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| The Guest House by P. B. Stenson |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 16. No chorus. Fifteen on-stage roles plus an offstage voice. |
| Run Time | Around 87 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play in a single bedroom set. An episodic structure (because all the guests can't occupy the same bedroom at the same time.) |
| Synopsis | Clara and Will have bought the Guest House at Number 13, a new business venture for them. They find that there is a lot of on-the-job learning to do - for example, they have to decide what to do with the stash of old twenty pound notes in the hidden wall safe, not to mention the peculiar behaviour of their guests. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Guests by Carolyn Drury |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy drama with a single (living room) setting. |
| Synopsis | Feeling the financial pinch after a generous Christmas, pensioner and former child movie star Mary opens her house to some visiting actors. Two are pleasant enough characters, but Louise is more of a handful. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Guidance by Bob Tucker |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | A neat one-act play in the best tradition of the British sexy farce. Three doors, two sofas, that sort of thing. Contains adult themes (such as marriage and disagreement!) |
| Synopsis | A married couple involved in an almighty row prove to be Marriage Guidance Counsellors. Their next clients are due but are they in any condition to help? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Guide to Survival by Gill Medway |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A fun prose monologue with the audience addressed as a tour group. No set required - bare stage or even front-of-curtain.. |
| Synopsis | Tour guide Leonard is showing a group of people around a stately home - but complications in his love life turn out to be far more intriguing than the tour itself. And Leonard's way of dealing with his romantic dilemma may be a trifle risky. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Guilt by Robbie Flowers |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. One of the characters is nominally a child, but the role is unlikely to be within the range of many children of the appropriate age. The author suggests that it should be played with 'an obvious air of innocence'. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short emotional, possibly edgy, play. Minimal set, but a significant prop (a chest). Contains mild swearing. |
| Synopsis | Angela is suffering for something she did. Until she agrees to talk about it, Sally won't let her out of the box. As Angela opens up, we find that Sally has more than a passing involvement in Angela's suffering. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Guy Fawkes Assembly by Sue Russell |
| Roles | Minimum Male roles = 14. Minimum Female roles = 0. Minimum total with doubling = 17. Minimum total without doubling = 25. No chorus. Whilst the Gunpowder Plot conspirators were all male, that should not matter for the purposes of presenting this piece! |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | None. |
| Style | Short presentation piece for kids. No set requirements or props, though 17th century costumes would give it some style! |
| Synopsis | A short presentation for a class on the subject of the gunpowder plot and it's most famous conspirator, Guy Fawkes.
The producer's copy of the script contains copious notes about the plot and its background. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| H for Halloween by Olivia Arieti |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A children's introduction to the traditions of Halloween. No set required. |
| Synopsis | Mrs Pumpkin, Jack O'Lantern and Miss Witch assisted by some of their creepy, scary friends tell the story of the origins of Halloween. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hack by Andy Haynes |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute comedy play, sending-up the pretentions of a writer and his agent. Contains mild swearing. |
| Synopsis | Harold has written another play, just in time for a meeting with his agent Morty, who's dropped round to read him the reviews of his last play. It's not good news, but is Harold a man to be defeated by bad reviews? Maybe. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hair of the Dog by Molly McCluskey |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length romantic comedy. Single set, simple props. |
| Synopsis | In Las Vegas to celebrate the upcoming wedding of his older brother, Keith drinks way too much and wakes up with no memory of the night before. Why is his best friend Amy in his room and acting so strangely? Why was his wallet left in a wedding chapel? And where are his pants? [The last question points out that this is written in American English!] |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Half Measures by Peter Harrison |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 33 minutes. [Estimated!] |
| Music | None. |
| Style | A fun and efficient one act with wit and action giving an original take on the 'boring husband' trope. Easily stageable in one living room set, with just a bit of furniture shifting between scenes. |
| Synopsis | Susan is fed up with her husband, who, after forty years of marriage, is more interested in his model trains than his wife. She wants an amicable trial separation, but Geoff refuses to leave. The solution involves a length of police crime-scene tape. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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