|
| The Grilling by Barry Lambert |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy sketch for two people and a pub table. |
| Synopsis | Flamboyant actor Gregory Walton sits in a pub hoping to be recognised by fans. He is approached by Ms Price, but discovers she is no fan when she starts to interrogate him about his past activities. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Guests by Carolyn Drury |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy drama with a single (living room) setting. |
| Synopsis | Feeling the financial pinch after a generous Christmas, pensioner and former child movie star Mary opens her house to some visiting actors. Two are pleasant enough characters, but Louise is more of a handful. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Hack by Andy Haynes |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute comedy play, sending-up the pretentions of a writer and his agent. Contains mild swearing. |
| Synopsis | Harold has written another play, just in time for a meeting with his agent Morty, who's dropped round to read him the reviews of his last play. It's not good news, but is Harold a man to be defeated by bad reviews? Maybe. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Here I Sit All Alone, I Think I'll Play My Xylophone by Martin Alcock |
| Roles | Minimum Male roles = 6. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 8. No chorus. One character is an offstage voice. |
| Run Time | Around 135 minutes. [Estimated!] |
| Music | None. |
| Style | A full length drama, with a single (theatre dressing room) setting. |
| Synopsis | Once famous comedy duo Wild and Wooley have been relegated to dead end provincial panto. They are excited to learn that their new agent has negotiated a possible television show for them when their erstwhile, crooked agent turns up - to rain on their parade with secrets from the past. They deal with his blackmail in a surprisingly shocking way, after which they are able to come to terms with the past and go forward to a brighter future. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Holding Up A Mirror by Wally Smith |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute play. No set requirements (unless three chairs count as a set - in this case, I would count them as props). Contains mild swearing. |
| Synopsis | A discussion about theatre and the nature of drama... but are you watching them, or are they watching you? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Illusion/Delusion by David Pollard |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 78 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of three one-act plays, all of which are also available separately. |
| Synopsis | Three stories which question the reality of their situations. In 'Can Malone Die?', a best-selling author is confronted by his character brought to life. In 'Aspects of a Betrayal', Dolly is visited by a colleague of her late husband, who was a spy and defector. And in 'Clause Fourteen', aging actor Clifford finds himself playing opposite his ex-wife in a production which, against all probability, is a smash hit. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
Immature with Age by Wally Smith
New |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy short, single set. |
| Synopsis | Elderly widower Tom Fisher is trying to occupy his time as much as possible. His daughter, Sandra, a divorcee with two children in their twenties, has encouraged him to find some outside activities, but has not anticipated the result of his joining the local amateur dramatics group. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Importance Of Being Belinda by John Garforth |
| Roles | Minimum Male roles = 0. Minimum Female roles = 6. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 37 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (garden) setting. Adult themes and strong language abound! |
| Synopsis | The feminist Sapphire Theatre Collective is in final rehearsal for Oscar Wilde’s ‘The Importance Of Being Earnest’. Wilde’s script has been revised and updated to cater for an all female cast and political correctness by Belinda. The opening is in doubt as Belinda has been arrested for gross indecency on stage during a previous performance, but the show must go on! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Importance Of Peaches by Tony Domaille |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single setting |
| Synopsis | The Southbury Players Committee is meeting to discuss the group's poor record of success. Members are looking for a big idea to revive the group's fortunes, but when all seems lost, salvation comes from an unexpected source. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Interval by Frank Gibbons |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch, requiring only a couple of seats (and a couple of actors to fill them). |
| Synopsis | The interval of a theatrical show provides the opportunity for a gossip (and a string of theatre jokes). |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|