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| The Dog Sitters by Sarah Cowan |
| Roles | Minimum Male roles = 4. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 17. No chorus. Characters are a mixture of adults and teenagers. (Could be played by that mix, or by teenagers with make-up!) |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, single set. |
| Synopsis | A group of girls invited to house-sit and look after a dog for an evening take the opportunity for an impromptu party, during which there is a problem with the dog... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Dog Walk by Ginny Davis |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | One music track suggested, to be played alongside speech at a certain point in the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A comedy monologue with no set required. |
| Synopsis | Ruth outlines the perils of taking a group of dogs walking and the disruptions that can arise out of the idiosyncracies of both animals and owners. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Doggonit by Tim O'Brien |
| Roles | Minimum Male roles = 0. Minimum Female roles = 8. Minimum total with doubling = 22. Minimum total without doubling = 30. Chorus. Since most of the characters are dogs, the gender of the actors doesn't really matter. (Most of their owners are female.) There is an optional, flexible chorus with various groups of dogs, owners and security guards. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | Piano and vocal scores for seven original songs are supplied with the producer's copy of the script. |
| Style | One-act musical for kids. |
| Synopsis | Dogs, of course, can talk - but only to each other. The exception is Dakota - a dog trained to speak in secret by his owner, Caitlin. But this leads to trouble for them both after a disturbance at Ms Nancy's School of Dog Obedience, leading to an encounter with the sinister Dr. Live - a wicked scientist with a mission to create the perfect dog...
Every dog has his day. (Dogs with no tails have weak ends.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| Doggy Noire by Jamie Hope |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. All the characters are animals. (All literally, some figuratively.) The characters are nominally 4M, 1F, but in the context, there's a lot of flexibility. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play in a single setting. Contains adult themes and language (although in the context of dogs, 'bitch' is not necessarily a term of abuse).
Noire as in 'bête noire' rather than 'film noir'. (No hard-boiled detectives.) |
| Synopsis | Bonzo the enforcer has brought Paulette the Poodle to the bridge, as arranged, but who is being set up for a fall? When Big Fido arrives, it turns out there may not be any winners, since the rats that come with him have grudges of their own. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Doing Shakespeare by Louise Wade |
| Roles | Minimum Male roles = 3. Minimum Female roles = 6. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama for a small high-school theatre group. There are two sets, but they are a drama studio and stage, so there is very little change required from one to the other - essentially only furniture. |
| Synopsis | Caroline is anticipating being busy enough with the latest school production, but now the Head wants her to include the school problem child, Dean Squires. Will he cope with Shakespeare? Will he disrupt the whole thing? Or perhaps, surprise everyone? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Don Q And His Squire Sancho by Dick Caram |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 14. Minimum total without doubling = 28. Chorus. Whilst most of the characters are written male (with three written female), the author believes that indicating the gender of the character by costume is sufficient! |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | Piano/vocal scores for two songs (based on Spanish folk tunes) are included with the Producer's Copy of the script. |
| Style | Comedy for kids in two short acts. No specific staging requirements, with some aspects of set and sound effects being provided by the on-stage chorus. |
| Synopsis | Miguel de Cervantes's famed tale of the eccentric knight and his inept but trusting squire.
Alonso Quixano is obsessed with tales of chivalry. So much so that he believes himself to be a knight - Don Quixote - and he sets out to seek adventure, with a peasant farmer, Sancho Panza, as his squire. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Midi files of songs from the show
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| Click here to read the script or Click here for more details. |
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| Don't Bury The Banjo by John Peel |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Five speaking roles and two non-speaking pallbearers. |
| Run Time | Around 130 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama - with comedy and pathos - with a single kitchen/store room setting. |
| Synopsis | Ruth Thwaites is preparing for her husband's funeral, and is delighted her son Jake has come home for it. But Jake's life in the big city isn't all he's made it out to be, and his 'friend' Roiseen has tracked him down to break some big news. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Don't Get Me Started... by Cheryl Barrett |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | None. |
| Style | Poignant comedy monologue set in the aftermath of a party. |
| Synopsis | Marilyn, a middle-aged domestic goddess, has an expensive lifestyle to maintain. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Don't Look Back by Liz Dobson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | A drama of one-act play length (though structurally it's in three acts). Single domestic set. |
| Synopsis | A young couple, John and Suzan, stranded in a remote village cut off from the outside world by blizzards are given warm hospitality in her charming little cottage by seemingly kind old lady, Mrs Latham. It is gradually revealed that, in the past, her cottage was the scene of an unsolved murder in which she may have been involved and that intriguingly Suzan bears an uncanny resemblance to the victim. This gives the play the germ of a Gothic feel and sets the scene for an exciting, at times gripping and ultimately heart-warming tale. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Don't Mention the Dream by Damian Trasler |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Single set, modern realism, character, explores approaches to staging Shakespeare. Contains mild swearing. |
| Synopsis | It's the annual meeting of the Drama Society, but they're a bit thin on the ground this year. Will Russell get his way and produce a period 'A Midsummer Night's Dream' or will Lucy put a spanner in the works? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Click here to read the script or Click here for more details. |
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