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| Voices On And Off by Pat Edwards |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 10. Chorus. The Inner Voices characters may be offstage, but also could appear on stage. Claudia and Percy have actions rather than words. The Chorus do not speak or sing. |
| Run Time | Around 21 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act comedy, with quick scenes, and two simple settings. |
| Synopsis | Terry and Ceri are members of the local amateur dramatic society and soon become attracted to each other. Their blossoming relationship is helped, although sometimes hindered, by their inner voices which continue throughout the action. And then there is Claudia... |
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| The W.I. by Liz Dobson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 6. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, simple (minimal meeting room) setting. |
| Synopsis | An undercover reporter is trying to gather material that will prove her theory that the WI is a collection of useless women filling their empty lives with trivia, tea and jumble sales. For her, it's going to be an eye-opener, but for the other women, it's regular day at the WI... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Wait... What? by Ted Evans |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 7. No chorus. Two (male) characters appear on stage, one of them only briefly. Two male and two female characters appear on a video shown on the stage. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, almost a monologue, in the style of a disjointed presentation. Some educational content about Attention Deficit Disorder. Includes opportunities for improvisation. Contains mild swearing |
| Synopsis | An Attention Deficit Disorder sufferer talks about his experiences with a new wonder-drug and ADD in general, but ends up saying a little too much for the drug manufacturer's liking. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Waiting For God... Only Knows What by Anna Russon and Mike Collins |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 9. No chorus. Two characters (1M, 1 either) are voice only and can be pre-recorded. |
| Run Time | Around 26 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (kitchen) setting. |
| Synopsis | Seven people are trapped in a kitchen, unable to face whatever awaits them outside... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Waiting for Mr G by Bob Hammond |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy set on and around a park bench. |
| Synopsis | Small time crooks Arthur and Willie have been told to meet Mr G, the Mr Big of the local underworld. Willie has just pulled off a lucrative job involving 50 fake Rolex watches which, much to his amazement, turn out to be the genuine article. Unfortunately Willie has unwittingly crossed the line into Mr G's territory. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Waiting for Pandora by Geoff Bamber |
| Roles | Minimum Male roles = 2. Minimum Female roles = 6. Minimum total with doubling = 17. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | Comic fantasy for kids. Minimum set and a few simple props (the most complex of which is a treasure chest). |
| Synopsis | Three deliverymen arrive in a woodland clearing with a box clearly addressed to a Miss Pandora but instead they hand the box over to a couple of homeless wanderers who cause trouble, involving an old lady, the Spirit of Gloom and a girl scout troop. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Click here to read the script or Click here for more details. |
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| Waiting for Twist Stiffly by Damian Trasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play which takes place on the set of a 1950s science fiction serial, but is really about actors and their relationship to their characters. |
| Synopsis | Filming of the 1950s adventure serial 'Twist Stiffly - Space adventurer' is being held up because the leading man is nowhere to be found. While the remaining cast members lounge around waiting for him to turn up, they discuss their roles in the drama and their dissatisfactions with the main man. Then they come up with a great way to fill their time until he arrives... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Waiting in Soho by Christopher Morgan |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One act play with a single bar-room set. An ensemble piece with seven overlapping stories. Contains a range of adult themes. |
| Synopsis | A disparate group are sharing space in a Soho bar at the weekend - their only common ground. Through voicing streams of overlapping thoughts, they open up and reveal the experiences that brought them to where they are. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| The War Time by Seán Lang |
| Roles | Minimum Male roles = 12. Minimum Female roles = 7. Minimum total with doubling = 19. Minimum total without doubling = 21. Chorus. Characters are a mix of adults and children intended to be played by a youth theatre company. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | Ensemble piece for secondary schools, exploring the First World War. Multiple locations, mainly indicated by lighting and furniture. |
| Synopsis | A group of schoolchildren visit war graves in Belgium, but some have trouble connecting with the idea that the soldiers were real people, because it happened so long ago. Beth and Danny meet the Recollector, who takes them back in time and places them in the war, helping them understand. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Warm Crayons by Ashley Harris |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on a simple set. |
| Synopsis | Mr Hughes doesn't have the greatest patience as a schoolteacher but he does love his job. A routine student prank seems to be the trigger for a vile and immoral act. Is Hughes innocent or has he been hiding his evil ways all along? Warm Crayons questions the way the world looks upon physical and sexual abuse. |
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