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Grave Matters by Peter Stallard
Production by Carbost Village Drama Group garnered two trophies (Best Stage Presentation and Best Actor) at the Skye One Act Drama Festival, 2013 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. The Grave Warden is written male, but could easily be played female. The two female parts could, conceivably, be doubled, but the effect of Mrs. Roberts' final entrance would probably be better with more time for make-up! |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A ghost story told as a humorous one-act play. Single graveyard set, simple props. |
| Synopsis | A magistrate and a Police Sergeant stole a valuable chalice and hid the theft under the cover of arson committed by a local troublemaker. Now their souls are bound to the churchyard until they can restore the chalice. |
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| The Greatest Form of Flattery by Amelia Armande |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Either a short full-length play, or a long one-act play! Figurative sets (scenery kept to the minimum needed to indicate the location) but props include a set of shop-window dummies. Contains swearing. |
| Synopsis | Brendan is a struggling artist who is horrified to see someone he went to Art College with hit the big time with an exhibition of work that looks terribly familiar. When the centrepiece of the exhibition gets stolen and turns up in Brendan's studio, potential disaster is turned to success for everyone. |
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| Hair of the Dog by Molly McCluskey |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length romantic comedy. Single set, simple props. |
| Synopsis | In Las Vegas to celebrate the upcoming wedding of his older brother, Keith drinks way too much and wakes up with no memory of the night before. Why is his best friend Amy in his room and acting so strangely? Why was his wallet left in a wedding chapel? And where are his pants? [The last question points out that this is written in American English!] |
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| The Haunting of Hardup Hall by David Lovesy & Steve Clark |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. Characters are all adults, but could easily be played by kids. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Short humorous ghost story told in verse |
| Synopsis | Lord and Lady Hardup are at their wits end. Their mansion is being haunted by a fearsome spook and soon they will be forced to flee! Mystic Maureen, psychic extraordinaire is called to save them from the spirits! |
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| He Deserves It by George Freek |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Short-ish two act play - a comic melodrama. Single domestic set. |
| Synopsis | George Potter dreams of building the low-cost housing his father never finished, but he's long on dreams and short of cash. Will he get the money from mean old banker Bailey, or will his childhood friend Frank help him out?
A play that plays with variations on the characters and themes of 'It's a Wonderful Life'. |
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| The Honorable Knight by Stewart Boston |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 8. No chorus. Nothing remarkable in the characters (apart from the dragon, obviously). |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A light comedy, playing on the traditions of the knightly stories. Split-stage set, with one permanent location and the other half of the stage doubling for two other locations. |
| Synopsis | Before leaving his castle for the last time, Sir Gawain of the renowned Round Table reluctantly reveals a tale of his exploits that shows him in a less than favourable light. |
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| An Hour You Won't Get Back by tlc Creative |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 41. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of comedy sketches. |
| Synopsis | Nineteen sketches, each running between 1 and 5 minutes. No particular theme other than a desire to make the audience laugh! |
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The House Amongst The Willows by Robert Scott
Best Seller |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length thriller with a single set |
| Synopsis | Fletcher is taking his fiancée Sadie to stay with the parents of his previous wife. He hasn't really told her much about his last wife's death, and Sadie makes several startling discoveries before she learns the truth about everything. |
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A Human Write by Amelia Armande
Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
| Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus.
Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
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| I Now Pronounce You by David Titchener |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. Five on-stage characters plus the off-stage voice of a police officer (who might be recorded). |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play in a single (living room) setting. |
| Synopsis | Eddie, Big Chris and Jono are preparing for the upcoming double wedding of Eddie to Trudy and Big Chris to Maureen, but they need to cut costs. Surely getting Jono to perform the ceremony couldn't backfire, could it? (The core characters appear in Flaming Liberty and The Next Big Thing. The pieces are independent, but could be used together.) |
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