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Going Digital by E. C. Chapman |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 11 minutes. [Estimated!] |
Music | None. |
Style | A monologue set in an armchair surrounded by remote controls. |
Synopsis | Patricia, in her eighties, struggles to adapt to the increasingly complex technology which threatens to leave her generation behind. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Going Out by Sarah Reilly |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. One of the characters is an adult, but the piece is intended to be played by teenagers. |
Run Time | Around 3 minutes. [Estimated!] |
Music | None. |
Style | Short play for teenagers. No set requirements. |
Synopsis | A father struggle to understand the confusing pressure of not going out with someone as his son prepares for the school disco. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Gold Cup Week by Peter Green |
Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
Run Time | Around 100 minutes. [Estimated!] |
Music | None. |
Style | A full length play. |
Synopsis | Suzanne and her three friends agree to provide lodgings in their houses for jockeys attending the Cheltenham race meeting. Their guests have a significant influence on the families' lives, particularly on Suzanne - who experiences a poignant life changing effect. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Good Advice by Olivia Arieti |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 7 minutes. [Estimated!] |
Music | None. |
Style | A short drama with a single (coffee shop) setting. |
Synopsis | Encouraged by her worldly friend Alice, ageing spinster Norma starts to think about her love life, or the lack of it, when former sweetheart Bill comes into the café. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Good Enough by Karen Ankers |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 19 minutes. [Estimated!] |
Music | None. |
Style | A hard-hitting one act drama |
Synopsis | Single mother Janine struggles desperately with severe lack of confidence brought about by the derogatory voices of her parents, ex-husband and son which she relives in her head. These voices are played out on stage. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Good For Something by George Freek |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Both in their seventies |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | A short, one act play, set in a center for the retired. |
Synopsis | Lizzie and Max meet regularly for a game of checkers during which they come closer together and are able to confide in and advise each other. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Good King Richard by Ian Dixon Potter |
Roles | Minimum Male roles = 10. Minimum Female roles = 3. Minimum total with doubling = 13. Minimum total without doubling = 17. No chorus. |
Run Time | Around 108 minutes. [Estimated!] |
Music | None. |
Style | A full-length historical drama. (A lot of locations, but simple to stage, give or take the butt of malmsey.) |
Synopsis | After the death of Edward IV, his brother Richard becomes Lord Protector and then King. Richard III is determined to be a good king, but his principles - out of place in the royal court - enable challengers including Henry Tudor to plot his downfall. A counterpoint to Shakespeare's Richard III (which was based on the testimony of Richard's greatest enemy), Good King Richard sets the historical record straight. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Good Man by Megan Ott |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 27 minutes. [Estimated!] |
Music | None. |
Style | A one act drama, set in 1930s New England, with various settings. |
Synopsis | Katherine and her husband Robert are apprehensive about the forthcoming visit of Katherine's sister Margaret, who has a psychological problem which may cause difficulties for them. Tension rises inexorably - as their worst fears are met. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Good Old Days? by Liz Dobson |
Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Care Home manager can be m or f. |
Run Time | Around 31 minutes. [Estimated!] |
Music | None. |
Style | A one act play with a single, Care Home lounge, setting. |
Synopsis | Based on actual events, we see care home resident Ada relate her personal history to the rather flippant young cub reporter Claire, who at first is there on sufferance. As Ada's tragic story enfolds, Claire becomes increasingly interested and empathetic, and realises that her naïve impression of the old days belies the inherent prejudices which existed to shape and ruin people's lives. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Grace - A Monologue by Frank Flynn |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | One-act monologue. Single domestic set (which can be implied rather than fully built). Written in Canadian English. |
Synopsis | Grace is sorting through the detritus of her life, and holds a rambling conversation with the audience about the people and places she has known. We finally come round with her to the realisation that her husband has died and she is packing up the house ready to sell. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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