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| Much Ado About William by Nicholas Richards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Could be played by kids or by a mixed group of adults and children. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute comedy play. |
| Synopsis | A harassed Shakespeare tries to complete a play while his Stratford family bring noise, combat and teenage strife into the room where he works, until the silent Bard can take no more. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Musical Scottish Play by Bill Siviter with Lea Anderson |
| Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 12. Minimum total without doubling = 16. Chorus. |
| Run Time | Around 35 minutes. [Estimated!] Up to 90 minutes with banquets, ballads and battles! |
| Music | Sheet music for six original songs (Music by Lea Anderson, Lyrics by Bill Siviter) supplied with the Producer's copy of the script. |
| Style | Irreverent play in verse and song, told by the protagonists and by narrators with the action mimed. A good introduction to Shakespeare's story! (The specified run-time is the minimum - banquets, battles and bopping will add to the run time!) |
| Synopsis | The Musical Scottish Play - or 'Kids in Kilts' The complete story of Shakespeare's Macbeth (witches, murder, walking trees, revenge - that sort of thing) told as in verse and songs as a play for kids. [Note that there is also a version of this play without the songs, called The Scottish Play. It is identical except that the songs have been omitted.] |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| Nailing The Audition by TLC Creative |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Whilst the auditionee, Wayne, is written male, a female equivalent could be substituted. (This requires a little work because otherwise you end up with a production of Shakespeare's Juliet and Juliet, a tragedy too far ahead of its time to be staged.) |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedy sketch with a theatrical bent. |
| Synopsis | Finding the best cast for your show is always a problem... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Nay, Remember Me! by Amelia Marriette |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 13. Minimum total without doubling = 23. No chorus. |
| Run Time | Around 82 minutes. [Estimated!] |
| Music | The producer's script includes suggestions for pieces of music to be played at particular points in the play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full length comedy drama with various settings. |
| Synopsis | After Shakespeare’s death, two of his principal actors, John Heminges and Henry Condell, undertake the task of publishing all of his scripts, and the First Folio is born. Four centuries later in 2001, the First Folio is auctioned at Christies. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Exclusions | Due to professional performances, this script is not available for performance in the following places at the following times:-
15 mile radius of Malvern, UK from the first day of November, 2023 to the last day of November, 2023 |
| Click here to read the script or Click here for more details. |
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| Oh Dear, King Lear by Juliet Devon |
| Roles | Minimum Male roles = 1. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. The Head Teacher and Mrs Bloss are written as female, but could be changed to male if preferred. |
| Run Time | Around 29 minutes. [Estimated!] |
| Music | None. |
| Style | One-act youth theatre play set on a school hall stage. |
| Synopsis | Nikki, the drama teacher, is running up to the performance of King Lear, despite the interruptions from the Head and the cleaning lady, but she's in for a nasty surprise - her Cordelia will be abroad on the nights of the play. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Oh, Mr Shakespeare! by Geoff Bamber
Performance by ACTS won the Best Junior Individual Performance at the Wilmslow one-act play festival, 2017. |
| Roles | Minimum Male roles = 7. Minimum Female roles = 5. Minimum total with doubling = 16. Minimum total without doubling = 16. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy play for kids. (In four acts, but of one-act length!) Whilst there are nominally three locations, these can be indicated by a minimum of furniture (a writing desk, a throne... that sort of thing). |
| Synopsis | The little-known story of how William Shakespeare's wife, Anne Hathaway, not only saved the nation from invasion but also her husband's head from the axeman. This play is notionally set in the year 1594. Any degree of historical accuracy is purely accidental. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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One Hundred and Eighty! by Jonathan Edgington
Runner up in The Maskers Theatre's 2011 Humble Hamlet play writing competition. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute comedy, playing on Shakespearean themes. Contains swearing and adult themes (and a darts player). |
| Synopsis | Toby Hamlet is coming home, but his mother doesn't know why. She does know he's broken a promise he made to his dying father by becoming a pro darts player instead of a lawyer. What could he possibly want to speak to his mother about that he can't mention on the phone? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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One Solitary Line by Neil Walden
Winner of One-Act Play Writing Competition at Wexford Literary Festival 2017 |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. One (gender non-specific) character is an offstage voice only. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy sketch with a single (dressing room) setting. |
| Synopsis | Two actresses cast in a Shakespeare play bemoan the fact that the Bard gives so few opportunities for meaty female roles. This causes their relationship to become acrimonious. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Othello In Hell by Richard Gordon |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play based on the Shakespeare classic. |
| Synopsis | Trapped in an invisible prison, the spirit of Othello is tormented by his own memories and visions of those he has known in life. He seems doomed to repeat a cycle of regret and blame and rage, even when granted Desdemona’s forgiveness. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Professor Thyme and the History Mystery - The Musical by Richard James with music by David Fisher |
| Roles | Minimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 26. Minimum total without doubling = 36. Chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | Piano and vocal scores for seven songs and an overture are supplied with the producer's copy of the script. |
| Style | Musical Comedy Caper for Kids. Structurally in two acts. |
| Synopsis | When the dastardly Count Downe uses Professor Thyme's Time Machine to travel into the past and change history, it's up to the Professor and his gang to follow him and put things right before the damage is done...
and to sing in the process! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
** CD with piano accompaniment for all the songs from 'Professor Thyme and the History Mystery - the Musical' by Richard James with music by David Fisher
** CD with sung tracks for each of the eight songs from 'Professor Thyme and the History Mystery - the Musical' by Richard James with music by David Fisher
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| Click here to read the script or Click here for more details. |
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