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| One Foot Under by Jordan Handford |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Reverend Goodwinks is presumed male but could be female. |
| Run Time | Around 17 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy with a single living-room set. |
| Synopsis | Michael's already tense relationship with his in-laws is put under further strain at a funeral with a surprising finale. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A One Hearse Town by Cheryl Barrett |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 2 minutes. [Estimated!] |
| Music | None. |
| Style | Short rhyming monologue. |
| Synopsis | An Irish village is bereft of a spiritual centre since the Priest departed with a lady named Bridget. Luckily, the Pub now stands in the church's stead, offering solace, groceries, community and, of course, whiskey. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| One Hell of an Interview by Damian Trasler |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 2 minutes. [Estimated!] |
| Music | None. |
| Style | Sketch, single simple set (office) |
| Synopsis | A recruitment drive for a commercial television channel receives interest from an unlikely and unwelcome source. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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One Hundred and Eighty! by Jonathan Edgington
Runner up in The Maskers Theatre's 2011 Humble Hamlet play writing competition. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute comedy, playing on Shakespearean themes. Contains swearing and adult themes (and a darts player). |
| Synopsis | Toby Hamlet is coming home, but his mother doesn't know why. She does know he's broken a promise he made to his dying father by becoming a pro darts player instead of a lawyer. What could he possibly want to speak to his mother about that he can't mention on the phone? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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One Solitary Line by Neil Walden
Winner of One-Act Play Writing Competition at Wexford Literary Festival 2017 |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. One (gender non-specific) character is an offstage voice only. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy sketch with a single (dressing room) setting. |
| Synopsis | Two actresses cast in a Shakespeare play bemoan the fact that the Bard gives so few opportunities for meaty female roles. This causes their relationship to become acrimonious. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| One, Two... One by Alexis Coward |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 16 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act drama |
| Synopsis | Two homeless people are sleeping rough in an alleyway. They pass the time in conversation which becomes ever more intimate and emotional. Their relationship comes to an abrupt end when the immense value of their meagre possessions is brought to life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Open Evening by David Dunn |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Three speaking parts and one unconscious cameo! Gender entirely flexible. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch for teenagers. Part of the Bite Size collection of Vampire plays |
| Synopsis | Three teens are getting ready for their vampire school open evening. Though they only have to get the drinks area ready, they've had a good look around and are ready to discuss all the other departments. Something tells me this is a night school... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Opening Doors by Keith Badham |
| Roles | Minimum Male roles = 3. Minimum Female roles = 7. Minimum total with doubling = 10. Minimum total without doubling = 28. No chorus. |
| Run Time | Around 18 minutes. [Estimated!] |
| Music | None. |
| Style | Youth theatre drama played on an empty stage with one prop (a free standing door). An ensemble piece, with cast members taking multiple roles. |
| Synopsis | As the doorkeepers open the door we experience cradle to grave aspects of the characters' lives. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Other Side by Iris Winston |
| Roles | Minimum Male roles = 0. Minimum Female roles = 5. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Short play for youth theatre, a story, but with a strong moral core. |
| Synopsis | Ruth is visiting an Art Gallery as part of the school field trip, when she sees a picture of a cabin that looks familiar. She falls into the painting and meets Narg, who takes her back to something she doesn't want to remember. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Our Last Respects by Frank Gibbons |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Whilst the two characters are women, they might be played as women by men in non-glamorous drag. (British people with long memories are invited to contemplate Les Dawson in this context.) |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy sketch, set in a graveyard.
From the Laughter Lines collection. |
| Synopsis | Two women with what ammounts to not quite a graveside eulogy for their deceased friend. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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