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| Mark Twain and Livy by Joseph P. Ritz |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Poignant full-length biographical play. Contains mild swearing (from an era when it was probably called 'cussing'). |
| Synopsis | An elderly Mark Twain escorts us through the early days of his marriage to Livy Langdon, from their first night in their new house, through to the day they left it with their first child. An emotional and insightful play about two strong-willed characters. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Click here to read the script or Click here for more details. |
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| Market Value by Liz Dobson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Neat, short, one-act play with a well-twisted plot. Single set that can be as simple as you like. |
| Synopsis | Martin Oaks is a con man, relying on his Solicitors to keep himself out of jail. His latest plan is to sell a rat-trap of a house for a quarter of a million to an unsuspecting couple who don't know it's falling down and about to be on a major road route. Or so he thinks... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Marlowe's Revenge by Jonathan Caldicot |
| Roles | Minimum Male roles = 9. Minimum Female roles = 5. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play for a secondary school or youth theatre group. The group are preparing to stage a play, so it's essentially a bare-stage production (with an offstage special effect). |
| Synopsis | A group of actors from a Boys' School are taking their production of Dr Faustus to a nearby Girls' School. With the lead actor off due to a broken leg, his understudy is unsure of the part, and some of the girls are more interested in the boys than the play. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Mary Anning: Lost in Time by Peter John Cooper |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | Historical drama. Structurally in two acts, but on the boundary between one-act and two-act length.
Dorset rocks. |
| Synopsis | Nineteenth-century palaeontologist Mary Anning is dying of breast cancer. Under the care of a local woman, she takes laudanum for pain relief, which induces hallucinations that cause her to reflect on her past and her struggle to make a name for herself in a man’s world. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Master Shakeshafte by Peter Parkinson |
| Roles | Minimum Male roles = 8. Minimum Female roles = 5. Minimum total with doubling = 13. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | A full length play, with a variety of settings, generally indicated by furniture and atmosphere. |
| Synopsis | There is much speculation over the 'missing years' of Shakespeare's life, and this play offers a glimpse into what may have happened if the bard of Avon really did spend time as a tutor in Hoghton Hall, before becoming a playwright in earnest. There are numerous nods to familiar plays and characters, and also lines or titles which may delight an alert audience. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Master Thief by Joseph A. Jones |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Distinct age gap between the two characters. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act comedy drama, with tension - about deceits and money. |
| Synopsis | An old man has his quiet evening in his poor home disturbed, by a frightened young man pretending to come from a charity. He isn't, but the old man isn't what he seems either. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Match Girl Controversy by Damian Trasler |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | None. |
| Style | An allegorical sketch about Advent! (Minimal staging requirements) |
| Synopsis | Discussions about the new 'Seasonal School presentation' get heated. An Advent-themed play. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Match Girl's New Year's Eve by Olivia Arieti |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. The cook is written male, but need not be. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A short play for schools, based on the Hans Christian Andersen tale. |
| Synopsis | A friend, a cook, two nutcrackers and grandmother of course, drop in to make the little match girl's New Year's Eve warm and bright. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Matt Freeman's San Antonio by Sandy Radford |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Drama, running somewhere on the boundary between a one-act and a full-length play, though structured in four acts. Multiple sets, but described very feasibly. Contains mild swearing. |
| Synopsis | Matt is a playwright, but he's not happy with his level of success, either in his professional or his personal life. He decides to throw everything into a new play and a trip to San Antonio to try and recapture a lost love.
A play that plays with theatre to lead the audience on a journey through what is, what chould be, and what might have been. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Matters Arising by Richard Moore |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 52 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama.. |
| Synopsis | A routine will reading reveals a history of complex and shocking bygone misdemeanours matched only by the current web of deceit revealed in the secret lives of the beneficiaries. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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