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Day Job by Janet S. Tiger First Place, 2016 Script Tease of Short Plays |
Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 13 minutes. [Estimated!] |
Music | None. |
Style | Short, dark comedy in a single set. |
Synopsis | A teacher is marking papers when he is interrupted by a drunk student with suicidal intent. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Day of Days by Allan Williams 'Day of Days' was Finalist at the British All Winners One-Act festival, July 2012, on the way to which the production picked-up numerous awards including Best Play, Best Actor and Best Individual Performance. |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act drama. Single domestic set (which can be done with minimal staging.) Contains mild swearing. |
Synopsis | Maggie has some news for Tom. Unexpected news. News of his long-distant past - a time he has forgotten, or perhaps he wanted to forget... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Awards | Click here to see the awards won by (productions of) this script. |
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The Day The Woods Came To Dunsinane by Steve Eddison |
Roles | Minimum Male roles = 5. Minimum Female roles = 7. Minimum total with doubling = 17. Minimum total without doubling = 23. Chorus. Characters include talking trees (allowing me to make the usual joke about wooden actors) and (unnumbered) dancers. |
Run Time | Around 50 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy play for kids. Full of the sort of verbal humour that graces British pantomime, though with a different structure (and more trees). |
Synopsis | Four children on a hiking trip stumble into the plot of Macbeth (portentious witches, poor hospitality, portable forests - that sort of thing). Can they escape unscathed? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Daylight Come by Myrna Moore |
Roles | Minimum Male roles = 4. Minimum Female roles = 6. Minimum total with doubling = 10. Minimum total without doubling = 38. No chorus. |
Run Time | Around 100 minutes. [Estimated!] |
Music | 15 songs are suggested in the producers' copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A full-length drama with a single multi-functional setting. |
Synopsis | Daylight Come is a celebration of the Windrush generation, spanning the 1950s to the present day. At Grace’s funeral, her family and friends gather to remember her life - leaving Jamaica, her early days in England, and her marriage. The funeral brings a surprise or two as well, but that’s all part of life. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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De-Friend by Shari Gledhill |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | A 15-minute monologue with an insightful and humourous take on social media addiction, leading to a nicely grim punchline. |
Synopsis | Brian is a middle-aged man trying to navigate the world of social media. His mood turns from enthusiastic to thrilled to devastated. Someone has de-friended him and he is desperate to work out who it is. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Dead Air by Martin Ward |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 58 minutes. [Estimated!] Performance anticipated to be one act length. |
Music | The Producer's copy of the script includes a suggestion for an opening song. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A non-interactive Murder Mystery in two acts, with the performance anticipated to be one act length. |
Synopsis | It is 1965 and obnoxious and demanding radio star Oscar learns that his show is to be axed, pushing his nastiness to even greater levels. There are many suspects for his inevitable murder and the investigation takes many turns. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Dead Loss by Richard Charles |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
Run Time | Around 48 minutes. [Estimated!] |
Music | None. |
Style | A one-act comedy play in a single set. |
Synopsis | Trevor Loss, an aging ex rock star, is in trouble with a drugs gang, having purloined from them one-million dollars of heroin. With the gang after him and police surveillance, he must resort to drastic measures to secure his future. Then fate intervenes before his plan comes to fruition, with hilarious results. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Dead Lucky by Nigel Holloway |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 3. No chorus. Zack, the TV compere, never appears on stage, so could be a series of recordings. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act play, satirising game shows. Contains mild swearing. |
Synopsis | Clive and Bonnie are competing in a global reality tv talent show, but how far are they prepared to go for the ultimate prize - being cryogenically frozen until the prize fund exceeds any fortune in the world? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Dead Ringer by Stuart Ardern |
Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Characters are all adults |
Run Time | Around 55 minutes. [Estimated!] |
Music | None. |
Style | Not so much a whodunnit as 'who is doing what to whom?' One-act play, single simple interior set. |
Synopsis | Margo drags her friend Fran to a séance. The sceptical Fran doesn't expect to be able to contact Margo's dead husband but then strange things begin to happen... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
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The Dead Shepherd by Robert Pope and Ian Dixon Potter |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. Bowing to historical accuracy, twelve of the characters are male, but cast them how you like! |
Run Time | Around 95 minutes. [Estimated!] |
Music | None. |
Style | An intriguing full-length historical drama. Contains Shakespearean gore. |
Synopsis | The events which led to the murder of Christopher Marlowe are recounted through the eyes of his friend and artistic collaborator, William Shakespeare. After Marlowe invites Shakespeare to the meetings of Sir Walter Raleigh's 'School of Night', Marlowe's heretical writings and loud public demeanour attract the attention of Sir Robert Cecil, who begins plotting to silence the playwright. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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