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| Meet the Vikings by Sue Russell |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 6. Minimum total without doubling = 30. No chorus. Five plays with six characters in each. (Whilst the characters are nominally male or female, for the purpose of Readers' Theatre, the gender of the actors doesn't matter.) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A set of five mini-plays (run times 4 to 6 minutes) for a class studying The Vikings (English National Curriculum Key Stage 2, Unit 6C - invasions and settlements of Britain). No set requirements, no props. Producer's Copy includes a quiz. |
| Synopsis | The history of Viking invasion and settlement of Britain told in a series of guided reading plays covering Viking life and mythology. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Meeting by Gaslight by Louise Wade |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. The characters are nominally 2M, 2f, but the writer notes: 'directors are free to change names to reflect social, cultural and gender diversity'. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act thriller in a single (abandoned cottage) set. |
| Synopsis | For Caron, it's just one more acting job before she heads out to Australia, but for Jenny it's a supernatural encounter that challenges her belief in her own sanity. Caron must choose whether or not to tell Jenny she's being manipulated. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| The Meeting In The Park by Peter Wade |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A short play, with a simple (bench) setting. |
| Synopsis | Two men of differing ideals, but with some odd similarities, meet in the grounds of the Schönbrunn Palace in Vienna. One, Adolf, is painting a picture of the palace. The other, Josef, is taking the air and watching the people... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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A Meeting of Minds by Catherine Willacy & Andrew Bramble
Production by Cairns Little Theatre Inc, Queensland won Best Drama in the FNQATA One Act Play Festival in May 2018, in the Open Section for plays of 16-45 minutes. |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama, well suited for festival performance. |
| Synopsis | An unexpected reunion leads to hard truths and hilarious memories. But what exactly is their relationship, and where will it all end? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
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| A Meeting on a Train by Anton Chekhov, adapted Gerald P. Murphy |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The characters are written as young adults. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play, based on the short story 'An Enigmatic Nature' by Anton Chekhov. Single set (train carriage, with no specific furnishings), minimal props. |
| Synopsis | Meeting on a train, Ian tries to impress his travelling companion Ana. As it turns out, Ana impresses him in an unexpected way. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Megan and the Golden Key by Geoff Bamber |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 13. No chorus. One character is the unseen 'voice of doom' |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | Single set comic fantasy, parodying (amongst other things) science fiction and James Bond. |
| Synopsis | It is a little-known fact that the earth rotates because someone turns the mechanism with a Golden Key, housed in The Mystic Chamber deep in The Underland. This is what happens when the key goes missing... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
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| Melissa's Big Birthday Bash by Eric Scott |
| Roles | Minimum Male roles = 2. Minimum Female roles = 6. Minimum total with doubling = 8. Minimum total without doubling = 11. No chorus. The on-stage characters are teenage girls plus a younger brother and his friend. There are a couple of offstage adult voices. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act thriller for teenagers with a single (living room) set. |
| Synopsis | It is Melissa's fifteenth birthday. Most of her friends are away or busy, so it looks as though her slumber party will not be a huge success. On top of that her mother has invited the dreaded Nikki Nolan, the girl everyone hates, to her party. But what looks like a boring and uncomfortable night for Melissa turns into something else entirely in this mystery thriller, which comes complete with ghost stories, an intruder, cut telephone lines and a neat twist at the end. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| A Melodramatic Guide To Victorian Melodrama by Jack Hutchinson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedic sketch educating the audience about Victorian melodrama. |
| Synopsis | A short journey through the intricacies and absurdities of the world of Victorian Melodrama - a passionate world of high emotions, daring deeds and dastardly villains. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| The Melting Sands by Jim Pinnock |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | A one act murder thriller with a single (beach house ) set. |
| Synopsis | Tables are turned as two seemingly innocent and unconnected women seek revenge. The one on her philandering bank robber husband, the other on her scheming daughter and her new husband. All the while the menace of the melting sand hovers in the background. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Poster template, illustrated by Dale French, for 'The Melting Sands' by Jim Pinnock. (High resolution jpg file with space for adding information about the production.)
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| Memories by John Passadino |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. Three on-stage characters and an off-stage voice. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Romantic comedy in two short scenes. |
| Synopsis | Robert's a great actor, and Judith is certain he's the one to star in her new play, but he's having a lot of doubts about his ability to remember the lines. His co-star does her best to help him out, with startling results. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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