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| The Last Gateway by Sarah Pemberton |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 19. Minimum total without doubling = 25. Chorus. Roles are a mixture of children and adults, but all played by children. Two principal characters and three narrators, with a (flexible) company playing the rest of the roles. At times chorus members become parts of the set, including trees and a car. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Realism morphing into fantasy. Minimal set and props, with the company creating atmosphere and locations. Scope for improvisation, dance and creative chorus work. |
| Synopsis | Bullied Faith and newcomer Tom form a friendship which leads to adventure uncovering a shared past in a parallel world. |
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| Click here to read the script or Click here for more details. |
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The Last Visitor by Allan Williams
Winner [under the name of The Visitor] of the Anglesey, Leverhulme and Wilmslow Drama Festivals, 2013 (plus various best actor awards). |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play. |
| Synopsis | Harry is an old man in a retirement home. Happy with the pace of life, he's surprised to receive a young visitor who seems to know a lot about Harry's wartime record. But there's more to the visitor than Harry suspects, because they have met before, just once - in a trench in France... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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The Last Waltz by Johnny Grim
This play won the author the Best Writer award at the 2009 Perth ITA (Independent Theatre Association) Dramafest. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The two protagonists are an Australian and Australian of Indian origin. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama (with elements of black comedy!) Single set with two locations - a taxi and a park bench. Contains swearing. |
| Synopsis | Shane Grantham plans revenge on the man who stole his wife. He requests a taxi to take him to the place where the man lives. For driver Krishnan Singh, this is just another routine call, and his passenger just another face in the crowd. A chance meeting between two strangers, two men from very different worlds, who on this one night discover that love is universal. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Lazy Daze by John Chambers |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. One (female) character plays herself and a series of other people. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | Monody - one-act play for a cast of one. Single (store-room) set. Contains swearing. |
| Synopsis | Daisy, with her limp and her lazy eye, has suffered scorn in her life, but Ian showed her a new interest - philosophy, reading, questioning. Daisy tells us about the night she and Ian were both invited to a colleague's leaving do. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Learning to Like You by Robert Scott |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 34 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy drama on a minimal living room set. |
| Synopsis | Amber has just moved in, so she pops round to introduce herself to her new neighbour, Jake. Jake’s not what she expected, and it takes the pair a number of visits and misunderstandings before they learn enough from each other to be friends. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Leaving Tommy by Mark Seaman
Winner of seven awards during original 2005 production, including 3 festival awards (Wiltshire, Avon and Gloucestershire) for best original script. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, set in a prison cell during the first world war. (Minimal set requirements.) |
| Synopsis | A young man has been tried and found guilty of cowardice and desertion at the front during World War One, and awaits his death by firing squad. He is visited by the army Chaplain, a Captain who hears about his reasons for joining up and what really happened on the front line. |
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| Awards | Click here to see the awards won by (productions of) this script. |
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| Legacy by Lee Stewart |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 99 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy thriller with two settings. |
| Synopsis | A dysfunctional family has arrived to hear the reading of Uncle John’s will disposing of his not insubstantial estate. Everyone is staggered by the provisos contained in the will but nevertheless decide to persevere. One of the family is determined to have it all and succeeds using shocking and nefarious means. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| The Legend of Santa Claus by Olivia Arieti |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Characters include two elves. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A fifteen-minute play suited to both performance by schools and also adult (or mixed company) presentation to schools. |
| Synopsis | A charming and thought-provoking dramatisation of the origins of the worldwide legend of Santa Claus. 'Tis the night before Christmas and two young girls, Betty and Ruth, are excitedly finalising preparations for the big day as their daddy tells the story of Santa Claus with a reading of Clement Moore's poem. The tale is magically brought to life as first St Nicholas and then Santa Claus arrive to tell their stories, with the help of two of Santa's elves. |
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| Lennon and Buddy by Clive David Lloyd Williams |
| Roles | Minimum Male roles = 6. Minimum Female roles = 2. Minimum total with doubling = 9. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 41 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on two (living room/backstage) sets. |
| Synopsis | Buddy Holly and the Crickets perform at the London Palladium, and in Liverpool, John Lennon sees the performance on a friend’s TV set. He boasts that his band will surpass Buddy Holly. |
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| Let's Be Friends by Iris Winston |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 8. Chorus. The characters are all animals. The chorus of woodland animals could be performed live or could be puppets or silhouettes. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Simple morality play for young children about making friends despite differences. (To be performed by children, or possibly an older group playing to young children.) |
| Synopsis | Sammy Skunk tries to make friends with some squirrels, but is rejected - at least until the squirrels get lost in the forest, and realise just how useful a friend like Sammy can be. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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