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| Rhyming Treasure Island by Richard Coleman |
| Roles | Minimum Male roles = 8. Minimum Female roles = 2. Minimum total with doubling = 14. Minimum total without doubling = 14. Chorus. More major female roles than the original tale. (It should be noted that female pirates were not unknown!) There is a chorus of three pirates which could be expanded to as many pirates are aboard your ship. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | Rhyming comedy (with some of the characteristics of a British panto). |
| Synopsis | Robert Louis Stevenson's classic tale of buried treasure adapted for the stage as a verse play. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Rhyming Wind in the Willows by Richard Coleman |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 15. Minimum total without doubling = 30. No chorus. Most of the characters are nominally male, but since they are clothed animals, who is to tell? |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | Rhyming plays for a medium to large group of kids. Nominally six locations but no real set requirements. |
| Synopsis | An accident on a caravanning expedition leaves the flighty Mr. Toad with an obsession with motor cars and inflated opinions of his own driving. Despite the attentions of his friends, Toad ends in jail and the stoats and weasels of the Wild Wood take over his house. After Toad escapes, Badger, Mole and the Water Rat set about recapturing Toad Hall.
Kenneth Grahame's children's classic retold as a verse play. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Richard III - Has Anybody Seen My Horse by Geoff Bamber |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 15. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | Historical comedy for kids. Structurally in four acts, but of one-act length. No specific set requirements. Simple props. |
| Synopsis | With the Wars of the Roses in full swing, Richard, Duke of Gloucester, finds himself on the right side when the House of York take the throne. Richard harbours an ambition to become King. Unfortunately his older brothers and his own nephews stand in his way. For a resourceful fellow with no principles this does not present a problem. Dark deeds inevitably ensue. Temporary success is achieved but a happy ending for the story of one of history's favourite villains (*) seems increasingly unlikely.
* This is only because this bit of history was written by the Tudors. (To the victor, the spoilers.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Right on Cue by Barry Lambert |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Roles are written as 2 male, 2 female, but all could be played as either. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (police office) setting. |
| Synopsis | The Battersea Batterer is causing havoc for the understaffed local CID as he goes around the neighbourhood hitting people over the head with a billiard cue. The police are snookered at first but are assisted by a psychological profiler in solving the case. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Right Royal Mess by S. J. Edwards |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 19. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One act, humorous play suitable for 9-12 year olds. No set requirements. |
| Synopsis | The King and Queen are trying to select a husband for their daughter unbeknownst to her. If only they wouldn't keep being interrupted by auditioning Wandering Minstrels, unhappy Jesters, angry chefs and a very mischievous wicked fairy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Rings Around The World by Keith Badham
Premiere production won Best Youth Production and Best Youth Male awards at the Bedfordshire One Act Play Festival 2013.
(50% of author's royalties are donated to 'Ambitious about Autism'.) |
| Roles | Minimum Male roles = 3. Minimum Female roles = 6. Minimum total with doubling = 13. Minimum total without doubling = 23. No chorus. Sign Language is also used in this play. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | Suggested music is by The Super Furry Animals and Gruff Rhys. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one act drama with music, dance and multiple simple settings suggested by the cast. |
| Synopsis | Young Mark is autistic and we are swept into his world in this moving and satirical picture of his short life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Ripple Effect by Robert Scott
Glantawe Theatre Company won Best Production and Best Individual Performance at South Breconshire One Act Play Festival, UK in 2018 |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 44 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama in reverse chronology. |
| Synopsis | There’s no doubt that Eva has murdered Timothy - she’s still holding the gun. But what drove her to kill? Was it fate, or the random collision of people and circumstances? Who, ultimately, is to blame? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Rise and Fall Of The Chocolate Rapperz by L. M. Harrison |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 26. Chorus. Lots of flexibility (in number and in gender - many of the characters with gender-specific names may be changed easily.) |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play for kids with a message about nutrition. It's about a musical group, so whilst no music is suggested, it is expected that the produciton will add songs and dances. |
| Synopsis | A pop duo at the height of their fame make the mistake of taking too many treats and become addicted to the sugar high, losing their crowns to the next music sensation. Can their manager and their biggest fan bring them back to healthy eating, exercise and success? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Rising Blue by Jason Jawando |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play in a single setting. |
| Synopsis | Margaret Thatcher joins Brian Clough in the waiting room for heaven, with predictable yet productive abrasiveness from both. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Robby Nudd by Bill Tordoff |
| Roles | Minimum Male roles = 2. Minimum Female roles = 9. Minimum total with doubling = 25. Minimum total without doubling = 30. Chorus. All the characters are adults, assumed to be played by children or a mixture of adults and children (with particularly the role of Sheriff and Friar open to adults). |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | Sheet music (Lyrics and music by Chris Donovan, additional music by Adrian Watts) for 7 songs plus two reprises is included with the Producer's Copy of the script. |
| Style | A sideways look at the Robin Hood legend! |
| Synopsis | Robby Nudd has become an outlaw because he's too small to join the police! Robby and his band of outlaws haven't robbed anyone in a long time and the women they have brought to the forest are sick of being cooks. The girls rebel and leave the forest. The men go to Nottingham Fair to try and win the archery contest, win the bag of gold and buy the girls some proper ingredients to cook with. The resulting clash with the Sheriff has an unexpected resolution. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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