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| Sherlock Holmes and The Emerald of Alcazar by Geoff Bamber |
| Roles | Minimum Male roles = 7. Minimum Female roles = 5. Minimum total with doubling = 20. Minimum total without doubling = 26. No chorus. Characters are a mix of adults and children, assumed to be played by children. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | Comic melodrama. Simple sets, varied characters, strong story line. |
| Synopsis | The theft of a famous jewel draws Sherlock Holmes into the foggy streets of London and a battle of wits with a deadly enemy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Click here to read the script or Click here for more details. |
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| Shivers by Peter Harrison |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 105 minutes. [Estimated!] |
| Music | None. |
| Style | Trilogy of one-act plays with a supernatural theme. Two interior sets plus the interior of an elevator cabin. A mixture of comedy and ghostly melodrama. |
| Synopsis | The three scripts - Falling Apart, All Hallows Eve and Knock Knock, Who's There? - are all available separately.
Whilst there is no set order to the plays, Falling Apart - with a couple trapped in a lift - might be performed front-of-curtain between the other two plays, which each require an interior setting with a practical window. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Stoneybroke Hall by Georgina Cawood |
| Roles | Minimum Male roles = 11. Minimum Female roles = 14. Minimum total with doubling = 27. Minimum total without doubling = 27. Chorus. Characters are a mixture of adults and children. Written for children to perform, but could be played by a mixture of adults and children. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Melodrama. Multiple sets, but sets can be stylised rather than realistic. |
| Synopsis | Stoneybroke Hall used to be an excellent school, but recently it has started to go down hill. Staff have been leaving and, mysteriously, the rival school at Graspyng Grange seems to have benefit. The mystery is unfolded by a cast of teachers, pupils and historical figures accidentally caught in a time machine |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Stuff And Nonsense by Horry Parsons |
| Roles | Minimum Male roles = 2. Minimum Female roles = 8. Minimum total with doubling = 11. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | A Victorian murder mystery melodrama presented with a large dose of comedy |
| Synopsis | It’s Christmas, and the Squire is on his way to evict the entire household of down-on-his-luck Taxidermist Sid Softnut. But the family have a plan to prevent the Squire throwing them out. His sudden death from poisoning changes everything... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Tell-Tale Heart by Edgar Allan Poe adapted Gerald P. Murphy |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Stage adaptation of Edgar Allan Poe's short (Gothic Horror) story. Single figurative set. |
| Synopsis | Lucas takes a homeless man into his home. Convinced the homeless man posesses 'the evil eye', Lucas waits until the dead of night and murders him. Driven mad by guilt and the memory of the evil eye, Lucas is haunted by the homeless man's heart, beating under the floorboards... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Thar's Gold in Them Hills by Gerald P. Murphy |
| Roles | Minimum Male roles = 6. Minimum Female roles = 10. Minimum total with doubling = 16. Minimum total without doubling = 16. No chorus. Characters are adults plus one child (to be played either by teenagers or a mixture of adults and one or more children). Whilst there isn't a chorus specified, there is scope for extras. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | The clash of innocence and villainy and the 19th century setting bring this close to melodrama, from where it is diverted by a large volume of preposterous jokes! Single (California gold rush saloon) setting. Simple props include a cougar's ear! |
| Synopsis | Howard Huff and Betty Bristle are the villainous owners of the Shotgun Saloon in Sonora, California. Their ambition is to get rich fleecing the miners in the late days of the California gold rush, but it doesn't seem to be working. Into the bar walk Mary Ann and her daughter, Goldie, looking for work. Goldie immediately displays comic talent and the villains set about disposing of the mother and exploiting the innocent Goldie… Corny jokes and a happy ending ensue! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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