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| I Remember When by Dawn Cairns |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 7. No chorus. Three on-stage characters plus four off-stage (including two children) who might be recorded. |
| Run Time | Around 44 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy in a single camp-site setting. |
| Synopsis | John looks forward to re-visiting his childhood holiday campsite but his wife Sheila is not so sure, particularly when John insists his curmudgeonly mother come along too. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| I sold my soul to Santa by Damian Trasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. One character is thousands of years old, but probably doesn't look it. |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy sketch, highlighting the importance of korect spling. |
| Synopsis | Steve and April have concerns over Billy's spelling and writing skills. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| I Stand Alone by Kevin Broughton |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Drama in two acts. Four locations, but designed for minimal staging. Contains mild swearing. |
| Synopsis | An allegorical play.
In the far future, Britain has been ravaged by an external conflict and a civil war between the returning Celts, who restored the country, and the native Saxons who feel they have been pushed aside. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| I Will Pass My Jeans On by Patricia Gay |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | A short play. |
| Synopsis | Tara and Abbie are washing and ironing their mum’s old clothes, getting ready to pass them on to charity. Mum can’t resist giving them advice, but she is not all there. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| I, Tiberius by Geoff Bamber |
| Roles | Minimum Male roles = 6. Minimum Female roles = 5. Minimum total with doubling = 16. Minimum total without doubling = 17. No chorus. The numbers of soldiers and secret service agents can be treated flexibly. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play for kids, set in Roman Britain. Single set (to the point of almost no set at all) and simple props, give or take the solid gold Egyptian statuette. |
| Synopsis | When Tiberius Pompus arrives from Rome to take up a governorship in the wilderness that is Eastern Britain he is looking for peace and a quiet life. He has every faith in his long-suffering personal assistant, Flavia, and his military commander, Ludicrous. Unfortunately restless locals in the form of the Iceni tribe and in particular the ambitiously troublesome Boudicca prove a thorn in his side. What Tiberius needs least is a visit from newly-appointed Emperor and old school friend, Marcus Antonius, accompanied by the Emperor's girlfriend, the ultra-glamorous and even more ultra-temperamental Queen Cleopatra of Egypt. It is imperative that the Emperor's stay goes perfectly. It doesn't. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| I'll See You In My Dreams by Michal Y Noah, songs by Stuart Ardern |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 9. Minimum total without doubling = 24. Chorus. Very flexible casting, with songs (and associated actions) performed by members of a chorus. (In the original book, Hoppy was a rabbit - hence the name. That is assumed to be the case, though it need not be!) |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | Piano & Vocal scores for 4 songs by Stuart Ardern are supplied with the Producer's Copy of the script. |
| Style | Short musical play for young children with flexible casting and minimal staging requirements. (Derived from Michal Y Noah's book of the same name, conceptualized by Loren Noah.) |
| Synopsis | Hoppy doesn't want to go to bed because she's afraid that she'll have nightmares. Her mother makes Hoppy's dreams something to look forward to. |
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| Extras | The following additional items are available (at extra cost) to go with this script:
** Backing tracks of songs from the show as MP3 files
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| I'm Famous by Anton Chekhov, adapted Gerald P. Murphy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Two parents and their (late teens to young adult) children. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Five-minute play, adapted from the short story Joy by Anton Chekhov. Single set (an armchair), simple props. |
| Synopsis | Mitya comes home to his parents with the news that he is famous. They will soon discover why... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| I'm Not Dead Yet by Graham Andrews |
| Roles | Minimum Male roles = 5. Minimum Female roles = 8. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. Alex, the manager is written male (by means of the occasional pronoun) but could be played female. |
| Run Time | Around 33 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play in a single (residents' lounge) set. |
| Synopsis | The manager of Sleepy Pines, a small nursing home, appears to be involved in a dodgy deal with a ruthless developer to get rid of the residents. Can the residents find a way to stop the deal going through or will they all have to leave by one means or another? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| I'm Not One To Gossip But... by Cheryl Barrett |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy sketch. |
| Synopsis | Brenda has met up with her old friend Sharon for lunch and a friendly gossip at Phillip's café. Through the gossip, a few skeletons in Phillip's cupboard are revealed. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| I'm On A Train by Graham Jones |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A neat, simple monologue that could be comedy gold in the right hands. (Minimal set requirements.) |
| Synopsis | It's a tough day for businessman Tom Wright, as he races to Edinburgh in a last-ditch attempt to save his company. Sadly, things are not destined to go his way, and the phone calls he makes and receives on that journey reveal the scope of the disaster that unfolds. |
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| Click here to read the script or Click here for more details. |
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