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| A Fevver For Me 'At by Ray Lawrence |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Short rhyming monologue in a cockney accent! Designed to form part of a music hall entertainment. (No set, no props.) |
| Synopsis | A lady who glories in the correct headgear (and the accessories for it) reveals the trouble she went to, preparing for tea with the vicar. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Fidelity Farce by Gary Diamond
Production by Pontfaen YFC won the Brecknock round of the Wales YFC drama competition 2020. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act bedroom farce. (Lots of doors, that sort of thing.) |
| Synopsis | Successful businessman Vincent Donaldson has booked a hotel room - the scene of a fling with his PA. But he hasn't counted on the appearance of his wife, her sister (with whom he is also having an affair), and another woman from his past. Not to mention the room-service man... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Fiends And Neighbours by Anne Graham |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 51 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama. Several simple settings and some mild expletives. |
| Synopsis | Hoping to leave an unhappy past behind, Alice and disabled daughter Molly meet Brenda, who lives more in the past than the present. Brad, a thief and a bully, ensures that Brenda’s stability and Alice’s new-found optimism are destroyed at a stroke. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Fiery Bride by E. C. Chapman |
| Roles | Minimum Male roles = 6. Minimum Female roles = 11. Minimum total with doubling = 21. Minimum total without doubling = 21. Chorus. |
| Run Time | Around 67 minutes. [Estimated!] |
| Music | Traditional carols, to be sung or played from a recording between scenes. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A ghost story for Christmas, interspersed with traditional carols. (Structurally in two acts, but with a duration on the boundary between one-act and full-length.) |
| Synopsis | This dramatisation of a classic Dorset ghost story evokes life in rural Dorset and the clash between aristocrats and servants at the turn of the 18th Century. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Fifty Year School Trip by Alan J. Laing |
| Roles | Minimum Male roles = 4. Minimum Female roles = 6. Minimum total with doubling = 11. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act play, which can be split into two - if a break is needed. |
| Synopsis | Jenny and her gran are visiting the local museum and they look at a classroom from the 1960's, when Jenny's gran was a pupil. Jenny sits in the class when the others leave and finds herself transported back fifty years, where some things aren't that different at all... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Fifty-Minute Alchemist by Ben Jonson adapted by Bill Tordoff |
| Roles | Minimum Male roles = 11. Minimum Female roles = 2. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One-act adaptation of Ben Jonson's comedy. Whilst the text uses mostly Jonson's language, this is an adaptation, not an abridgement, hence both script and performances are subject to copyright licensing. |
| Synopsis | Three con-artists set up a series of swindles starting with the pretext of an alchemist who can create charms and turn base metal into gold. Things start to go wrong when too many of their customers arrive at once, and the result is the 17th century equivalent of a multi-door farce, with a different problem lurking behind each door and needing to be kept hidden from the others. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Fifty-Minute Cymbeline by Shakespeare, abridged Bill Tordoff |
| Roles | Minimum Male roles = 14. Minimum Female roles = 3. Minimum total with doubling = 17. Minimum total without doubling = 29. Chorus. Thre are 29 speaking roles (with considerable doubling possible), plus a non-speaking chorus with plenty of roles on offer! |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'Cymbeline', with the original text cut down to 50 minutes or so.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | Posthumus Leonatus has married Imogen, daughter of Cymbeline, the King of Britain, without permission. That gets Posthumus banished, leaving Imogen behind. Meanwhile, the King's second wife is trying to engineer her son's route to the throne. An Italian braggart causes a rift between Posthumus and Imogen, and with Cybeline's court in disarray, the Romans mount an invasion. How then can the kingdom be saved? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Fifty-Minute Duchess of Malfi by John Webster abridged by Bill Tordoff |
| Roles | Minimum Male roles = 11. Minimum Female roles = 5. Minimum total with doubling = 17. Minimum total without doubling = 25. No chorus. Characters include a small boy and optional non-speaking servants, etc. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of John Webster's 'The Duchess of Malfi', with the original text cut down to 50 minutes or so.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | The eponymous heroine is a rich widow. Her brothers - a duke and a cardinal - want control of her wealth and so have forbidden her from marrying. They set the loyal but troubled Bosola to spy on her, and he discovers that the duchess has, in secret, married Antonio, her steward. The news sets the Duke and Cardinal into such a rage that nobody escapes unscathed.
(Whilst the abridgement reduces the length of the text, all of Webster's gory details are preserved - which is more than can be said for the principals.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Fifty-Minute Henry VIII by Shakespeare, abridged Bill Tordoff |
| Roles | Minimum Male roles = 20. Minimum Female roles = 4. Minimum total with doubling = 24. Minimum total without doubling = 40. Chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'Henry VIII', with the original text cut down to 50 minutes or so.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | We meet Henry VIII when he has been king and married to Katharine of Aragon for some 20 years. The court is under the sway of the manipulative, acquisitive Cardinal Wolsey, but Henry falls for Anne Boleyn (or Anne Bullen, as Shakespeare calls her) and in the ensuing turmoil he ditches both Wolsey and Katharine. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Fifty-Minute Titus Andronicus by Shakespeare, abridged Bill Tordoff |
| Roles | Minimum Male roles = 20. Minimum Female roles = 3. Minimum total with doubling = 24. Minimum total without doubling = 36. Chorus. Large numbers of speaking roles, many appearing on stage at the same time. Flexibility in the non-speaking roles, with Roman nobility and a whole army of Goths (who probably dressed differently in Roman and Shakespearen times). |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'Titus Andronicus', with the original text cut down to 50 minutes or so.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | When Roman general Titus Andronicus returns victorious from the wars against the Goths, he resolves to be king-maker, rather than taking the role of emperor for himself. Having lost many of his sons in the fighting, Titus has the eldest son of Tamora, captive Queen of the Goths, sacrificed to the gods. When Tamora is freed by the new Emperor, she and her lover Aaron set about avenging themselves - a feud that is tragic for all concerned.
Bill Tordoff started this series as abridgements for primary schools. We think that some of the themes in Titus are too adult for that demographic!
Asides: This is not for the faint-hearted, though John Webster probably enjoyed it, and Mrs Lovett would have learned a thing or two. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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