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| Team Building by Liz Dobson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 5. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 33 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play with an all-female cast. |
| Synopsis | When new boss Carter insists on a team building day comprising a run through a wood, one group of employees is less than impressed. The reluctant women soon find ways to avoid joining in, but eventually find that unity can be achieved. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Telling It by Annie Connell
New |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Two settings, but easily combined into a single set. |
| Synopsis | As two officers interview a woman claiming to be the victim of domestic violence, problems with her story make them suspicious. Despite her deception, she's still a victim, and it looks like there could be a violent offender out there. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Tempest [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 7. Minimum Female roles = 1. Minimum total with doubling = 11. Minimum total without doubling = 13. No chorus. The character list, like all of Shakespeare's work, is male-heavy. That has not prevented excellent productions by majority female casts! |
| Run Time | Around 61 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of Shakespeare on the boundary between a one-act and a full-lengh play. All words remain Shakespeare's, with one short speech added by the abridger to facilitate a character exit. |
| Synopsis | Since being usurped as Duke of Milan by his brother, Prospero and his daughter Miranda have lived on a deserted island. With the help of the spirit Ariel, he causes a tempest that shipwrecks his passing enemies. He aims to regain his dukedom and marry Miranda to Ferdinand, son of the King of Naples. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Terminal 1 by Dave Payne |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen minute drama with a single (departure lounge) setting. |
| Synopsis | George and Lynda's flight has been delayed, so far by 9 hours. George becomes more and more annoyed whilst Lynda is strangely calm and collected. Their love for each other shines through as the reason for their journey - and the play's title - becomes poignantly clear. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Terror of the Crown by C.J. Jenkins |
| Roles | Minimum Male roles = 11. Minimum Female roles = 1. Minimum total with doubling = 13. Minimum total without doubling = 24. Chorus. Very flexible casting, with 13 principals who could play all the roles, but with minor roles and opportunities for chorus action. Male-heavy, as demanded by the story, but with a song for 'the women of Israel'. |
| Run Time | Around 77 minutes. [Estimated!] |
| Music | The producer's copy of the script comes with a score for the song sung by 'the women of Israel' in three versions - solo/unison, duet and quartet. The script also suggests an optional dance with percussive accompaniment. |
| Style | Dramatised biblical epic. |
| Synopsis | Framed by the story of two scribes, master and apprentice, faithfully copying out sacred texts, the tale of King Saul and his fall from Grace is told. His pride and love of kingly power prove to be his undoing. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A set of MP3 files with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| There's Always Time For Dancing by Helen Boyce |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | One song, to be played over the closing dialogue, is suggested in the producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act drama on a single (living room) set. |
| Synopsis | After a lovely church service, Michael and his wife relax at home. He does his best to make her laugh, encouraging her to dance with him, though she’s tired. But a persistent noise distracts her, and leads her to a sad discovery. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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These Are The Days by Shari Gledhill
TOPs (The Oldland Players) won 1st place at the Bristol One Act Drama Festival 2024 for their production of 'These Are The Days'. The group also won awards for Best Actress, Best Director, Best Lighting and the Audience Award. |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 24 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act dramatic duologue with no set required. |
| Synopsis | Married couple Matt and Vicki re-live their relationship from its unlikely beginnings to its poignantly tragic end. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Theseus - The Journey To Athens by Nicholas Richards |
| Roles | Minimum Male roles = 17. Minimum Female roles = 5. Minimum total with doubling = 10. Minimum total without doubling = 24. Chorus. Additional chorus members could be included. |
| Run Time | Around 72 minutes. [Estimated!] This allows for including the song |
| Music | One song with score provided with the Producer's copy of the script |
| Style | A one act play for a class-sized cast, with an optional finishing song. |
| Synopsis | A fun presentation of an early episode in the life of a hero, Theseus.
It could be used as the first part of a double bill with 'Theseus - The Maze and the Minotaur'. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Backing tracks of songs from the show as MP3 files
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| Click here to read the script or Click here for more details. |
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| Theseus - The Maze and the Minotaur by Nicholas Richards |
| Roles | Minimum Male roles = 19. Minimum Female roles = 11. Minimum total with doubling = 25. Minimum total without doubling = 33. No chorus. |
| Run Time | Around 105 minutes. [Estimated!] |
| Music | The scores for one optional song and one musical piece are included with the Producer's copy of the script. |
| Style | A full length play for schools or youth theatre. |
| Synopsis | After only a couple of months in Athens, Theseus discovers that children are being sent in tribute to King Minos of Crete, and fed to his monstrous Minotaur. Joining the children, Theseus is determined to destroy the beast and end the tribute.
This is the second half of the Theseus legend, and so might form a double bill with 'Theseus - The Journey To Athens' |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Backing tracks of songs from the show as MP3 files
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| Click here to read the script or Click here for more details. |
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| They Called Her Tante Anna by Elisabeth Marrion |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 53 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act historical drama suitable for educational use. Three simple settings. |
| Synopsis | From December 1938 until the outbreak of WWII, ten thousand Jewish children were evacuated from Nazi Germany to England on the Kindertransport. This is the story of some of those children. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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