|
| For the Good of the Family by George Douglas Lee |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Domestic interior settings. |
| Synopsis | A family reunion becomes a fraught affair as Jack and Virginia's son can't resist bringing up the subject of the effect his profoundly disabled sister had on his childhood. The discord leads to an astonishing revelation. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| A Friend of Ronnie's by David Barry |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Edith and Arthur are relatively elderly, Susan a younger researcher. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One act drama set in 1983 (twenty years after the main event). Single domestic setting. Contains mild swearing. |
| Synopsis | It's been a tense twenty years for Edith and Arthur. Now that Susan has arrived and is uncovering his shady past, will life improve for the pair of them, or simply reveal more regrets?
The play fills some gaps in the true story of the robbery, and the substitute train driver who was never caught. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Further Education by Pete Barrett |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. Frank and Anne are written with Geordie accents. |
| Run Time | Around 117 minutes. [Estimated!] |
| Music | None. |
| Style | A full length comedic play (backed by a bit of recent British history) with a single (scruffy student flat) setting. |
| Synopsis | In this very well observed play, set during the miners' strike in the 1980s, Essex University students, flat sharing Rachel, Emma and Claire invite Durham miner Frank to stay with them whilst he joins the picket line in the locality. The clash of working class and middle class values come to the fore during his stay and in amusing turns both sides learn from the other. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| A History of the Olympics - Readers' Theatre by Sue Russell |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 36. No chorus. Six plays with six characters in each. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | A set of six mini-plays (with run times around 10 minutes) designed for 'readers theatre' (i.e. use for small group reading), though they could also be performed as plays. No set requirements. Producer's Copy includes a quiz for each play. |
| Synopsis | Olympic history, comparing the ancient games to the modern olympics and studying the development of the modern Olympic games through references to events, sportsmen and controversies. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Kit Kat Man by James Addis |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | An efficient spy drama - like a compact Le Carré. Realistic dialogue leading to a surprising but well-planted twist.
Simple set - another chance to wheel-out the park bench. |
| Synopsis | Moscow, near the end of the Cold War. Paula Wilson seeks to coax the defector Gerald Soames back to Britain, ostensibly as a means of undermining the intelligence Soames has given to the Soviets. In reality, her motives are more sinister. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Love Me Tender by Roger Woodcock |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | Four Elvis Presley songs are suggested, to be sung by character within the play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act drama with a mix of comedy and pathos. A single kitchen setting. |
| Synopsis | In an economic downturn, a fish and chip shop owner and his wife can't decide whether to stay open or move to Spain, while their part-time potato peeler Billy happily sings Elvis songs and dreams of what's under Olga Pike's duffle coat. A tragedy will turn all their lives upside down. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Musical Maurice and the History Hop by Cat Durning |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 15. Minimum total without doubling = 34. Chorus. Thirteen principals (although the lead character could be played by three different actors) and scope for a large chorus (the original production employed three school classes!) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | The producer's copy of the script gives suggestions for three songs and various pieces of incidental music to accompany the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Time-travelling school play, Multiple locations but little needed in the way of stage furniture. (Locations indicated by music or acting!) |
| Synopsis | A child and a grandfather get sucked into a whirlwind history tour by a time-traveller with a magic wand. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Once Upon a Time NOT in Bollywood by Subrata Das |
| Roles | Minimum Male roles = 19. Minimum Female roles = 15. Minimum total with doubling = 34. Minimum total without doubling = 40. Chorus. Many characters may be doubled. |
| Run Time | Around 86 minutes. [Estimated!] Dependent on the songs used. |
| Music | Suggestions for 8 songs are provided with the Producer's copy of this script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full length play with music and dance, in five acts - although two act length, and with many settings. |
| Synopsis | This play portrays the kinds of struggles moderates face within the left and right-wing political parties in India. Malati and Praveen, have had opposing political views since their days growing up together in a village, but enjoyed a romantic relationship. Despite his love for politics, Praveen still dreams about being a Bollywood actor... and the play explores the voices of rich, middle class, and poor people, obstacles within families for women in politics, and extreme political rhetoric. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| One Thing After Another by Steve Beeton |
| Roles | Minimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 82 minutes. [Estimated!] |
| Music | None. |
| Style | A full length comedy with an 80s setting. |
| Synopsis | When Bert and Eric dig up an old box on the allotment, they hope it contains treasure that will change their lives forever. Changes ARE coming, but the whole family is in for a bunch of surprises. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Suite 145 by Paul Bovino |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 12. No chorus. There is no overlap between the characters in the four plays - which does not exclude the possibility that they are played by the same actors. |
| Run Time | Around 130 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of 4 one-act plays, each with a single (New York apartment) setting. The plays function independently, so could be performed separately or together. Contains swearing (but only as an incidental attribute of character, situation and comedy). |
| Synopsis | Four plays, linked by the setting - Suite 145 - a New York apartment address (although it is not necessarily the same building!) The plays take place in different eras, with different occupants and certainly different tastes in decor! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|