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| Big Idea by Nigel Holloway |
| Roles | Minimum Male roles = 6. Minimum Female roles = 5. Minimum total with doubling = 11. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy satirising an amateur dramatic company. Minimal set but a variety of 'sound effects' props which are used live are essential. Notes include how to make a Wind Machine! |
| Synopsis | Big Idea is a comedy about the members of the local amateur dramatic society, the Off-the-Wall Theatre Company (none of whom bears any resemblance to anyone you might have met). The 'Big Idea' in question is a new television series, where a lucky person gets the chance to fulfil a great ambition. In this case, the Off-the-Wall company's director, the egotistical Jonathan, has harboured a dream of writing a masterpiece for the stage. The TV series gives him the chance to have his play broadcast on national television - with the help of the other members of the Off-the-Wall Theatre Company, who do not necessarily share Jonathan's view of his abilities. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Bill & Ben by Richard James
Performance by Tiger Theatrical Productions won Best Comedy and Best Actor at the 2014 Spelthorne and Runneymede drama festival. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play - a two hander involving playwrights. |
| Synopsis | Ben Jonson is spending his last day in his condemned cell, after killing an actor in a duel. He has a surprise visitor - William Shakespeare, who comes to plead with him to perform a 'neck-verse' - reciting a Psalm, that may save him from the noose. But what does Shakespeare have to gain? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Birthright by Christine Steenfeldt |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play in a single setting. |
| Synopsis | An original storyline suggesting a question mark over Shakespeare's birthplace in a short dramatic comedy, with a twisting plot! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Blatant Disruptions by Robert Scott |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. Whilst six of the characters are written male, they are representations of famous archetypes and there's no barrier to them being portrayed by women wearing fake beards (or other appropriate indicators of character). |
| Run Time | Around 9 minutes. [Estimated!] |
| Music | None. |
| Style | Daft comedy sketch. No set requirements other than a semi-circle of chairs, but costumes would seem appropriate, given the nature of the characters. |
| Synopsis | The newly combined groups of 'Blatant Confusions' and 'Archaeological Disruptions' have their first meeting to hear about the progress on Stonehenge and other plans for confounding historians and archaeologists of the future. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Blind Date, Inc. by Gerald P. Murphy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 16. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A series of linked comedy sketches set at a speed-dating event. Simple set - two tables, four chairs. |
| Synopsis | A series of couples meet for the first time, introduced by Blind Date Inc. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Click here to read the script or Click here for more details. |
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| Bottoms Up! - The Panto by Hilary Ayshford |
| Roles | Minimum Male roles = 5. Minimum Female roles = 12. Minimum total with doubling = 13. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 117 minutes. [Estimated!] |
| Music | The producer's copy contains suggestions for nine songs. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full length pantomime. |
| Synopsis | A full length panto take on A Midsummer Night’s Dream. Mixing Shakespearean quips with modern day humour, the play features spells going awry, misplaced love and plenty of confusion, culminating in a wedding to remember. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Catch As Catch Can by George Freek |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act play, in a single set. A comedy, which is not what one expects from Othello. |
| Synopsis | An alternative history of Othello, playing with our preconceptions of Shakespeare's characters. A worldly wise Iago is giving advice about women to a distraught Cassio, who cannot bear to see Desdemona married to Othello. But Iago's wife seems to be openly flirting with the General, and Desdemona isn't happy... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Comedy of Errors [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 14. Minimum total without doubling = 19. No chorus. Speaking roles - 4M, 4F, 8 either, plus at least 3 non-speaking townspeople. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'The Comedy of Errors', with every word remaining Shakespeare's.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | Antipholus of Syracuse has come to Ephesus with his servant, Dromio. Unknown to them, their identical twin brothers, also called Antipholus and Dromio, have been living in Ephesus for many years. There is a heap of comic confusion until their true identities are at last revealed. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Dagger in a Smile - A Young Actors' Macbeth by Gill Medway |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 20. Minimum total without doubling = 34. Chorus. The play can be acted by an all-male group, an all-female group or a mixed cast. The ensemble roles can be played by a minimum of five but can be expanded to suit the size of the group. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act (by length) modern language adaptation of Shakespeare's Macbeth for young actors, containing all the witchcraft, ghosts and gore you'd expect. (Read the script to see if the level of violence is appropriate to your actors.) |
| Synopsis | The Ghost of Macbeth comments on the action and charts the progress of his rise to the Scottish kingship and his downfall. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Day The Woods Came To Dunsinane by Steve Eddison |
| Roles | Minimum Male roles = 5. Minimum Female roles = 7. Minimum total with doubling = 17. Minimum total without doubling = 23. Chorus. Characters include talking trees (allowing me to make the usual joke about wooden actors) and (unnumbered) dancers. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play for kids. Full of the sort of verbal humour that graces British pantomime, though with a different structure (and more trees). |
| Synopsis | Four children on a hiking trip stumble into the plot of Macbeth (portentious witches, poor hospitality, portable forests - that sort of thing). Can they escape unscathed? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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