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A Tantalising Christmas by Andrew Weaver |
Roles | Minimum Male roles = 8. Minimum Female roles = 8. Minimum total with doubling = 21. Minimum total without doubling = 64. Chorus. The chorus takes two forms - a small choir and optional non-speaking roles. |
Run Time | Around 60 minutes. [Estimated!] |
Music | The Producer's Copy of the Script contains suggestions for 16 songs. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | One-act, large-cast, secular Christmas play for schools. |
Synopsis | It's Christmas Eve in Jack Jingle's toyshop, and he's nearly collected all the pieces of his Christmas Crystal, which will allow him to return to his old job as Head Elf in Santa's workshop. But Tanta Lies, the witch, is also on the trail of crystal. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
Click here to read the script or Click here for more details. |
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Tap Tap by Bill Tordoff |
Roles | Minimum Male roles = 6. Minimum Female roles = 8. Minimum total with doubling = 14. Minimum total without doubling = 28. No chorus. The characters are a mix of adults and children, either to be played by that mix or by children. Whilst there are 28 (gender-specific) named parts, these could be cut down by reassigning lines amongst the 'oldies' and 'kids' groups. |
Run Time | Around 45 minutes. [Estimated!] |
Music | Sheet music for one song (new lyrics, familiar tune!) is provided with the Producer's Copy of the script. |
Style | Play for kids with music (one song). Single set - a Youth Hostel common room (and since Youth Hostels come in a variety of shapes, this gives a lot of freedom!) |
Synopsis | A group of school children and their teachers find themselves in a Youth Hostel without beds due to a booking error. Is their fundraising trip finished before it begins? Luckily, sharing space with a group of old folks leads to more than just community spirit. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Tea With Mrs Pankhurst by Ruth Urquhart & James Douglas |
Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 19. No chorus. The minimum with doubling omits two non-speaking waitresses and has two actors playing the female principals and two playing the rest (both male and female roles). |
Run Time | Around 80 minutes. [Estimated!] |
Music | None. |
Style | Full-length play, designed to be played without a formal set. |
Synopsis | The stories of Emmeline Pankhurst and Selina Cooper are compared in an attempt to judge who gave most to the cause of votes for women. The story is told in flashback, with minimal sets and audience interaction, mostly in the cake-eating sense. An educational journey through the history of British Women's Suffrage. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Team Building by Liz Dobson |
Roles | Minimum Male roles = 0. Minimum Female roles = 5. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 33 minutes. [Estimated!] |
Music | None. |
Style | A one act play with an all-female cast. |
Synopsis | When new boss Carter insists on a team building day comprising a run through a wood, one group of employees is less than impressed. The reluctant women soon find ways to avoid joining in, but eventually find that unity can be achieved. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Ted by Steven Stack Runner-up, 2018 Maine Principals' Association Drama Festival (Production by Central High School) |
Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 11. No chorus. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A quirky one act play, retelling the tale of Rumplestiltskin. A companion (same style, different tale) to Hansel and Gretel... and Sadie (Of Edible Houses, Risky Bargains, and Other Grimm Happenings) |
Synopsis | This re-telling of the story has all the traditional aspects at first, but departs from the usual by dispensing with the royal marriage and the first-born part. A very off-beat comedy. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Teething Troubles by Phil Birkett |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | Single set one-act comedy. |
Synopsis | Jane is reluctantly acting as daycare for her granddaughter, Dakota, but she's less than maternal. Then she gets a visit from her ex-husband, on the prowl for funds for his latest venture, and she decides to rearrange her priorities. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Telling It by Annie Connell |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 27 minutes. [Estimated!] |
Music | None. |
Style | One-act drama. Two settings, but easily combined into a single set. |
Synopsis | As two officers interview a woman claiming to be the victim of domestic violence, problems with her story make them suspicious. Despite her deception, she's still a victim, and it looks like there could be a violent offender out there. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Tempest [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
Roles | Minimum Male roles = 7. Minimum Female roles = 1. Minimum total with doubling = 11. Minimum total without doubling = 13. No chorus. The character list, like all of Shakespeare's work, is male-heavy. That has not prevented excellent productions by majority female casts! |
Run Time | Around 61 minutes. [Estimated!] |
Music | None. |
Style | Abridgement of Shakespeare on the boundary between a one-act and a full-lengh play. All words remain Shakespeare's, with one short speech added by the abridger to facilitate a character exit. |
Synopsis | Since being usurped as Duke of Milan by his brother, Prospero and his daughter Miranda have lived on a deserted island. With the help of the spirit Ariel, he causes a tempest that shipwrecks his passing enemies. He aims to regain his dukedom and marry Miranda to Ferdinand, son of the King of Naples. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Tempest by Geoff Bamber |
Roles | Minimum Male roles = 9. Minimum Female roles = 2. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. The characters preserve Shakespeare's original, which means that the Naples court is all male. It need not be cast that way. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | A play originally written by William Shakespeare and completely altered by Geoff Bamber. (This version is in modern, humorous. English. It extends the story back in time to avoid the long exposition speeches of Shakespeare's second act!) |
Synopsis | Prospero, Duke of Milan and part-time magician, is tricked into undertaking a hazardous sea journey by his treacherous brother, Antonio, who promptly takes over the duchy when Prospero is conveniently shipwrecked in a great storm. Prospero, along with his daughter, Miranda, survives the wreck and finds himself on a desert island. From there he uses his magic powers to gain revenge on Antonio and Alonso, King of Naples, who is unwittingly supporting Antonio under the influence of his own unscrupulous brother, Sebastian. With the principals all gathered on the same island, Prospero sets out to divide and conquer, a task somewhat hindered by the presence of a range of bizarre and possibly deranged supporting characters. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Tempting FĂȘte! by Alan Robinson |
Roles | Minimum Male roles = 7. Minimum Female roles = 6. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. |
Run Time | Around 120 minutes. [Estimated!] |
Music | None. |
Style | A full length action-packed farce with a single (village fete) set. |
Synopsis | Cathy is trapped in an idyllic country nightmare. Her husband's gone native and she's been taken hostage by the ladies from the local Cake Club. Forced to run their cake stall, she decides to make her escape, only to find herself thwarted by squashed confections, tangled bunting, rampaging bullocks and irresistible temptation. Contains adult themes. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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