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| The Trumpet Major by Thomas Hardy (adapted Peter John Cooper) |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 8. No chorus. The piece is interspersed with the reminiscences of the old Anne Garland. (Her role coulde be doubled by her younger self.) |
| Run Time | Around 130 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length period drama. The scenes flow continuously, so intended to be performed with stage areas and levels rather than a formal set. |
| Synopsis | Thomas Hardy's novel of life in the Napoleonic era, with soldiers massing to repel invasion, and village life in turmoil as a result. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Trumpeter by Ray Lawrence |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | Short rhyming comic monologue. No set or props required.
Also available as part of the Diamond Jubilee 2012 collection. |
| Synopsis | With a fanfare, we present the tale of Thomas the Trumpeter and his performance before Her Majesty the Queen. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Trussed by JPS Yates |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 9. No chorus. The ninth character is an offstage female voice. This could be recorded, but would be better played live as it is a phone interaction with an onstage character. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Two act comedy with two domestic sets - one in each act - which are the mirror immage of each other! Contains swearing. |
| Synopsis | As if being burgled wasn't bad enough, Graham can't get the police to come round, or his insurance adjustor to pay out on the claim. But is staging another burglary really the answer? It seems not, although with help from his wife and the neighbours, he does find the burglar. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Truth and Reconciliation by Cassandra Newman |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | Emotionally-charged one-act drama set in a basement office. |
| Synopsis | Anita has come to the Baltimore Truth and Reconciliation Commission to tell the story of her son's death, only to find one of the people there to record her statement witnessed the death. The three characters struggle to find a path to peace and forgiveness in the aftermath of violence and fear. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Truth Fairies by Sally Kinnell |
| Roles | Minimum Male roles = 4. Minimum Female roles = 6. Minimum total with doubling = 10. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | A full length play with touches of dark comedy, most suitable for adult cast and audiences. |
| Synopsis | Aileen's had a long and successful acting career, but it hasn't prepared her for meeting up with a couple of old friends - because she thought they were dead. Actually Liz and Frankie are alive and well, and they have to set Aileen straight about one more thing... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Truth Will Out by Lin Robinson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 61 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on a compound (living room/rooftop) set. |
| Synopsis | Jack and his girlfriend Emma have just moved into their new student flat. Some friends arrive for an unexpected housewarming, and soon some deeply hidden secrets are brought out into the light. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Try To Get It On Like Once Before by Kirsty Walker |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A ten minute play with adult themes. |
| Synopsis | In the far future, a man and a woman are being taught how to procreate the old-fashioned way, but the instructional video is somewhat odd. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tsunami by Peter Harrison |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 34 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama with a single - hotel reception area - setting. |
| Synopsis | It appears that Clive has been head-hunted for a high level position, but he does not know what the job is, or which company is involved. His interview, conducted by the formidable trio - Laura, Lucinda and Lydia takes many strange turns and it is only when Clive's wife Susan appears, he learns that this is not a job interview after all... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Tudor Times by Richard Morris |
| Roles | Minimum Male roles = 7. Minimum Female roles = 6. Minimum total with doubling = 14. Minimum total without doubling = 28. Chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | Some song suggestions are made in the Producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Rhyming play for schools (designed for the English National Curriculum Key Stage 2 topic 'The Tudors'). No set requirements. Simple props (as long as you don't take the cook too seriously). |
| Synopsis | A rhyming romp from the last Henry to the first Elizabeth. Wives, discoveries, the Armada and an introduction to Elizabethan cookery. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tudors Rich and Poor - Assembly by Sue Russell |
| Roles | Minimum Male roles = 14. Minimum Female roles = 8. Minimum total with doubling = 27. Minimum total without doubling = 78. No chorus. Very flexible cast size! |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | A list of musical suggestions is included in the Producer's Copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act assembly piece for a large cast of children. No specific set required, but ideally lots of props representing historical artifacts! |
| Synopsis | A romp through the world of the Tudors, meeting Shakespeare, royalty and commoners, talking about housing, entertainment, health and employment, amongst other things.
Based on the English National Curriculum History Syllabus, Key Stages 1 & 2, Unit 8: 'What were the differences between the lives of rich and poor people in Tudor Times?' |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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