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Arrivals by Liz Dobson |
Roles | Minimum Male roles = 1. Minimum Female roles = 5. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
Run Time | Around 28 minutes. [Estimated!] |
Music | None. |
Style | A one-act comedy drama. |
Synopsis | Can there be a more boring place to spend time than the arrivals lounge at Leeds Airport? Or is it instead a snapshot of the rich tapestry of life, highlighting everything from love and friendship to grief, disappointment, and deceit? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Art's Gallery by Herb Hasler |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | A short comedy drama |
Synopsis | Art lover Amy takes philistine Jeff to a small art gallery to give him an appreciation of the value of art. Gallery owner Art soon dispels any pretensions Amy has and the tables are turned. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Arthur, Boy-King Of Britain by Andrew Beattie |
Roles | Minimum Male roles = 18. Minimum Female roles = 0. Minimum total with doubling = 18. Minimum total without doubling = 32. No chorus. All parts written as M, but could be adapted if insufficient M cast available. |
Run Time | Around 73 minutes. [Estimated!] |
Music | None. |
Style | A one act play for children, with various (simple) settings. |
Synopsis | A good dramatisation of the story of the boy Arthur, his links with Merlin, and the legend of the Sword in the Stone. The story and characters are well-drawn, from Arthurian legend. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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As It Was by Lucy Atkinson Winner of The Russell Whiteley Award for new writing at Sedgefield's 43rd Drama Festival of One-Act Plays. 2019 |
Roles | Minimum Male roles = 4. Minimum Female roles = 10. Minimum total with doubling = 16. Minimum total without doubling = 16. No chorus. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | A one-act supernatural drama on a simple set. Suitable for youth theatre. |
Synopsis | Four teenagers enter a derelict house, stirring memories of the children who lived there in the past. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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As The Clock Struck Ten by Tony Frier |
Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 11. Minimum total without doubling = 12. No chorus. Opportunity for different actors to portray the different ages of each character. Script length can be cut to 52 minutes for the purpose of drama festival entry, by cutting Scene 5. |
Run Time | Around 58 minutes. [Estimated!] |
Music | Intermission music suggestions. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A powerful drama based on a true story. Various settings and time periods. |
Synopsis | A dramatisation of the true story of Donnie Merrett, who at the age of 17, shot his mother after she found out he had been forging cheques in her name. On release from prison in 1945, he joined the Royal Navy Reserve in Germany before returning to a life of crime and debauchery, eventually fleeing before he can be court martialled. Returning to London to the old folks home run by his wife and mother-in-law, he demands money to continue funding his habits. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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As They Like It by Nicholas Richards |
Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 23 minutes. [Estimated!] |
Music | None. |
Style | A light one act drama with a 17th Century Inn setting. |
Synopsis | William Shakespeare is struggling to get the approval of his company, who are adamant that the first draft of the 'Scottish Play' is lacking in a number of key characters. His friends are quite persuasive and he is encouraged by barmaid Meg. So the bard relents and the play - as we now know it - is born. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Asking For Trouble by Pat Edwards |
Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 10. Chorus. |
Run Time | Around 23 minutes. [Estimated!] |
Music | None. |
Style | A short topical play with simple sets. |
Synopsis | Two girls, approaching their sixteenth birthdays, go out and are refused entry to a club. Against their will, an older guy gets in to share their taxi and there is an unwanted incident. Was how they were dressed a contributory factor? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Aspects of a Betrayal by David Pollard |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. One character is gender non-specific and voice only. |
Run Time | Around 27 minutes. [Estimated!] |
Music | None. |
Style | A one-act drama on a drawing room set. Part of the 'Illusion/Delusion' trio of plays, which can be bought separately or as a collection. |
Synopsis | Dolly is visited by Tom, an old colleague of ler late husband Travis, who was a spy. The scandal which surrounded Travis’ defection fatally damaged Tom’s career and marriage. It becomes apparent that Tom is in fact spying on Dolly and that his past and present friendship has been nothing but a cover. At first devastated by yet another act of betrayal, Dolly sees the triviality of the whole process. At the close, she and Tom listen to Travis’ tawdry funeral as it is broadcast from St Petersburg. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Atheist Missionaries by Damian Trasler |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | Short play with a Christian perspective. Single set (informal party) |
Synopsis | A party is no place for Religion or Politics, but Brian is a recent convert to Christianity. Will his friends resist the urge to un-convert him? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Attagirls by Emma Wise |
Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 12 minutes. [Estimated!] |
Music | None. |
Style | Short drama. Single set (it's actually set in a very specific location, but really the requirements for set are negligible). |
Synopsis | Through monologues and dialogue, British pilot Ann and American engineer Lillian address what life was like for the women of the Air Transport Auxiliary - or the 'Attagirls' - during World War II. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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