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| Emporium 3 by Bob Tucker |
| Roles | Minimum Male roles = 1. Minimum Female roles = 5. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act comedy play. Single (store) set. Part of a series set in the same bizarre venue. (A couple of remarks refer back to previous events, but can easily be changed to allow this to run as a stand-alone play.) |
| Synopsis | Candles and romance are waxing strong in Mme Dressoir's strange little shop, but customer dissatisfaction looms large, hindering growth and leading to broken promises and broken hearts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Emporium 4 by Bob Tucker |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act comedy play. Single (store) set. Part of a series set in the same bizarre venue (but functions as a stand-alone play.) |
| Synopsis | A tangled love story in a very odd retail outlet. Shop assistant Michelle tries to continue her romance with the local policeman, whilst Ms Dressoir, the shop manager tries to prevent it and also to getting free publicity from the local paper. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Emporium 5 by Bob Tucker |
| Roles | Minimum Male roles = 1. Minimum Female roles = 6. Minimum total with doubling = 8. Minimum total without doubling = 8. Chorus. There is a non-speaking 'crowd' of indeterminate number who enter and exit near the end of the piece. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play. Single (store) set. Part of a series set in the same bizarre venue (but functions as a stand-alone play.) |
| Synopsis | The worms in the shop finally turn, with Cynthia thrown out and Michelle getting hitched to her sweetheart, Rex. Madam Dressoir, the dreaded emporium manager, finally gets what's coming to her... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| End of the Ban by Anne Graham |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 63 minutes. [Estimated!] |
| Music | None. |
| Style | A one-hour comedy set in 1980s England. |
| Synopsis | It is 1987. Coal miner Les Varley and his family are typical of the many mining families of North Nottinghamshire. Les and his wife Rita's slow drift apart is accelerated by conflicts over their daughter's sex life and their son's criminal activities. Then comes the news that Les is trapped in an underground roof fall. His family, the neighbours and the whole village can only wait. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| End Of The Pier by Karen Doling |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One act play, single set - a fortune teller's tent at the end of a pier! |
| Synopsis | A gypsy called Lea (as all soothsayers are) reads people's fortunes on the end of the pier - at least, that's what the sign says, but she usually tells people the same old thing. Today, things aren't going to go as she planned, but the results will be strangely familiar... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The End of the Pier by Richard James |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Three generations - target ages, 20, early 40s and early 60s. (Whilst this is intended to be played 'to age', it might be within the compass of the older echelons of a youth theatre group.) |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Single set (enough to suggest the location). |
| Synopsis | An exploration of the relationships and struggles of three generations of women. Cynthia has experienced a betrayal that changes her life dramatically and her daughter Mandy is determined to stay strong and pull her family back together. Billie, Mandy's daughter, is preparing to leave for university but has a secret to reveal before she goes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The End of the Rainbow by Geoff Bamber
Production by Transylvania College, Romania, won 8 awards (including Best Show - Primary Section) in National School English Drama Festival 2014 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play for kids. |
| Synopsis | It is a well-known fact that at the end of every rainbow there is a pot of gold placed there by a leprechaun. Thus the appearance of a rainbow presents a pair of inept robbers with a chance of easy pickings. They simply have to find the pot of gold before anyone else turns up to collect it. Unfortunately their efforts are frustrated by a succession of inconvenient visitors getting in the way. Ultimately, however, the arrival of a real live leprechaun confirms that they are, for once, in the right place at the right time. If only it were that simple |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| End of the Road Pub - a play about Hell by David Webb |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The characters are written as Australians, though there is no reason that they couldn't come from other places. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play with a Christian perspective on the riskier areas of the afterlife. (Single public bar setting, simple props.) |
| Synopsis | Marty and Jim stagger into a pub after a nasty car crash. They have a drink to steady their nerves but soon notice something strange about the pub. It turns out that crash was nastier than they thought and they've got their own lock-in, forever! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Endowment by Susan Scott |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. As written, the two characters have a playing age of around fifty, though this could be varied somewhat. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act Drama, single domestic set. (Includes occasional swearing.) |
| Synopsis | Linda receives a visit from her ex-husband, bearing unwelcome memories and unexpected news. Have their years of separation changed them enough to right old wrongs? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Engagement by Rebecca Preen |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. All the characters are young adults. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch. The esential element of the set is (the outside of) a toilet cubicle with a practical door. Whilst this seems a lot for a short sketch, we think that it's worth it! |
| Synopsis | Mercedes is very keen for her two mates to admire her new engagement ring and tries to impress them with tales of her man's brilliance. Since they remain un-awed, she goes further and further until he accidentally reveals himself and is a lot less than they expected. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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