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The Honorable Knight by Stewart Boston |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 8. No chorus. Nothing remarkable in the characters (apart from the dragon, obviously). |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A light comedy, playing on the traditions of the knightly stories. Split-stage set, with one permanent location and the other half of the stage doubling for two other locations. |
Synopsis | Before leaving his castle for the last time, Sir Gawain of the renowned Round Table reluctantly reveals a tale of his exploits that shows him in a less than favourable light. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Hood by Geoff Bamber Best Seller |
Roles | Minimum Male roles = 8. Minimum Female roles = 7. Minimum total with doubling = 19. Minimum total without doubling = 21. Chorus. |
Run Time | Around 50 minutes. [Estimated!] Plus additional time for songs and dances. |
Music | Production notes list recommended songs. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | Not a true British Pantomime (lacks, for example, the ritual audience participation and pantomime dame), but contains many of the ingredients - plenty of jokes and extravagant characters. |
Synopsis | The Sheriff of Nottingham has taken over Loxley Manor and plans to marry Marian. Prince John is coming to the wedding, together with his personal assistant and a passing bishop. Robin Hood assembles his Merry Men but with unexpected plans. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
Click here to read the script or Click here for more details. |
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Hood - The Sequel by Geoff Bamber |
Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 12. Minimum total without doubling = 15. No chorus. No formatl chorus, but the number of guards and jailers has some flexibility. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy play for kids. In theory, four locations, but no real set requirements. |
Synopsis | 'Good' King Richard is dead and 'Bad' Prince (now 'King') John has succeeded to the throne. However the King has been forced to sign the Magna Carta which means that he needs to behave himself. This results in Robin Hood being able to give up his outlaw life in Sherwood Forest and return to Loxley Manor as Sir Robin of Loxley. Now married to his beloved Lady Marian, all seems well with the world. Not quite so, for Robin's old nemesis, the Sheriff of Nottingham, now unemployed as a result of council cutbacks, is hatching a fiendish plot to frame Robin for a heinous crime against the state. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Hoodwinked by Andrew Yates |
Roles | Minimum Male roles = 6. Minimum Female roles = 7. Minimum total with doubling = 19. Minimum total without doubling = 20. Chorus. |
Run Time | Around 100 minutes. [Estimated!] |
Music | A list of suggested songs is provided in the Producer's copy of the script, with some original lyrics to familiar tunes. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A full length pantomime. |
Synopsis | This pantomime brings fun with some new situations for the familiar Robin Hood characters, who use innovative means to thwart the dastardly sheriff. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'backing track CD' with arrangements of songs from the show ** Pantomime Fun-Packs - jokes and games for children, to supplement the programme for your show
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Click here to read the script or Click here for more details. |
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Hook and Peter Pan - How it all began by Giles Scott, Helen Dooley and Bob Walsh Cape Times Awards for Amateur Theatre, "Best Musical" 2003 |
Roles | Minimum Male roles = 12. Minimum Female roles = 8. Minimum total with doubling = 20. Minimum total without doubling = 35. Chorus. This is not a panto, but it would be possible for Peter Pan and some or all of the lost boys to be played by girls. |
Run Time | Around 90 minutes. [Estimated!] |
Music | Piano and vocal scores for Overture and 15 songs by Helen Dooley and Bob Walsh are supplied with the Producer's Copy of the script. |
Style | Full-length musical which could be played by a youth company, by adults or by a mixture. The production notes include extensive explanations of how to fly! |
Synopsis | Everyone knows the story of Peter Pan. But how did the Boy Who Never Grew Up learn to fly? How did Hook lose his hand? How did the croc swallow the clock? This enchanting musical provides the answers! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'backing track CD' with arrangements of songs from the show
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Click here to read the script or Click here for more details. |
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Hornet Girl by Geoff Bamber |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 11. Minimum total without doubling = 11. Chorus. The chorus is not essential, but the numbers of soldiers and peasants is flexible, particularly if music is to be incorporated in the production. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | One act comedy for kids. Nominally two sets, but no specific requirements for either. Whilst it isn't a musical, it would be possible for songs or dances to be incorporated (in one place, for example, it would give more time for a costume change.) |
Synopsis | A poor family of tenant farmers is in danger of eviction by the cruel baron until a comic book super-hero turns up in the form of Hornet Girl. The Baron realises that wherever there are super-heroes, there are super-villains, and he sets out to get one on his side. Enter Kaptain Kruelty to do whatever is the opposite of saving the day... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Horrible Hot Air Homicide by Ray Lawrence |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. Melodrama stereotypes - the wicked squire, the poor-but-hones heroine, etc. |
Run Time | Around 30 minutes. [Estimated!] |
Music | One song (to a G&S tune). Sheet music for the song is supplied with the producer's copy of the script. |
Style | Melodrama set in Victorian times, but written in the 21st century - so something of a send-up of the format. |
Synopsis | 'The Horrible Hot Air Homicide' - or 'Fanny's Free For All' sees the wicked squire in pursuit of the poor heroine, Fanny. However, in fear that his past misdeeds will be exposed, the squire frames his rival for murder, then furnishes a fiendish fate for Fanny. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Horrific Case Of Mr Valdemar by Edgar Allen Poe - adapted Richard Layton |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 98 minutes. [Estimated!] |
Music | None. |
Style | Melodramatic full-length play. Multiple settings, but one main set with minor locations playable front-of-curtain or picked-out by lighting. |
Synopsis | In this dramatization of an Edgar Allan Poe short story, the eerie atmosphere surrounding Mr Valdemar's death and the intervention of the questionable hypnotist Rufus is authentically and chillingly brought to life. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Horseplay by Graham Jones The precursor full-length version of this play won the Drama Association of Wales playwriting competition in 1980. |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | Compelling one-act drama. Single set - just a committee room table and chairs. Contains adult themes. |
Synopsis | After a post-match celebration, three rugby players are accused of raping a girl. Through the old boys' network, the matter is dropped, but the club barmaid won't let it rest. Thanks to her persistence, one of the other members starts to see things in a different light too. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Hot and Sweet by Liz Dobson |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act drama. Single domestic set. |
Synopsis | Janet is trying to persuade her mother Ivy, who is suffering from the first stages of Alzheimer's, to come and live with her. Janet's concerns are increased when she hears about a con man operating in the area. Ivy refuses to consider her daughter's request, stating that her late husband Harry will protect her. Janet responds by saying to her mother, 'He can’t look after you if he's not here'... but can he? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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