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| Funeral for the Cat by B. G. Craig |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Elizabeth is written female, but could be played male (and renamed Elliot). |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A good mix of emotional drama and dark but gentle comedy. Easy to stage on a single living room set.
US English. |
| Synopsis | Judy, an elderly widow, is holding a funeral for her beloved and recently departed cat. Her daughter and granddaughter are alarmed to find that, since a pet coffin was too expensive, Miss Mopsy is lying on the coffee table. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Further Education by Pete Barrett |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. Frank and Anne are written with Geordie accents. |
| Run Time | Around 117 minutes. [Estimated!] |
| Music | None. |
| Style | A full length comedic play (backed by a bit of recent British history) with a single (scruffy student flat) setting. |
| Synopsis | In this very well observed play, set during the miners' strike in the 1980s, Essex University students, flat sharing Rachel, Emma and Claire invite Durham miner Frank to stay with them whilst he joins the picket line in the locality. The clash of working class and middle class values come to the fore during his stay and in amusing turns both sides learn from the other. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Future Gazing by Robert Black |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | None. |
| Style | A short sketch |
| Synopsis | Ernie thinks he can see the future through a portable crystal ball - which looks suspiciously like a glass marble. Fred has his doubts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Future by Andrew Harrison
Listed by The Independent as one of the 'Top Five Plays', 2007 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | Full length play, single interior set, exploring the merits of living for ever. |
| Synopsis | Three couples meet together over the course of twelve years. During those years a drug is perfected that prevents ageing. The advantages and disadvantages are debated and displayed by the friends at each encounter. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Gabriel-Ernest by Tony Best |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. Either for a youth theatre company, or for a mix of adults and children. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act stage adaptation of a subversive Saki story - this one is edgy, verging on (gothic) horror. There are nine scenes, intended to be played seamlessley with the stage divided into one area for a house and one for all other scenes. |
| Synopsis | 'There's a beast in your woods.'
So it seems. Van Cheele's life is interrupted by the arrival of a strange boy, with disturbing behaviour and an unusual disregard for clothes.
(The author makes some suggestions about how to deal with this last point whilst remaining within the bounds of decency!) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Gala Programme by Tony Best |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Whilst there isn't a formal requirement for a chorus, one could easily be added, as the protagonists refer to the reactions of crowd. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act play, adapting a story by Saki. Single set (as simple as you like). A comedy, if you have Saki's very dark sense of humour. |
| Synopsis | A sufragette rebellion is projected back to Roman times. The Romans, needless to say, did not have very modern attitudes to female participation in the political process, and the emperor's solution to the problem is calculated to please the crowd of the circus maximus rather than twenty-first century sensibilities! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Galileo & Co. by Olivia Arieti |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A short play for school age children, which might kick-start projects about the stars, about science, about history, or about religion. |
| Synopsis | Galileo has been summoned before the Holy Office to renounce his heretical findings that the Earth rotates around the sun. In the few minutes before his hearing, some unusual characters try to convince him to stick to the truth. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Gallery by Stewart Boston |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | Structurally a two-act play (but classified as a one-act on the grounds of length), single art gallery setting, satirising thepretentions of the commercial fine arts world. |
| Synopsis | An unscrupulous Art Dealer has a young artist foisted on him by a work programme, but soon turns the situation to his advantage when a misunderstanding makes the artist an overnight sensation. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Click here to read the script or Click here for more details. |
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| Gallery Attendants by Simon Michael-Morgan |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 3. No chorus. Two on-stage characters and a voice over a two-way radio (which, might be recorded, although it's a to-and-fro of dialogue which would be easier live). |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy - a funny satire on generational conflict - set in an art gallery. (A black box with paintings 'on the wall'.) |
| Synopsis | Two gallery attendants don't have much to do other than stand still. The younger attendant dreams of a better life - or at the very least, having a chair - while the older takes pride in his work and attempts to report his colleague's slovenliness. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Gallinsay by Nicholas Richards |
| Roles | Minimum Male roles = 10. Minimum Female roles = 4. Minimum total with doubling = 21. Minimum total without doubling = 26. No chorus. Characters of a variety of ages (from 10 to 100) |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | The producer's copy of the script includes sheet music for three original songs. |
| Style | A full-length comedy, presented in three acts. Multiple locations, but mainly requiring imagination. |
| Synopsis | St John Carrington de Beauville has forgotten to book his family's summer holiday, a problem solved when an elderly aunt grants St John's children ownership of the remote Scottish island of Gallinsay. But Gallinsay is already inhabited by a commune of enterprising young pioneers who wish to escape modern society, and is also the target of a pair of geologists hired to search for gold. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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