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| Good Elves Gone Bad by Sue Gordon |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. Whilst some of the character names are gendered, it doesn't really matter - they are, when all is said and done, a bunch of elves. (And a dwarf.) |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy play for kids with a secular Christmassy feel. |
| Synopsis | The elves of Santa's workshop have been making traditional toys for Christmas after Christmas. After the regulations have been changed so many times, they begin to wonder why they're slaving away in a workshop and not out having a holiday. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Good For Something by George Freek |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Both in their seventies |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A short, one act play, set in a center for the retired. |
| Synopsis | Lizzie and Max meet regularly for a game of checkers during which they come closer together and are able to confide in and advise each other. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Good Man by Megan Ott |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama, set in 1930s New England, with various settings. |
| Synopsis | Katherine and her husband Robert are apprehensive about the forthcoming visit of Katherine's sister Margaret, who has a psychological problem which may cause difficulties for them. Tension rises inexorably - as their worst fears are met. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Good Old Days? by Liz Dobson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Care Home manager can be m or f. |
| Run Time | Around 31 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play with a single, Care Home lounge, setting. |
| Synopsis | Based on actual events, we see care home resident Ada relate her personal history to the rather flippant young cub reporter Claire, who at first is there on sufferance. As Ada's tragic story enfolds, Claire becomes increasingly interested and empathetic, and realises that her naïve impression of the old days belies the inherent prejudices which existed to shape and ruin people's lives. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Good, The Bad, And The Ugly Sisters by Sian Lewis |
| Roles | Minimum Male roles = 5. Minimum Female roles = 8. Minimum total with doubling = 19. Minimum total without doubling = 19. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play for kids, based on a collision of fairy tales. Two sets (probably set in separate areas of the same stage - a joke can be made about the journey time between the two). |
| Synopsis | A retired evil witch discovers her mirror has been lying to her for years - she's not the fairest of them all. She decides to get her revenge on everyone fairer than her- which is everyone. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Goose Joose by Russell Gillman |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 8. No chorus. Characters include Geraldine the Goose, who is described as a puppet controlled by other characters but could also be someone in a goose costume. It's styled as a British pantomime, so the usual panto juxtapositions apply. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Mini panto - some panto conventions, but crammed into a very short production. Minimal set. |
| Synopsis | Daffodil farm is in trouble - unless the animals eat their food and the goose starts laying again, nothing will sell at the market! Dame Daffodil sends her daughter to find a man to help them out, but she's kidnapped by Wizard Fafafafafafa! Can heroic Peter Thigh save her and the farm? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Pantomime Fun-Packs - jokes and games for children, to supplement the programme for your show
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| Click here to read the script or Click here for more details. |
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| Grace - A Monologue by Frank Flynn |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act monologue. Single domestic set (which can be implied rather than fully built). Written in Canadian English. |
| Synopsis | Grace is sorting through the detritus of her life, and holds a rambling conversation with the audience about the people and places she has known. We finally come round with her to the realisation that her husband has died and she is packing up the house ready to sell. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Grave Matters by Peter Stallard
Production by Carbost Village Drama Group garnered two trophies (Best Stage Presentation and Best Actor) at the Skye One Act Drama Festival, 2013 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. The Grave Warden is written male, but could easily be played female. The two female parts could, conceivably, be doubled, but the effect of Mrs. Roberts' final entrance would probably be better with more time for make-up! |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A ghost story told as a humorous one-act play. Single graveyard set, simple props. |
| Synopsis | A magistrate and a Police Sergeant stole a valuable chalice and hid the theft under the cover of arson committed by a local troublemaker. Now their souls are bound to the churchyard until they can restore the chalice. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Great Explorations by Karen Ince |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. For a semblance of historical accuracy, the characters are all written male. However, for the purposes of performance, this isn't really necessary! |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play for kids with plenty of opportunities for over-acting and a bit of education thrown-in. |
| Synopsis | A remarkable meeting in an inn, as some of the History's Biggest Names In Exploration get together to sort out who's going to discover what, and when. And then who's going to pay the bar bill... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Greatest Form of Flattery by Amelia Armande |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Either a short full-length play, or a long one-act play! Figurative sets (scenery kept to the minimum needed to indicate the location) but props include a set of shop-window dummies. Contains swearing. |
| Synopsis | Brendan is a struggling artist who is horrified to see someone he went to Art College with hit the big time with an exhibition of work that looks terribly familiar. When the centrepiece of the exhibition gets stolen and turns up in Brendan's studio, potential disaster is turned to success for everyone. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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