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Ted by Steven Stack
Runner-up, 2018 Maine Principals' Association Drama Festival (Production by Central High School) |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A quirky one act play, retelling the tale of Rumplestiltskin. A companion (same style, different tale) to Hansel and Gretel... and Sadie (Of Edible Houses, Risky Bargains, and Other Grimm Happenings) |
| Synopsis | This re-telling of the story has all the traditional aspects at first, but departs from the usual by dispensing with the royal marriage and the first-born part. A very off-beat comedy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Teething Troubles by Phil Birkett |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | Single set one-act comedy. |
| Synopsis | Jane is reluctantly acting as daycare for her granddaughter, Dakota, but she's less than maternal. Then she gets a visit from her ex-husband, on the prowl for funds for his latest venture, and she decides to rearrange her priorities. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Telling It by Annie Connell |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Two settings, but easily combined into a single set. |
| Synopsis | As two officers interview a woman claiming to be the victim of domestic violence, problems with her story make them suspicious. Despite her deception, she's still a victim, and it looks like there could be a violent offender out there. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Tempest [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 7. Minimum Female roles = 1. Minimum total with doubling = 11. Minimum total without doubling = 13. No chorus. The character list, like all of Shakespeare's work, is male-heavy. That has not prevented excellent productions by majority female casts! |
| Run Time | Around 61 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of Shakespeare on the boundary between a one-act and a full-lengh play. All words remain Shakespeare's, with one short speech added by the abridger to facilitate a character exit. |
| Synopsis | Since being usurped as Duke of Milan by his brother, Prospero and his daughter Miranda have lived on a deserted island. With the help of the spirit Ariel, he causes a tempest that shipwrecks his passing enemies. He aims to regain his dukedom and marry Miranda to Ferdinand, son of the King of Naples. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Tempest by Geoff Bamber |
| Roles | Minimum Male roles = 9. Minimum Female roles = 2. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. The characters preserve Shakespeare's original, which means that the Naples court is all male. It need not be cast that way. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | A play originally written by William Shakespeare and completely altered by Geoff Bamber. (This version is in modern, humorous. English. It extends the story back in time to avoid the long exposition speeches of Shakespeare's second act!) |
| Synopsis | Prospero, Duke of Milan and part-time magician, is tricked into undertaking a hazardous sea journey by his treacherous brother, Antonio, who promptly takes over the duchy when Prospero is conveniently shipwrecked in a great storm. Prospero, along with his daughter, Miranda, survives the wreck and finds himself on a desert island. From there he uses his magic powers to gain revenge on Antonio and Alonso, King of Naples, who is unwittingly supporting Antonio under the influence of his own unscrupulous brother, Sebastian. With the principals all gathered on the same island, Prospero sets out to divide and conquer, a task somewhat hindered by the presence of a range of bizarre and possibly deranged supporting characters. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Terrorist by Graham Jones |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | Action-packed thriller. Single set. Contains mild swearing and the aggressive use of a firearm! |
| Synopsis | Living a quiet life as a Hotel Manager, David's violent past comes back to haunt him when a guest recognises him. Getting rid of the troublesome man is just the beginning of his troubles, as the man's wife and David's own daughter dig into the mystery disappearance. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tete-A-Tete by Paul Bovino |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 9. No chorus. Two characters (1M, 1F) are offstage voices only and can be doubled. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (living room) setting. |
| Synopsis | Much to his reluctance, Danny’s friends arrange a blind date for him. The date turns out to be his ex-wife Katrina. She brings shocking news for Danny, who has his own shock in store for her. The unseen neighbours become a catalyst for a re-union. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Therapist Unleashed by Barry Lambert and Amy Randall
New |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy/drana in a single set. (On the way to a satisfactory resolution, there's room for the actors to explore a range of emotions and even have a fight.) |
| Synopsis | Shelly has a full roster of therapy clients, but she starts to notice some interesting things about their stories - like points where they intersect. She can't help the individuals herself, but maybe she can try something really unusual... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| There's Always Time For Dancing by Helen Boyce |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | One song, to be played over the closing dialogue, is suggested in the producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act drama on a single (living room) set. |
| Synopsis | After a lovely church service, Michael and his wife relax at home. He does his best to make her laugh, encouraging her to dance with him, though she’s tired. But a persistent noise distracts her, and leads her to a sad discovery. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| There's No Place Like Home by Peter Harrison |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Four on-stage characters and an off-stage female voice (which could be recorded, but, in our view, would be better performed live). |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy in a single domestic setting. |
| Synopsis | When elderly Howard claims his dead wife Nancy has been talking to him, his daughter and her partner think he is suffering dementia and plan to move him into a home. But there's a surprise in store when he demonstrates how he contacts Nancy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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