|
Singled Out by Geoff Rose-Michael
Nominated for New Writing Award and Set Design Award, and winner of Best Actress Award (Jo) at Leatherhead Drama Festival 2014 |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. There are two principal characters, one non-speaking (and largely immobile) character and an opening voice-over (which could be recorded, omitted or consigned to programme notes!) |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | One-act thriller with a single (meeting room) setting. |
| Synopsis | When SODA, the Singles Online Dating Agency, arranges a social night for some of its members, the first two girls to arrive soon discover they have both previously suffered a similar disturbing experience, and that they have been lured there by person or persons unknown, and then locked in. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Sinister Mrs Eaves by Robert Black |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act play, single set (Sherlock Holmes' study). |
| Synopsis | Holmes and Watson tackle the bizarre case of the Sinister Mrs Eaves and twenty-one-and-a-half Harper Street without leaving their comfortable rooms at 221b Baker Street. A fine Holmes mystery with more than a touch of humour. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
Sinister Synaster by Jilly McNeil
New |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 87 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length comedy which draws a lot of humour from farcical confusion. Single set. |
| Synopsis | The Synaster siblings are trying to bump off their elder brother, Aloysius, so they can be free of their crumbling old house. Two stranded women stop by the house and one is accidentally murdered, though she doesn't realise it. Then ghost hunter Charles turns up looking for the mysterious Lady in Blue, but struggles to tell who is a ghost and who isn't. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Sitting Pretty by Paul Bovino |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. A couple and their recently-married daughter. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | Drama (with elements of romantic comedy). One act in length, two acts in structure. Single New York apartment set. Contains swearing (and marriage). |
| Synopsis | A crisis for their newly-married daughter causes a couple to rediscover themselves. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| A Sixpenny War by Allan Williams |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama set during World War Two in the staff restroom of a Woolworths store in London. |
| Synopsis | The horror of war (and the specific horros of the Second World War), seen through the eyes of a group of girls working at Woolworths each one of whom is personally affected, is dramatically evoked using contemporary political speeches as a background for the girls' experiences. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Sixty-Love by Mike Rowbottom |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 48 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (tennis club veranda) setting. |
| Synopsis | Middle-aged widow Felicity, who pretends she's ten years younger, is having a sizzling relationship with Alan, who is 25 years her junior. They are observed by Deborah and Jennifer, two older women, who eventually discover suppressed feelings in themselves. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Skeggy '62 by Anne Graham |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy, with a single (seaside café) setting. |
| Synopsis | It is the summer of 1962, just before The Beatles sack drummer Pete Best and replace him with Ringo Starr. Young Jane is about to leave for London when she encounters Liverpool girl Abbie - who has been courting Ringo Starr, but has decided that Pete Best has better prospects. Abbie points out the dangers of leaving home, as well as persuading café owner Charlie to give Jane a job. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Skeleton in the Cupboard by Martin Ward |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 112 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length thriller, set in the lounge of a seaside guesthouse in 1958. |
| Synopsis | Sussex, 1958. The Seaview Guesthouse has seen better days and owner Charles is worried the business is over, until a surprise visit from Hollywood star Joseph Fleming. But when another guest goes missing, police descend on the guesthouse and suspicion falls on Fleming. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Skitskrieg by TLC Creative |
| Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 51. Chorus. Whilst the minimum cast 'as written' is 5 male and 4 female, the humour would be suitable for actors playing across gender, so, in theory, most of it could be done by a cast of 4, with just The Land Army sketch requiring 5M, 2F. |
| Run Time | Around 60 minutes. [Estimated!] Period songs could be added to extend the run time. |
| Music | The script contains the lyrics to one song (to the tune of 12 days of Christmas) and suggestions for other songs which might be appropriate for the show. (Note that additional songs will add to the run-time.) Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Collection of sketches. Minimal requirements for set and props. |
| Synopsis | Fifteen sketches with Second World War themes (although with a very modern perspective, including, amongst other things, pastiches of TV shows). Topics include rationing, air-raids, code breaking and various perspectives on the trials of military life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Sleep Out by Jonathan Edgington (Song: Mark Laurent) |
| Roles | Minimum Male roles = 7. Minimum Female roles = 8. Minimum total with doubling = 15. Minimum total without doubling = 16. No chorus. The characters are a mixture of adults plus four teenagers. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | Sheet music (vocal line plus guitar chords) for 'Hope' by Mark Laurent is included with the Producer's Copy of the script. |
| Style | One-act play (in length, though it's structured in two acts). Includes a modicum of swearing and adult themes. (And a song. And some comedy.) |
| Synopsis | A cross section of the population come together for a charity sleep out in aid of the homeless. Six months later, life has changed for quite a few of them.
Threads of life woven around a common focal point. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Guitar and Vocal recording by Mark Laurent of his song 'Hope' which is sung in Jonathan Edgington's play 'Sleep-Out'
|
| Click here to read the script or Click here for more details. |
|