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| The Perils at Peddler's Cove by Richard Coleman |
| Roles | Minimum Male roles = 9. Minimum Female roles = 5. Minimum total with doubling = 16. Minimum total without doubling = 16. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Murder mystery peopled with eccentric - and suspicious - characters. One set with additional front-of-curtain scenes. |
| Synopsis | Letters from a lawyer summon a group of people to a remote island, apparently for a weekend house-party, but then one of the guests is murdered. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Pilate's Wife by Julia Lee Dean |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. No formal chorus, but there is an off-stage crowd shouting - either live or recorded. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Easter play (from an unusual perspective), of one-act length but structured in three acts. Three locations, which could be formed as one simple composite set. |
| Synopsis | The story of Easter week told from the point of view of Pontius Pilate's household. (Mary Magdalene is presented as Pilate's mistress, allowing three very different interpretations of the events as they unfold.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Play Of The Year by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 7. No chorus. One M and one F voice are offstage, could be pre-recorded. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy, with a fairly simple set. |
| Synopsis | The committee tasked with choosing the winner of the 'Play of the Year' competition really has their work cut out, and they also have to contend with being both helped and hindered by the building janitor and tea lady. A comedy drama with twists - which may keep the audience misled until the last moment! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Poles Apart by John Furse |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | Farce, structurally in two acts, but in length somewhere on the boundary between one-act and full-length play, set in the constituency office of a Member of Parliament. |
| Synopsis | MP Jerry Underwood has had a great night, meeting a wonderful girl who happens to be a pole dancer. The press are thrilled, but mistake the woman for a Polish diplomat's daughter, who is also a dancer. Confusion reigns. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Postal by Herb Hasler |
| Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length whacky comedy play (in two acts). Single set divided into the front and back offices of the Post Office. |
| Synopsis | A dysfunctional post office in Hicksville has a tough inspection, which isn't helped by a former employee taking everyone hostage in an attempt to get his job back. Illicit affairs, novels in progress and unrequited love, not to mention robbery ensure a busy time for all. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Prisoners' Dilemma by Matthew Lynch |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. Six main characters and four cameo roles. |
| Run Time | Around 71 minutes. [Estimated!] |
| Music | None. |
| Style | A drama in two scenes, which could be played as two acts - making it a full length piece, with a single (prison cell) set. |
| Synopsis | A disparate group of strangers are locked in a prison cell, not knowing the reason for their incarceration. They are all put to the test through a series of challenges, some of which could be lethal, and finally seem able to benefit - from finding their inner selves. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Reasonable Doubt by A.D. Peters |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | Play in two short acts - courtroom drama and crime - the way the jury sees is, and the way it happened. |
| Synopsis | A tense courtroom drama with the prosecutor battling a slick defence lawyer at the murder trial of social misfit Josephine Mason. The second act takes the form of a flashback portraying the murder of which she is accused. We are left with the dilemma of knowing jury's decision before we learn the identity of the murderer. We are then able to evaluate the justice of the verdict, wherein lies the final twist. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Relationships in Progress by Carl Zeitler |
| Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of six short plays linked by a theme, intended to be performed together, with various simple settings. US English. |
| Synopsis | Relationships in Progress is made up of six short plays portraying various people in relationships we all can relate to: first dates, co-workers, spouses, siblings, and friendship. Whether fun and light, serious and deep, or some combination of those, the characters deal with their relationships with one another as well as the world around them. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Romeo and Juliet [75-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 8. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 23. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | A 75-minute abridgement of Shakespeare's tragedy.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
| Synopsis | Two households in Verona are sworn foes
A pair of star-crossed lovers take their life.
Whose misadventured piteous overthrows,
do with their death bury their parents' strife. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Room for Another by Gill Medway |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | A well-written 65-minute ensemble drama on a single set, with stories developing naturally for all the characters. Suited to groups with a range of playing ages, with good roles for all. |
| Synopsis | It's November 1940 and Hitler's bombs are raining down on London. Elsie and her daughter Carrie have their favourite night-time spot on a platform in the Underground - and on two successive nights they welcome a motley group of strangers to join them. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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