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The Last Waltz by Johnny Grim This play won the author the Best Writer award at the 2009 Perth ITA (Independent Theatre Association) Dramafest. |
Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The two protagonists are an Australian and Australian of Indian origin. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | One-act drama (with elements of black comedy!) Single set with two locations - a taxi and a park bench. Contains swearing. |
Synopsis | Shane Grantham plans revenge on the man who stole his wife. He requests a taxi to take him to the place where the man lives. For driver Krishnan Singh, this is just another routine call, and his passenger just another face in the crowd. A chance meeting between two strangers, two men from very different worlds, who on this one night discover that love is universal. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Last Woman Working by Michael Pearcy |
Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
Run Time | Around 33 minutes. [Estimated!] |
Music | None. |
Style | A one-act satirical comedy with a single (office) setting. Some strong language. |
Synopsis | Robots, with government backing, have taken over almost every job previously done by humans. Masses are protesting. Desperate to save her job in an electronics factory, Barbara Wooley takes an aggressive stand at her local MP's surgery. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Latin Fever by Terence Dale |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act play, single domestic set, simple props. (Contains mild swearing.) |
Synopsis | Surly and aggressive Bernard has to be levered out of his domestic rut by the persistence of his long-suffering but ever loving wife, who wields a crowbar in the unlikely shape of Stephen... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Laughing Through Curtains by Damian Trasler New |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 21 minutes. [Estimated!] |
Music | None. |
Style | One-act drama set behind the curtain of a comedy club. |
Synopsis | Mike has been looking forward to the break between his evening stand-up comedy performance and the late show, but a string of visitors fill his spare time - his manager, his fellow comedian and opener Ricky, the venue owner, and finally his ex-wife Cindy. Master of the quip though he is, can Mike find the right words for all of them? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Laughter Lines by Frank Gibbons |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 38. No chorus. Most of the characters are adults in middle age or older. Some of the women are intended to be played by men (in gossipy, unglamorous middle-aged drag). |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | Collection of 18 comedy sketches (ranging in duration from 2 minutes to ten minutes). Few set requirements (although one sketch takes place in and around a bed). There are a couple of mild swearwords buried in there somewhere. |
Synopsis | Sketches about life, death, relationships and cream cakes. Most of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.) There is no particular order to the sketches, but there are occasional common themes. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Lazy Daze by John Chambers |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. One (female) character plays herself and a series of other people. |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | Monody - one-act play for a cast of one. Single (store-room) set. Contains swearing. |
Synopsis | Daisy, with her limp and her lazy eye, has suffered scorn in her life, but Ian showed her a new interest - philosophy, reading, questioning. Daisy tells us about the night she and Ian were both invited to a colleague's leaving do. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Leading Ladies - It's Behind You by Christina Simpkin |
Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy play, set back-stage at a (British) pantomime. |
Synopsis | Behind the scenes at the annual panto, two ladies compare notes on this production, other productions and other members of the cast, while various characters drift through on their way to the stage or the Green Room. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Learning to Like You by Robert Scott |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 34 minutes. [Estimated!] |
Music | None. |
Style | A one-act comedy drama on a minimal living room set. |
Synopsis | Amber has just moved in, so she pops round to introduce herself to her new neighbour, Jake. Jake’s not what she expected, and it takes the pair a number of visits and misunderstandings before they learn enough from each other to be friends. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Leave it to Lulu by Jim Hollingsworth |
Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
Run Time | Around 48 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy in a single set. |
Synopsis | The residents of Sandcliffe Retirement Home gather to plan a summer fair, but first they must submit to the exercise routine of Lulu, a trainer sent from the council. And she's not the only council representative, as a corrupt councillor is intent on closing the home down. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Leaving Tommy by Mark Seaman Winner of seven awards during original 2005 production, including 3 festival awards (Wiltshire, Avon and Gloucestershire) for best original script. |
Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | One-act play, set in a prison cell during the first world war. (Minimal set requirements.) |
Synopsis | A young man has been tried and found guilty of cowardice and desertion at the front during World War One, and awaits his death by firing squad. He is visited by the army Chaplain, a Captain who hears about his reasons for joining up and what really happened on the front line. |
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Awards | Click here to see the awards won by (productions of) this script. |
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