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| The Lambton Worm by Timothy Hallett and Nicholas Richards |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 19. Chorus. Very flexible casting. There is one narrator role, but this could be shared out. Equally, the chorus could be 'all the actors'. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | A 40-page musical score is included with the Producer's Copy of the script. |
| Style | Short musical retelling of an English folk tale. (The music plays throughout, even though some of the narration is spoken rather than sung.) No real set requirements, but the ideal performance would put some effort into creating a fearsome worm! |
| Synopsis | The tale of the wild worm of Wearside and its grisly end.
It should be emphasised that 'worm' is used in its old sense of 'serpent' - so this is a story of knights fighting dragons. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
** CD with backing track for the whole musical The Lambton Worm by Timothy Hallett and Nicholas Richards. Plus simple rehearsal tracks for each individual section (accompaniment on piano with vocal line played on another instrument.)
** Complete recording of The Lambton Worm by Timothy Hallett and Nicholas Richards including all songs and the spoken narration.
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| Click here to read the script or Click here for more details. |
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| The Land Army by TLC Creative |
| Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. There is no formal requirement for a chorus, but additional Land Girls could be added at the discretion of the production. |
| Run Time | Around 9 minutes. [Estimated!] |
| Music | None. |
| Style | Short sketch from the 'Skitskrieg' Second-World-War revue show by TLC Creative. (This sketch written by Steve Clark, David Lovesy and Rick Adams.) |
| Synopsis | During a routine inspection of a squad of Land Army girls, the visiting officer has some suspicions that all is not what it seems... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Landing Party by Karen Fitzsimmons |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act play with optional set - suggested by the actors.
Part of the Aliens collection of short plays for youth people. |
| Synopsis | A young alien boy lands on earth and falls for Claire. As their relationship develops he realises he is on the wrong planet. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Language Lessons by Nicholas Richards |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 23. No chorus. There are two consistent characters throughout (plus an offstage voice). The rest are brought on for each 'lesson' so the 'Englishman' could be played by a different character in each scene (and need not be male). |
| Run Time | Around 18 minutes. [Estimated!] |
| Music | None. |
| Style | Prologue and eleven short comedy skits with no requirements for set. Could be done as written (one continuous performance) or could be split across a sketch show as a running gag. (Contains caricatures, silly accents and foreign words!) |
| Synopsis | Polly and Glott present an informative (and amusing) look into the necessity for having some skill with a foreign tongue. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Language Lessons (II) Asking the Time by Nicholas Richards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 17. No chorus. One character is an offstage voice - could easily be doubled. |
| Run Time | Around 43 minutes. [Estimated!] May be separated into short scenes. |
| Music | None. |
| Style | A series of scenes put together in one act, or may be divided for short pieces. Minimal or no set requirements. |
| Synopsis | A second set of crazy scenes to help hopeless English persons gain a better degree of fluency, in a foreign tongue. This time Polly and Glott prepare the audience for asking the time in various countries and even outer space! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Last Birthday Party by Susie Casson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. All four characters are written female - a mother and her three adult daughters - but any could be changed to male with appropriate tweaks to the text. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A strong dramatic sketch with themes of grief, memories and mother-child relationships, which offers an opportunity for four actors to show some emotional range. Minimal set. |
| Synopsis | Jo, Chris and Sam are in the attic, sorting out the last box of their Mum's possessions on what would have been her birthday. They can’t figure out why she kept that strange old toby jug. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Last Duchess by Iris Winston
Won first prize in the Ottawa Little Theatre National Playwriting Competition. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short stage adaptation of Robert Browning's poem, My Last Duchess. |
| Synopsis | The spirit of a murdered wife steps from her portrait to try and warn the next fiancée of the fate that awaits her. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Last Earl Grey by Susie Casson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act black comedy, told in vignettes and flashbacks.. |
| Synopsis | There's been an accident. A fatal accident. And now Dorothy wants her daughter, Lucy, to kill Mrs Butterworth. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Last Gateway by Sarah Pemberton |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 19. Minimum total without doubling = 25. Chorus. Roles are a mixture of children and adults, but all played by children. Two principal characters and three narrators, with a (flexible) company playing the rest of the roles. At times chorus members become parts of the set, including trees and a car. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Realism morphing into fantasy. Minimal set and props, with the company creating atmosphere and locations. Scope for improvisation, dance and creative chorus work. |
| Synopsis | Bullied Faith and newcomer Tom form a friendship which leads to adventure uncovering a shared past in a parallel world. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Last of the Meagans by Henry P. Gravelle |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Two parents and their young adult son. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play, single set. Minimal props. Contains adult themes. |
| Synopsis | A father argues with his remaining son after the funeral of his youngest son, a victim of the Iraq war. Family revelations follow harsh words and it's left to Mom to hold the family together. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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