-year-olds), but could be played at other ages. There is an option for an on-stage band, and possibly other extras. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play for school kids. |
| Synopsis | It's the night of the big school dance, but Kim has something besides getting the gym ready on her mind. She's just found out she might be moving, and is scared to leave all her friends behind. A one act that examines the pros and cons of moving while young. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Tissues and Wine by Johnny Grim |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Single domestic setting. Set in Australia, though the situation is universal, and it could easily be moved. Contains swearing. |
| Synopsis | Sonia has just caught her husband having an affair, and has retreated to her mother's house for solace. That's not quite what she gets when Julia, the nosey neighbour, invites herself over to share in the bottle of wine and the advice. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| A Toll Of Bells by Patricia Gay |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 32 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama with a single setting. |
| Synopsis | With action jumping between time zones and crossing three generations, the play depicts people who are faced with huge events that are beyond their control. They must, however, continue the quest for survival in their more mundane lives. The three generations depicted in the play react in different ways to accomplish that goal. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Towards the Light by Judith Ezekiel |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 26 minutes. [Estimated!] |
| Music | One popular song suggested for diegetic use throughout the play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act supernatural drama on a single set. |
| Synopsis | Twenty-year old Neil has given Poppy, a teenage runaway, shelter in his London flat. But Poppy senses the ghostly presence of a previous tenant and calls in a medium to exorcise the property. No-one quite realises the potency of Letitia, a heartbroken older spirit seeking reconciliation with her long-lost daughter. Love, laughter and dance bring in a final understanding between the two worlds and herald optimism for the future. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
A Train Ride Away by Frank Gibbons
Performance by Aiken High won The Garcia Theater Project, North Augusta 2010. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 10. Chorus. Characters are mainly adults with one young child. Could all be played by children. The chorus is optional, but there are several scenes where crowds would create atmosphere. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Intended to have figurative sets (possibly just lighting transitions), rather than realistic depictions of the locations. Props could be real or indicated by mime. Includes mild swearing. |
| Synopsis | The story of a family of Hungarian Jews being transported to Auschwitz-Birkenau in the holocaust of 1944. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Trick Or Treat [One-Act Play] by Ron Asher |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on a simple set. US English. Adult content. |
| Synopsis | Tom reluctantly lets in a late trick-or-treater on Halloween. Felix is after more than candy, however, and Tom isn’t sure he’s ready. If Felix does intend to stay with Tom, there’ll be a price to pay, whether Felix wants to or not. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Tricksilver by Rob Burbidge |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play based on a story by O. Henry - a tale of trickery and double-crossing. Two sets (or one composite set) plus front-of-curtain scene at a railway station. |
| Synopsis | As the twentieth century dawns, the United States of America is the land of opportunity. There are plenty of ways to make a quick buck, but the quickest and biggest bucks are made by the scam artists. Having a conscience is a bit of a handicap for confidence trickster Jeff Peters. He decides against the advice of his business partner to include a real woman in his marriage agency scam. Will he find out that women are the honest sex, or will he discover that a woman can be the equal of a man in dishonesty? Will he break the habit of a lifetime, and trust a bank? In this tale of cross and double-cross, who gets the loot? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| A Trifle Unwell by Jane Lockyer Willis |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single set. Difficult to categorise, but plenty of scope for characterisation. Contains mild swearing. |
| Synopsis | Jo's hiding from the rest of the party out on the stairs, but she's disturbed by Flora, who's escaping with the trifle. The pair meet Phil, who shouldn't really be there and then the hostess comes along to ask some searching questions. A light drama with added custard and sherry. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Truth and Reconciliation by Cassandra Newman |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | Emotionally-charged one-act drama set in a basement office. |
| Synopsis | Anita has come to the Baltimore Truth and Reconciliation Commission to tell the story of her son's death, only to find one of the people there to record her statement witnessed the death. The three characters struggle to find a path to peace and forgiveness in the aftermath of violence and fear. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Tsunami by Peter Harrison |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 34 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama with a single - hotel reception area - setting. |
| Synopsis | It appears that Clive has been head-hunted for a high level position, but he does not know what the job is, or which company is involved. His interview, conducted by the formidable trio - Laura, Lucinda and Lydia takes many strange turns and it is only when Clive's wife Susan appears, he learns that this is not a job interview after all... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|