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You And Me Makes Three by Mark Seaman
Performance by The Sodbury Players Drama Group picked-up the adjudicator's award at the Avon Festival and the Best Actor award at The Cheltenham Festival, 2010 |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | Emotionally-charged one-act play. Single domestic set. |
| Synopsis | Paul and Kathy have just returned from Tony's funeral. Though remaining outwardly happy with one another, Kathy remembers the brief affair she had with Tony that might have made him the father of her dead child, and Paul remembers cutting Tony out of their lives, and regrets it. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You Are What You Eat by Hugh Smith |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | There is a suggestion for an extract from an out-of-copyright Music Hall song. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A funny, efficient, and easy to stage sketch. |
| Synopsis | A doctor has problems with a patient who has not responded to organic hummus and with another who has overdosed on Tuscan olives and sun-dried tomatoes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You Can't Be Serious! by Nicholas Richards |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 8. Minimum total without doubling = 26. No chorus. Very flexible cast numbers (the upper limit is the entire population of Syracuse). Two presenters appear throughout, the rest of the characters appear in individual episodes and are therefore open to doubling if needed. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play - though arguably a sketch show with a linking theme and two linking characters (the presenters). Ideal for a school class mixing science, history, linguistics and drama. What more could you want? |
| Synopsis | An affectionate spoof of children's science programmes sneaks in some education amongst the fun as the two presenters take a stroll through time to examine the origins of some well-known (and some less well-known) scientific words. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You Can't Take It With You by Cheryl Barrett |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. The solicitor is named Sam and could be Samuel or Samantha. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a blend of pathos and mirth. Single domestic set (from which most of the furniture and effects have been removed!) Contains mild swearing. |
| Synopsis | Expecting a windfall bequest after their 'beloved' Uncle Fred's death, avaricious sisters Carol and Pauline descend on his house to claim the spoils. Their hopes are dashed when they discover that someone has beaten them to it and the house is empty. The will reading increases their frustration as their bequests fail to meet expectations. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You Have Reached Your Destination by Tony Best |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | The producer's copy of the script contains suggestions for seven intermission pieces. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one act comedy (could be used as a short two-act) packed with unexpected delights. |
| Synopsis | Two women work at a company that provides a sat-nav service, with the unexpected revelation that they are the voices of the sat navs. A complicated day for the pair involves French and Spanish translations, unexpected detours and a violent confrontation. Their customers include a doddery old lady who can't find the end of the street, a man who 'doesn't need the Satnav' and his daughter who has recently undergone an unfortunate experience on social media. There's also a young man who insists on using the latest 'exaggerated accents' app, all of which Tracey has to supply, and a customer who needs to be spoken to in French (only Tracey doesn't know any). |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You Just Never Know by Liz Dobson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. The two police officers could be male or female |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | Drama in a single (living-room) set. Structurally in three acts - but in run-time on the borderline between a one act play and full length. |
| Synopsis | When Mo decides to surprise her husband with an anniversary party, little does she know that she will be the one left speechless and horrified. But the story doesn’t end there, because no-one could have predicted what happened next... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You See It All On The Radio! by Jilly McNeil |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. The age range of the cast has not been specified deliberately to allow for greater flexibility. Likewise, the parts of Bev and Tess can quite feasibly become Ben and Terry. |
| Run Time | Around 34 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a radio studio setting. |
| Synopsis | A small radio station is ambitiously transmitting a live performance of a period drama. The presentation crumbles as the actors struggle with their own relationships, To make matters worse, the sound effects go awry and transmission difficulties arise. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You Should Have Told Me by Iris Winston |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Could be played by a mixed-age group or as a youth theatre piece. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A fifteen-minute drama for young audiences. (An issue-driven piece which might be used as a lead-in to classroom discusisons.) |
| Synopsis | Teri is excited at the prospect of being a bridesmaid at her aunt's wedding. Joy turns to misery when she finds out that she is adopted and learns the truth about her relationship to the bride. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You Will Go No More A-Haunting by Ray Lawrence |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 4. No chorus. Whilst the main characters are written 1M, 1F, the author would be happy if St. Gladys (the patron saint of bureaucrats) underwent gender reassignment. The two guards are non-speaking and only make a brief appearance. They are optional! |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch, of puns and strange ideas about the afterlife. Single office set. Contains mild swearing. |
| Synopsis | Sir Thomas Pickington has been happily haunting the same spot for 500 years, but now he's up against the new HSE - the Haunting Safety Executive, and they have some different ideas about how he should be doing his haunting. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You Won't Know I'm Here by Dawn Cairns |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Three on-stage characters, two off (one of which - the voice of a newsreader - would probably be recorded, the other would be better live, being the unseen half of a phone conversation.) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (living room) setting. |
| Synopsis | For the last thirty years there has been mutual antipathy between Sheila and her Mother-In-Law, Jean whose son John dotes upon her. Today is John and Sheila's thirtieth wedding anniversary and Sheila is looking forward to a special holiday. Jean, however has other ideas. The same characters also appear in a festive counterpart I Don't Think I'll Be Here Next Christmas. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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