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Survive the Night by Lucy Atkinson |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 9. Minimum total without doubling = 11. No chorus. |
Run Time | Around 54 minutes. [Estimated!] |
Music | None. |
Style | A one-act drama for a youth theatre company. |
Synopsis | Ash wants to help Frankie adjust to the way life is. Together, they try out a video game that ends up helping change Frankie’s view of a lot of things. It was built by Ash from one of younger Frankie’s stories. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Swan Queen by Frank Canino |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 3. No chorus. There is one speaking voice, Lenore. She addresses the audience as a friend, but also addresses two other people (1M, 1F) who might appear on stage. There is also an option for a group of male dancers. |
Run Time | Around 30 minutes. [Estimated!] |
Music | Two pieces (associated with classical ballet) are suggested as accompaniment. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | Powerful, brilliantly-written one act play. Single set with simple furniture representing multiple locations. |
Synopsis | A former Prima Ballerina navigates the final months of her life, balancing her health concerns with those of her stepson, an artist with AIDS. Despite some stark differences at first, the pair find common ground and become allies as they each cope with their diagnoses. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Sweet Dreams by Peter Appleton |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A one-act twisted psychological drama, verging on the melodramatic. |
Synopsis | Plagued by nightmares after a mysterious accident, Anne has trouble telling reality from her dreams. Is her fiancé alive or dead? Is her father helping her, or holding her prisoner? Can she even trust her oldest friend? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Take Three Girls by Sue Gordon |
Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Characters are six teenagers plus one adult (assumed to be all played by teenage actors) |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | Studio theatre piece - multiple scenes, but little set required. Set in the present day. |
Synopsis | The vacations of Keira, Emily and Megan don't turn out the way they'd planned. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Take-Away by Pat Edwards |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Two older teens and two middle-aged characters. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | A one act play of shorter length, split set - in two flats with a lift, set between them. |
Synopsis | Gail and Josh share a flat, but their relationship has soured - Josh is harsh and demanding, and Gail is quiet and compliant. The Barnstables live in the flat across from them, an older couple with a happy marriage. But no one seems happy with the way things are between Josh and Gail - not even Josh. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Taken! by Jordon Hadfield |
Roles | Minimum Male roles = 7. Minimum Female roles = 2. Minimum total with doubling = 11. Minimum total without doubling = 14. No chorus. |
Run Time | Around 17 minutes. [Estimated!] |
Music | None. |
Style | A short play well suited for youth theatres. |
Synopsis | A group of teenage boys are struggling to find their way in life and become involved in criminal behaviour. It takes the death of their friend to bring them into adulthood. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Talking in the Library by Jackie Carreira |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. |
Run Time | Around 86 minutes. [Estimated!] |
Music | None. |
Style | Full-length play with a single (library) setting. |
Synopsis | The disparate group of regulars at the library along with the librarian and his assistant discover things about each other, and perhaps more importantly themselves and their relationships, over the course of a few weeks. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Taming of the Shrew [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
Roles | Minimum Male roles = 9. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 15. No chorus. |
Run Time | Around 60 minutes. [Estimated!] |
Music | None. |
Style | Shakespeare's play efficiently cut down without damaging the flow of the story. A comedy in the renaissance sense of ordinary people, witty dialogue and a happy ending. Contains Shakespearean insults. |
Synopsis | Bianca has many suitors, but her father won't let her marry until he has also given away the hand of her hot-tempered and uncontrollable elder sister Katharina. While Lucentio concocts a plan to win Bianca as his wife, Petruchio decides to wed Katharina and subdue her shrewish nature. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Tangled Web by Donna Brightwell |
Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. One male considerably older than other characters. |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | A full length play with a single set (living-dining room). |
Synopsis | Wanting to 'bring back proper society', Grace is throwing a traditional Dinner Party for the cream of local society. But a thunderstorm of biblical proportions, a lack of caterers and the death of a guest may bring... success? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Tea With Mrs Pankhurst by Ruth Urquhart & James Douglas |
Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 19. No chorus. The minimum with doubling omits two non-speaking waitresses and has two actors playing the female principals and two playing the rest (both male and female roles). |
Run Time | Around 80 minutes. [Estimated!] |
Music | None. |
Style | Full-length play, designed to be played without a formal set. |
Synopsis | The stories of Emmeline Pankhurst and Selina Cooper are compared in an attempt to judge who gave most to the cause of votes for women. The story is told in flashback, with minimal sets and audience interaction, mostly in the cake-eating sense. An educational journey through the history of British Women's Suffrage. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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