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| A Throw of the Dice by Ben Alexander |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 8. No chorus. One male character is voice-only and more suited to being pre-recorded than performed live. The hospital staff (surgeon, nurse and duty manager) are written female but could be either. |
| Run Time | Around 104 minutes. [Estimated!] |
| Music | 7 songs are suggested, to be played (but not performed by cast) at specified points in the play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full-length thriller on a single (hospital waiting room) set. |
| Synopsis | Henry, whose father is close to death, and Judy, whose husband has been seriously injured, meet for the first time one evening in a waiting room of a private hospital. During the course of a long night, they get to know each other sufficiently for Henry to be able to help Judy when her husband's two brothers arrive the following morning to intimidate her into signing away her rights to her husband's wealth. However, Henry has a hidden agenda. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Towser's Table by Pete Benson |
| Roles | Minimum Male roles = 14. Minimum Female roles = 7. Minimum total with doubling = 21. Minimum total without doubling = 34. No chorus. A mixture of aduts, teenagers and a couple of slightly younger children. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy, structurally in one act, but with a run time that puts it into our full-length category. The author has combined satire, farce and affecting pathos to great effect. |
| Synopsis | A murder investigation with a difference sees Private Investigator Jack Doyle using narration and flashbacks in his quest to identify the perpetrator. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Underground by Jon Boustead
Production by Tykes won Best Youth Production (Teignmouth Drama Festival, 2017) |
| Roles | Minimum Male roles = 3. Minimum Female roles = 11. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. All cast should be of same or similar age. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | A one act thriller for youth theatre, with a single - crashed Tube train carriage - setting. |
| Synopsis | A group of youth-age children on a school outing are left to fend for themselves, as they find themselves trapped in a crashed tube train and their teachers are nowhere to be found. They all have to deal with the horror in their own way and they take the plot along through intermittent narration and action. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| We Are The Cure by Trevor Suthers |
| Roles | Minimum Male roles = 3. Minimum Female roles = 6. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length dystopian thriller with a single (schoolroom) setting. Ideal for youth theatre. |
| Synopsis | A group of teenagers, subjects of a genetic experiment raised to believe they possess a cure for the plague that is raging through global society, escape from their compound during a cataclysmic flood. They come upon a ruined school and are amazed to find two normal children sheltering there. As surviving staff from the compound seek them out, they help each other in their desperate situation. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Welcome to Paradise Road by Brian Coyle
Best Script in Festival - Page to Stage Theatre Festival, Liverpool (2016) |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 58 minutes. [Estimated!] |
| Music | None. |
| Style | A satirical thriller with a set alternating between an office and a living room. |
| Synopsis | In a society where nothing is private and no one knows who to trust, a woman’s partner has disappeared. She is visiting her neighbour, head of the local Neighbourhood Watch, to find out if she’s heard anything about his disappearance. Will her neighbour help her or is this the person she should be most afraid of? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Where There's A Will... by Alan Tibbles |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 130 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length thriller in a single domestic set. |
| Synopsis | Set in the 1950s English countryside this thriller starts with the Nesbitts and their spouses being called together unexpectedly by their widowed step mother Violet. They gather in the peaceful country home of wealthy Esmerelda Barton for whom Violet has been acting as companion. Old enmities and rivalries emerge and secrets are exposed. All is definitely not as it seems and death is in the air. All is eventually revealed in this cleverly-constructed thriller. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| White Rock by Martin Ward |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 98 minutes. [Estimated!] |
| Music | None. |
| Style | A full length thriller with one set comprising three simple settings. |
| Synopsis | Autocratic Sir James Bannerman is the long time head of the family publishing firm and brooks no argument from his fellow directors, two of whom are his adult children. Everyone at the office has their own compelling reasons to be rid of him and when he is murdered Inspector Hilliard has his work cut out to find the culprit. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Wine Tasting by Ronnie Dykstra |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 31 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy thriller with a single (cottage interior) setting. |
| Synopsis | Unknown to his neighbours and acquaintances, Wesley harbours a deep grudge against them. He hosts an annual get-together to sample his large collection of wines, but this year the conviviality is particularly strained and Wesley uses his pharmaceutical knowledge to dole out his revenge. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Without Trace by Mark Seaman |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act thriller with adult themes. |
| Synopsis | Sixteen year old Amy Mason is missing from her family home. Her parents, Claire and Brian, are discussing Amy's disappearance and their relationship with her as they wait for the police to arrive. Is it just the rebellion of a frustrated teenager that has led to Amy leaving, or is there a more sinister reason for her disappearance? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Wound by Graham Jones |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act thriller. Single domestic set. |
| Synopsis | Miriam has just opened her Bed and Breakfast for business and she already has two guests. But now her brother is concerned that the second guests might be a man coming to kill him. A twisted story of murder and deception. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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