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| Sredni Vashtar by Tony Best |
| Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 12. Chorus. Chorus is written as a 'Greek chorus', talking in unison and commenting on the action. (This could, of course, be done in other ways.) |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play based on a short story by Saki. Intended to be played near-continuously on a simple set (different parts of the stage representing different locations). |
| Synopsis | This might be described as a black comedy, since our sympathies lie with Conradin, the orphan at the centre of the story who is oppressed by his aunt. Eventually, the aunt gets her comeuppance from Sredni Vashtar, Conradin's very dangerous pet, and Conradin gets to eat more toast. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Stan and Tony by Clive David Lloyd Williams |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 54 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy drama on a single (living room) set. |
| Synopsis | One afternoon in the 1960s, two giants of British comedy met briefly, when Tony Hancock visited Stan Laurel at his home in Santa Monica. Hancock was a very successful radio and TV star of the 1950s and 60s whilst Laurel’s slapstick movies with Oliver Hardy were top box office in the 1920s-40s. This is a play suggesting events which may have taken place during their unpublicised encounter. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Stardust by 10 x 10 Writers |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 58 minutes. [Estimated!] |
| Music | None. |
| Style | Six short plays inspired by the life and work of David Bowie. |
| Synopsis | Six short plays, a mixture of comedy and drama, inspired by the life and work of David Bowie. All were winners of the October 2016 Chesil Theatre New Writing Festival. The plays are available individually, but are provided here as a collection at a discount. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Starting All Over by John Peel |
| Roles | Minimum Male roles = 1. Minimum Female roles = 5. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 111 minutes. [Estimated!] |
| Music | None. |
| Style | A full length play with a single setting. |
| Synopsis | Daisy and Roz share a house in the country - since Roz's latest husband died and Daisy's divorce. But Daisy's daughter still wants her parents to reunite. The pair struggle to find their place in the community and the wider world... with an unexpected ending? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Statement by David Morris |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | A tense one act thriller with a single (balcony flat) set |
| Synopsis | James' opening monologue sets the scene for a tragic event - his girlfriend's daughter's death, and her Detective Inspector mother's reaction to it... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Steadman - In The Mouth Of The Lion by John Garforth |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 118 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama on a single church set. |
| Synopsis | Steadman reaches a turning point in his life and takes an irreverent look back over his career in local government, his marriage, and his battle with drink, and questions the choices he's made. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Still Life by Karen Ankers |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Two adults and two teenage lads. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Simple (street) setting. Contains swearing (and poignancy.) |
| Synopsis | A moving, thought provoking one act play with a modern tale of two social misfits coming together and each, in their own way supporting the other. Jenny is lonely and frightened having had no social contact since her childhood, not having left the house she shares with her abusive father for over twenty years. She has suffered a final trauma at home and in her despair wanders the streets where she encounters Keith, a bitter unemployed alcoholic trying to eke a living as a street entertainer. As an uplifting, at first reluctant, relationship develops between them an optimistic chink throws light on their despondency. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Stitch In Time by Mark Green |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play with a split (lounge and garden) set. |
| Synopsis | Young Alastair's dad has died, and his mum and granddad are bringing him up, and sister Holly too. Much to the family's disdain, Alastair, inspired by his late father, is convinced that he has invented a time machine. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Stone Soup by Gerald P. Murphy |
| Roles | Minimum Male roles = 1. Minimum Female roles = 7. Minimum total with doubling = 16. Minimum total without doubling = 16. No chorus. There is no specific requirement for a chorus, but the group of stockbrokers could easily be expanded to the available numbers! |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Modern American fable told as a one-act play. No set requirements - continuous action with locations indicated by a few props carried on by the actors. |
| Synopsis | The Jones family are broke. They need to sell their worthless farm, and all they have left in the world is a heap of stones and their wits! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Stop the Clocks by Keith Badham
Performance by Up-Stage Theatre Company won Most Theatrical Moment and the Audience Appreciation Award at the Bedfordshire One Act Play Festival, 2011. Royal Manor Theatre won the adjudicators award at the Dorset Drama League Festival, 2013 |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 88. No chorus. The fifteen scripts have casts ranging from two to sixteen, however the author expects that some groups will reorganise the twenty-character script for a smaller group - his estimated minimum cast is seven. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A series of short scripts for teenagers. Simple to set, but with plenty of performance challenges. Contains swearing. |
| Synopsis | Fifteen short scripts:
Introduction (Nominally sixteen roles)
Death Of Innocence (Seven roles)
Back to school (Eight roles)
The Interview (Five roles)
Twins (Three roles)
And Lo (Seven roles)
Monster Mum (Two roles)
The Quest For Happiness (Six roles)
Punch and Judy (Three roles)
Knife Crime Horror (Two roles)
The Priory (Two roles)
We Three (Part One) (Six roles)
The Teachers Are Afraid... (Two roles)
We Three (Part Two) (Six roles)
Death (Thirteen roles) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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