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| Marvellous Marie by Richard Cowling |
| Roles | Minimum Male roles = 7. Minimum Female roles = 12. Minimum total with doubling = 31. Minimum total without doubling = 38. Chorus. Many of the characters appear in only one or two scenes, so a lot of doubling is possible. There are also numerous choruses - Polish Dancers, Parisians, and an American crowd, for example. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | Piano and vocal scores for 28 songs, instrumentals and pieces of scene-change music. |
| Style | School musical. Lots of scenes but with location indicaters rather than lavish sets. |
| Synopsis | Moving, inspirational musical exploration of the life and work of Marie Curie from Polish upbringing to Paris and the Nobel Prize.
Original songs for an original scientific life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| Mary Anning: Lost in Time by Peter John Cooper |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | Historical drama. Structurally in two acts, but on the boundary between one-act and two-act length.
Dorset rocks. |
| Synopsis | Nineteenth-century palaeontologist Mary Anning is dying of breast cancer. Under the care of a local woman, she takes laudanum for pain relief, which induces hallucinations that cause her to reflect on her past and her struggle to make a name for herself in a man’s world. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Mary Had a Little Lamb by Ian Cartwright |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 15. Minimum total without doubling = 27. Chorus. Some of the roles are written male or female, but it's a panto, so cast whomsoever you like (I mean within the span of your company - so it's no good casting Sir Ian McKellen because the chances are he won't be available). |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | The Producer's Copy of the script includes suggestions for 17 songs. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full-length pantomime with an original story inspired by the nursery rhyme. |
| Synopsis | The evil Lady Wolfe intends to take control of Dame Dora Drover's farm. Dora lays her hopes in Professor Knutz's new shearing and knitting machine, but Knutz can't get it to work well enough to make the money they need. Fortunately a chance purchase by Dora’s daughter Mary at the livestock auction brings a talking lamb to the rescue. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Master Shakeshafte by Peter Parkinson |
| Roles | Minimum Male roles = 8. Minimum Female roles = 5. Minimum total with doubling = 13. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | A full length play, with a variety of settings, generally indicated by furniture and atmosphere. |
| Synopsis | There is much speculation over the 'missing years' of Shakespeare's life, and this play offers a glimpse into what may have happened if the bard of Avon really did spend time as a tutor in Hoghton Hall, before becoming a playwright in earnest. There are numerous nods to familiar plays and characters, and also lines or titles which may delight an alert audience. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Matchmakers by Robert M. Barr |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. A range of ages and plenty of opportunity for characterisation. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Full length play set in the Jewish community in 19th century Eastern Europe. Clever and funny, with a plot that twists and turns. Multiple locations, but easy to realise without elaborate scenery. |
| Synopsis | Reuven, the son of a Rabbi, is studying to be a Rabbi too. He needs a wife to support him, but also to prevent him being drafted into the Czar's army. Unfortunately he and his family have to move to another village where their matchmaker runs into another Matchmaker. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Matt Freeman's San Antonio by Sandy Radford |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Drama, running somewhere on the boundary between a one-act and a full-length play, though structured in four acts. Multiple sets, but described very feasibly. Contains mild swearing. |
| Synopsis | Matt is a playwright, but he's not happy with his level of success, either in his professional or his personal life. He decides to throw everything into a new play and a trip to San Antonio to try and recapture a lost love.
A play that plays with theatre to lead the audience on a journey through what is, what chould be, and what might have been. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Matter Of Health and Safety [One Act Version] by Cheryl Barrett |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy, with an uncomplicated set. |
| Synopsis | Tom is determined that the annual village fete will go off without a Health and Safety disaster, and he's prepared to send away the qualified First Aider to make sure she doesn't cause trouble. But first he needs her ministrations, and then there's the ruckus with the Jack Russell... Be careful with this one! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Matter of Taste by Cheryl Barrett |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. The waitress and chef should be similar ages. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy, with a single (café) set. |
| Synopsis | Sheila and Natalie meet for coffee to sort out Sheila's complicated love life. Sheila's work colleague Karen joins them, and gives Sheila some food for thought. The waitress has a new boyfriend who just happens to be the chef. The four women discuss what they want in a relationship. But will Sheila find the right man? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Matters Arising by Richard Moore |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 52 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama.. |
| Synopsis | A routine will reading reveals a history of complex and shocking bygone misdemeanours matched only by the current web of deceit revealed in the secret lives of the beneficiaries. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Maverick Cop by Paul John Matthews |
| Roles | Minimum Male roles = 6. Minimum Female roles = 5. Minimum total with doubling = 11. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 93 minutes. [Estimated!] |
| Music | None. |
| Style | A full length madcap comedy caper with various (simple) settings. |
| Synopsis | When the local police force is baffled by a series of seemingly unrelated murders they decide that the only answer is to recall the rule-breaking individualist detective Bob Marsland to take over. His Clouseau-like antics somehow achieve the breakthrough the police have been seeking. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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