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| We Have Character by Sherrill S. Cannon & Kerry E. Gallagher |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 26. No chorus. A narrator and (up to) 25 children. Since all the children's roles could be doubled, in theory it could be done by a cast of two, but in practice it is intended as a full-class piece. |
| Run Time | Around 25 minutes. [Estimated!] With songs, which may vary the length of performance. |
| Music | The producer's copy of the script includes suggestions for up to eight songs. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act performance piece for young children. |
| Synopsis | A rhyming exploration of well-known children's books, with simple parables drawn from the characters. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| We Love Barney by Joseph A. Jones |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act farce. Single domestic set. |
| Synopsis | Barney is to decide who is to become the Assistant Branch Manager, and competition is fierce. Will newly-separated Barney give in to the wiles of Sharon, or will he be persuaded by Phyllis's experience and dedication? And what of Nigel, who doesn't want the job, but is marrying a woman who wants him to have it? It's going to be a busy night at the company drinks party. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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We're All Dead by Jonathan Edgington
Selected for and performed (by Precipice Productions) at Stockwell Playhouse's 2019 One Act Playwriting Festival in London where it received a 'Highly Commended' award. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Two of the male characters should look alike. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one act ghostly drama with multiple settings (arranged by the actors). With adult themes and strong language.
First published in 2013, revised edition published 2019. |
| Synopsis | With time shifting between the present day and 1973, Russ and Rachel experience life changing events brought about by Russ's encounter with his younger self. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Wedding Day by John F. Glen
Performance by Thurso Players won two trophies and came second overall in the SCDA Caithness Adult Festival of One Act Plays, Feb 2008 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Range of ages - three adult generations of one family. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Simple set (two pieces of furniture - so easy to stage as a competition piece). Contains mild swearing. |
| Synopsis | Annie, elderly matriarch of a family, looks back on a long life on the day her granddaughter gets married. She recalls the wedding of her daughter and her own wedding day, as well as some sadder memories. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Weekend In The Country by Peter Ayre |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 111 minutes. [Estimated!] |
| Music | None. |
| Style | A full length farce, set in a tastefully decorated living room. |
| Synopsis | Jenny wants to secretly swap ownership of the cottage, which is in Brian's name, to herself - so as to raise money for her pressing and substantial gambling debts. She recruits Colin, an inept private detective, to impersonate Brian and get him to sign the legal paperwork as if he were Brian, thus transferring the ownership solely to her. But things don't turn out the way Jenny had planned, as other people get tangled up in the transactions... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Weir of Hermiston by David McVey from Robert Louis Stevenson |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. Chorus. Characters are adults, plus one boy with a playing age of around 10, as the young Archie Weir. The chorus (non-speaking townspeople, servants, etc.) is optional. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama, focusing on the relationship between Archie Weir and his tyrannical father. Adapted from an unfinished novel by Robert Louis Stevenson. Uses broad Scots (though omitting the less fathomable language from Stevenson's draft.) |
| Synopsis | Archie Weir is the son of the Lord Justice Clerk and in training to be a lawyer himself, though he is fearful of his hard father. Following advice from a family friend, Archie watches a trial held by his father and is horrified at the old man's apparent glee at hanging the poor wretch. He speaks out in public against the death penalty and is exiled to the family's country estate. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Welcome to Paradise Road by Brian Coyle
Best Script in Festival - Page to Stage Theatre Festival, Liverpool (2016) |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 58 minutes. [Estimated!] |
| Music | None. |
| Style | A satirical thriller with a set alternating between an office and a living room. |
| Synopsis | In a society where nothing is private and no one knows who to trust, a woman’s partner has disappeared. She is visiting her neighbour, head of the local Neighbourhood Watch, to find out if she’s heard anything about his disappearance. Will her neighbour help her or is this the person she should be most afraid of? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Well Well Well by Bill Tordoff |
| Roles | Minimum Male roles = 6. Minimum Female roles = 10. Minimum total with doubling = 20. Minimum total without doubling = 20. Chorus. The chorus - additional peasants - is optional. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | Sheet music for six original songs (Lyrics by Bill Tordoff, Music by Adrian Watts & Jonny Ardern) is supplied with the Producer's Copy of the script. |
| Style | One act musical play for kids. A pantomime setting, with panto characters, though not strictly a pantomime in terms of its original plot! |
| Synopsis | The down-trodden Pantoville peasants earn meagre wages singing happy choruses and smiling for tourists. When Councillor Purslove makes them redundant they're desperate for work and are grateful to Dick Whittington for using them in his TV commercials. But when he plans to privatise their well and employ them at starvation wages they take matters into their own hands. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Westerfield at War by Marcus Grollman |
| Roles | Minimum Male roles = 13. Minimum Female roles = 11. Minimum total with doubling = 24. Minimum total without doubling = 24. Chorus. Characters are a mixture of adults and children, intended to be played by children. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | Song suggestions are made within the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A serious school play - but with a good deal of humour - set in World War 2. Mixture of full-stage sets and front-of-curtain scenes (allowing for set changes). |
| Synopsis | A series of modern-day reminiscences of the Second World War, played out through scenes of school, village and military life in war-time. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| What Did You Do In The War? by Richard Morris |
| Roles | Minimum Male roles = 8. Minimum Female roles = 4. Minimum total with doubling = 14. Minimum total without doubling = 16. Chorus. Children play a mixture of adults and children. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | Production notes list recommended period songs. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Acted reminiscences of World War 2 (covering areas of the English National Curriculum Key Stage 2 topic on WW2). |
| Synopsis | An old lady reminisces with a group of kids about England during World War two. The children become characters from that era and act out some of the scenes. Covers air raids, evacuation, military life, the evacuation of Dunkirque and Battle of Britain. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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