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| A May Dream by Sally Kinnell |
| Roles | Minimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 14. Minimum total without doubling = 32. No chorus. In addition to the 32 human roles (playable by a cast of 14) there is Crumble the Dog who can double as Starveling's Dog. There are two brief (silent) appreances of children ('School Boy' and 'Child' who could probably be doubled). |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Multiple locations but simple settings. Contains mild (Shakespearean) swearing. |
| Synopsis | A collection of Shakespeare's Rustics pursue their own plotlines outside their plays, converging on Hecate's shop and Doll Tearsheet's bar. Philosophy, love, conspiracy and the unmasking of a villain, in genuine Shakespearian language.
A May Dream was specially written in response to the Royal Shakespeare Company's Open Stages Project in 2012. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Mayor's Christmas Masquerade by Olivia Arieti |
| Roles | Minimum Male roles = 5. Minimum Female roles = 7. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short play based on Mary E. Wilkins's The Christmas Masquerade |
| Synopsis | The Mayor is throwing a masquerade party for the children of the town at Christmas, and a new Costumer has provided costumes for all the children. However, when the party is over, the costumes won’t come off. The Costumer has demands to make of the Mayor, or the kids stay Princesses forever. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Me And You by Tony Domaille
Journeyman Theatre Productions - Best Director, Best actor, Best actress and Best Supporting actor, Avon Short Play Festival 2020 |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 31 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy drama. Part II of the author's Changes trilogy. |
| Synopsis | Phil and his mates have bungled a robbery and he and his friend, Mikey, have run to the only safe place they can think of: The 'Me & You Café', owned by Phil’s daughter. Whilst they wait to see if the police are on to them, Phil and his daughter find themselves exploring how it all came to this, and whether their relationship can withstand past and present pressures. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Meet the Ancient Greeks - Mini Plays by Sue Russell |
| Roles | Minimum Male roles = 5. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 30. No chorus. Five plays with six characters in each. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | A set of five mini-plays (with run times around 10 minutes) for a school class studying The Ancient Greeks (English National Curriculum Key Stages 1 & 2, Units 14 and 15, 'The Ancient Greeks'). No set requirements. Producer's Copy includes a quiz. |
| Synopsis | Five different short plays with an Ancient Greek theme, covering The Gods, War, the Olympics, Theatre and the Arts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Meeting In The Park by Peter Wade |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A short play, with a simple (bench) setting. |
| Synopsis | Two men of differing ideals, but with some odd similarities, meet in the grounds of the Schönbrunn Palace in Vienna. One, Adolf, is painting a picture of the palace. The other, Josef, is taking the air and watching the people... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Meeting of Minds by Catherine Willacy & Andrew Bramble
Production by Cairns Little Theatre Inc, Queensland won Best Drama in the FNQATA One Act Play Festival in May 2018, in the Open Section for plays of 16-45 minutes. |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama, well suited for festival performance. |
| Synopsis | An unexpected reunion leads to hard truths and hilarious memories. But what exactly is their relationship, and where will it all end? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| The Melting Sands by Jim Pinnock |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | A one act murder thriller with a single (beach house ) set. |
| Synopsis | Tables are turned as two seemingly innocent and unconnected women seek revenge. The one on her philandering bank robber husband, the other on her scheming daughter and her new husband. All the while the menace of the melting sand hovers in the background. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Poster template, illustrated by Dale French, for 'The Melting Sands' by Jim Pinnock. (High resolution jpg file with space for adding information about the production.)
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| Click here to read the script or Click here for more details. |
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| Memories Of Tomorrow by Stewart Boston |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act fantasy, or time-shift, drama with simple settings. |
| Synopsis | In his sick bed Peter hears some startling radio news of a high profile murder. Are subsequent events driven by his delirium, or has time actually shifted? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Merchant of Venice [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 9. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 16. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Every word is Shakespeare's, but the cast list has been reduced, with four minor characters and all servants/court officials removed.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | Bassanio needs money so that he can court the noble lady Portia. He goes to his friend Antonio, who helps negotiate a loan from the moneylender Shylock. If the money is not repaid, Shylock will demand a pound of Antonio's flesh. This leads to a court case with an unexpected judge.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Mermaid by Jonathan Edgington |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 2 minutes. [Estimated!] |
| Music | None. |
| Style | Very short play - a scene with a twist - that rapidly establishes character and plot. |
| Synopsis | It would be the birthday of Laura and Nathan's daughter, who's been missing for twelve years. They receive an unusual phone call. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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